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THE
MAGICIAN’S OWN BOOK ,

WHO LE AR T O F CO NJUR ING . BEIN G A COMPLETE HAND- BOOK OF PARLOR MAGIC ,

O V ER O NE THO U SAND

O PTICAL , CHEMICAL, MECHANICAL, MAGNETICAL, AND MAGICAL EXPER IMENTS,

AMUSING TR ANSMU TATIO NS , ASTO NISHING SLE IGHTS AND SUB TLETIES ,

CELEBR A TED CAR D

D ECEPTIO NS INGENIO US TR ICKS WITH NUM ,

BER S CUR IO U S AND ,

E NTER TAINING PUZ Z LES TO G ETHER ,

WIT H

ALL THE MO ST NO TED TR ICKS O F MO D ER N PER FO R MER S .

THE WHO LE

ILLU STR ATED WITH O VER 500 WO OD CUTS ,

“D INTI ND ED AB A SO U BO E O F M

PO B

S O N E T H O U A N D A N D O N E E V E N I N G S .

D ICK

W NE ’ YO R K

F G ITZ ER ALD 1 8 ANN STR EET

,

.

1 862 .

C Entered according to Act of

ongress,

in

the

year

1 85 7 ,

by

D C Z D I K dz F I T G E R A L ,

C D C D In the lerk’s O ﬂi ce of th e istrict ourt for the Southern istrict of New York

PR EFACE .

publi h thi t ti v lu c c iv t t it Tm;

s ers of

s in e res ng o me do not on e e ha

i l b t i t du t i p blic b i requ res an e a ora e n ro c ion to the read ng u

. Some r ef

k h v p m re ar s, owe er, may not be inapprO priate as a reface to THE

i c bl ck l li ht d MAGICIAN’S O WN Boox, s n e the “ a

art ,” as in essen g ene

p ti th i t i t t t t ages the rac ce of all ese nnocen and n e res ing fea s was ermed,

p p l ly u d t d thi c t y it b d is not yet as o u ar

n ers oo in

s oun r as

is a roa .

h ch l d i l i ht h t t h th T ere is a

arm in eger ema n, or s e g

of and, ha all , w e er

y u ly pp ci t h y t y it th t o ng or old, can readi

a

re a e . T ere is a m s er in

a

piq u d t di ll p v k cu i ity ues the n ers an ng as we as ro o es the

r os

of the

p ct t t ick x ut d ith dd it x it d i S e a or. If the r

be e ec e w

a ress,

e c es our a m ra

ti i pl it pp it cy on ; and the s m er

a ears, the more

engages our fa n

and

i t tt ti it ly h t d fasc na es our a en on. A nd

is not on w en we are mys iﬁe in

publi l d t l p c d th t j c, ca o e in grea sa oons, and in the resence of row s,

a

th t v l p d h y c l d th by p ese effec s are de e o e . T e are a le for

the erformances

v ti t ily c l i ity e en of some humble ar s in the fam

irc e, whose ngenu

of

i d bl d th up v il bl t m n has ena e him to ga er

the more a a a e of hese prac

tic l pu zl ld th u ful thi pl c thi a

z es. It wou

seem,

erefore, a se

ng to a e

s

h l u t ithi h li h source of arm ess am semen w

n the reac of all who can re s

t i iti i t d l vi it h d p its eccen r c es, and ns ea of ea ng in the an s of

rofes sors,”

p u i y p l ti bl d i up t as a ec n ar s ecu a on, to ena e the omest c gro

to mas er and

y it v v yi ph v lty ti ti j en o

in all its e er- ar ng

ases of no e

and gra

ﬁca

on .

To

thi wh t p b i h p p i hi v l do

s is

a the u l s ers ro ose in the ssue of t s o ume ;

th y tt th lv th t ifc f lly tudi it i l p p and

e ﬂa er

m e se es,

a

are u s

ed, w l re are the

u v t p l i bl t i t j Young Con ror to con er the ar or, at any des ra e momen , n o

pl i t t i t hi lf p i a

ace of genu ne en er a nmen for

mse and his com an ons, and

pl p y littl ti th u ht d v am e re a him for the

e me and o g he may e ote to the

i iti c y ill d xt ity acqu s on of the ne essar sk and e er .

l i ht h d ic y t S e g

m of

m an ,

ag

, necro

& anc ,

c. , are

all

erms of art

ppli bl i p p l t d t a

ca e to the same ser es of m erfor ances. The ar or s u en .

[3]

iv

PR EFACE.

th ili ith l p ipl p hi h th erefore, once fam ar w

the genera rinc es u on w c

ese

x i t t d ill littl d ulty p h di e per men s

are effec e

W
,

ﬁnd

e ifﬁc

in com re en ng

l t ith t i h p ph l at a g ance, no w s and ng all the s ow of gorgeous ara erna ia

xili y hi y pl y v y and au

ar mac ner em o ed, the modus operandi of e er one

th it h ill c of em he may w ness in

T is W be a new sour e of

pl b li y tu easure

to

him ,

a i t to

j rn Con uror on

t h ll i ti l his own accoun at m o e. Nor can we we conce ve of any ra ona

b ti lik ly u d i t ki d k l u i j o ec on

e

to be rge aga ns a

n of now edge, so n m

t i th p v ki lt ti peaehable in its na ure, and so m r

i ro o ng n its resu s. A c ng

h d v t ti i i i C ara es are common, e en among the mos fas d ous fam l es.

i p zl p t i p h i xi En gmas and uz es, in an om me and s eec , afford nno m ous e ~ th u p bli h y i r M usement to d o san s. The u s ers onl cons de THE aGICIAN’s

d iti u t li t t t i th t O WN BO O K a new a d on to the c rren s of en er a nments of a

h h t l i ht h d t i pl d c aracter ; for w a is a s e g of an fea but an en gma ace

b p t t l ti h t i k tu l i W efore the s ec a or for so u on ?

at is a r c

in

“ na

ra mag c

but pu zl p t d th b h ld it h h a z e re ea e to

ose who e o

, eac one of w om is

t itly xp t u it pli h hil littl ac

e ec ed to g ess how

is accom s ed, w e the

e

p titi ly h ld y t y t t p l rac

oner on

o s the key to the m s e r ?

In

ru

h ,

the

ar or

i i l t u b needs some ncrease in its means of soc a amusemen . The n m er

it b xt ly li it d y y hi i em races is e reme

m e . The soon wear . T s wear ness

t pp tit ut i tt c i l y h l crea es an a e e for o s de a

ft i i i ly p i i K i ly too o en ns d ous

ern c ous.

ra t ons, not a wa s w o esome, and

M THE

AGICIAN’s O WN BO O n ce

ll up th v id t y p l ti ﬁ s

,

erefore, the o

in -

the

'
ca

egor

f o

ar or recrea ons.

It

d p t v h i l t pt y may be ma

“
e

to

resen an e er- c ang ng, a ways

em

ing , sta t a -

h i t thi h p b l i t t ome nducemen , and in

s s a e ecomes a mora ass s an of no

i p t ipti w ll pi u t u d hu un m or ant descr

on, as e as the q an so rce of goo

mor

b b zl t ed am oo m e en .

l i uld th t In conc us on we wo

say,

M a the

A

GICIAN

’
S

O WN BO O K con

'
t v i ty u i t i pti y hi h tains a grea

ar e

of c r ous r cks and dece

m ons, an of w c

h v v b pp d p t y i h a e ne er efore a eare in rin , and for man of Wh c the

p bli h k l d th i i bt h u s ers beg to ac now e ge

M W e r nde edness to J r. o n

yman,

i l b t i i th t tl h vi ki ly Jun or, the ce e ra ed mag c an,

a gen eman

a ng

nd

i h l i pl x l ti y t p i furn s ed c ear and s m e e p ana ons to man of his mos sur r sing

p l i ar or feats and fanc es.

IND E X .

Sl eig h t o f H a n d T ricks.

H PAGI

The Burned andkerchief R estored,

85

D The
Th e

F lying F lying

D

i
i

mmee,,

(anoth er

m eth od, )

Th e F ire Eater,

0
0

The E

B ox Trick,

95
1

The G lo e Box Trick,

85 86 86

The B eads and Strings,

01

H H To get a R ing out of a andkerchief,

0

K H To tie a not i n a andkerchief which

Ca nnot be drawn Tight,

Q

C “ The Thre e ups,

I

H L Q To tie a andkerchief round your eg,

W U D and get it cd'

ithout ntyin g the

K W H The C The

MO nladogtiM,c aBnoanndd,

his

h air,

8 8 8

K W To ti e a not on the Left rist, with

C out letting th e ri ht han d approach

H d g D C W The Mit,agic

an cuffs,

10 11

C To p ull a String through your Button

H hole,

11

The Cut S

R

esto

re

d ,

12

G The

ordian

no

t ,

12

K The

not

Lo

os

e

n

e

d ,

13

C C j To o n ure Nuts in your Ear,

18

C W W To rack

al nuts in your E lbow ,

14

The Coﬂ’ee Tri ck,

37

Th e The T he

a ndke rc hie f

Magic
Magi c

F

un

ne

l ,

Bottle,

Trick,

88
41
41

The The

Bottle
Mag 1 c

Trick,
uart er,

42
44

To change a im e to a

44

ym an ‘s Gun Trick,

46

The atch e d B ird,

46

Th e App le and O range

47

A Mag ician 8 B ox Explaine d,

47

The E nc han ted
The Mysterious

o i n,
oin, or How to

48

9 P ollars p ass th rough a

ine G lass,

a hi na late, a Table, and fall into

the

a

n

d ,

The Egyp tian

F luids ,

or

Impossi bil ities

4

A

c

co

mp

l

ish

e

d ,

Th e M agic ian 8 Sno
The Magn e tized a
yman 8 Mode of

w Ball ,
m ne ,
pe rfor

in

g

the

Egg

HK H To Take Feathers out of an

Th e

a n dk erc hi ef,
notte d andkerchief,

Empty
14 14

B ag Tri k c .
The D anci ng Auto maton ,
The In visibl e Springs,

52

CHoudin s Nut Trick, j on uring a R ing,

16 17

Th e The

F light of the

M agi c

Bo

o

k ,

R

in g,

T he Erra tic E g,

The O bedient im e,

P The

riso ner

R

el

ease

d ,

W A dvantageous ag er

K P 1 8 Th e Tape Trick,

9 1

Th e notted Th read,

9 1

The Transp osablc ieces,

9 1

The D ouble Meaning,

T he Three Spoons,

J The Juggler s oke,

C W W C To ause

ater and

in e to hange

P laces,

o

W W P The

iz ard s

it ,

or

Is it

ossibl e,

The Toper s Stratagem,

M Th e Impossible
New P erpetual

O

m

e

l

e

t ,

R otary

T he Miracul ous Apple,

oti on,

C An O melet ooked in a Hat,

P T he Infallible roph et,

P C hilosophy

h

eat

e

d ,

D The isap pearing D ime,

20 20 20
21 21 21 21 22 22 28 23 24 26

T r ic k s a n d D e ce p tio n s w it h

C a r d s.

P To Make the ass,
C To Tell a ard by its Back, C Th e ard nam ed w ithout be ing seen, C G Th e ard to ld by an O pera lass, K The F our ings,

55 55
56 56 58

The F our Accom plices,

58

C C To Tell the ard thought of, in a

of Ten,

C O To guess the

ard though t

f ,

irc l e
59
59

C W To tell the num ber of ards by

e

igh

t ,

60

P C The Hat and D ie Trick,
Th e enetrati ve ents,

The D oll Trick,

DH D The
Th e

Flying
Vanish

Coi ed

h

s,
al

f

ime,

Th e The

R est or
Mag ic

ed R in

ocum
gs,

en

t,

C C Th e F ish and Ink Tri ck,
The Hat a nd annon Ball Trick, The D ime in the Ball of otton,

D The Egg and Bag Trick,
The anci ng Egg,

The Bel l and Shot Trick.

27 Audacity,

C 27 Th e C 2 9 The

ard foun d at th e secon d guess
ard found under th e Hat,

C P 80 To call the ards out of t he ack,

H 80

e ads and Tails,

61 61 61 61
62

80 The Surp rise ,

62

81 Th e R evolution,

68

C 3 2 The Slipped ard,

63

C 3 2 The Nailed ard,

63

P 38 To ascertain th e number of oint s on

C 83

three un seen ards,

C d 84 To tell the n umbers on tw o un se en

C 84 1 The Knaves and th e o nstable,

64
ar s, 64 64

(V

Vi

D X [N E

.

PA GE

P The airs R e paired,

Q D C q The ueens D igging for

D The

Trip le

D

e

a

l ,

iamonds,

65 Magic Inks,

66 67

ha m eleon
T h e Magi c

Li uids,
ye s,

Q D W C W The uadruple eal,

67

ine ha nge d into

ater,

C q The ard D iscovered by th e Touch or

Two co lorless Tra nsparent Li uids be

q Sm e l l,
C The Ing e nious onfederacy, H : old it Fast, C C C b The harmed Tw elve,

67
67
69 69

T

w

c
o

ome
c o lo

B 1aek a nd O p
rless F l uids,

M a ue,
ake

a colored

o n e,

1 00

hange of

o

l

o

r
,

y col orless F l uids,

1 00

C q W The Tric k of Thirty- one,”

70

C To tell the Names O f the ards by th eir

To hange B lue Li uid to
Veri tabl e B lack Tea,

hi te ,

100 1 00

WC q C W The
q The

e

ig

ht ,

ards in the

Me tamorp ho

Vase,
sis,

71 73 74

K K q To hold F o ur ings, or F our naves in

H C q your

an

d ,

and

to

hange t hem

C q suddenly into Blank

ards, an d

R T T

est
wo
wo

oration O f olo
Li ui ds Make
Solids Make a

r by
a Soli
Li ui

at
d ,
d ,

e

r,

A

Sol

i

d ,

O pa

M M ue

ass,

akes a Trans

p are nt Li uid, Two cold Li ui ds

Make

a

Hot

one,

1 01 1 01 101

Q t h en t o F o ur A ces,

76

uintup le Transm utation,

C C O H P d To hange a ard in a Pers n 8 and, 76 Th e Same Agent may roduce an

C D C The ard in t he Egg, U H T he F ifteen T housan d Livres, H ints to Am ate urs, C ure for Troublesome Spectators C P To make a ard j ump out O f the

77
78
79
80
ack, 85 7

M estroy olor,
nion of t wo etals without

Magi
Two

c Bre B itte

at
xs

h
M,
ake

a

S

Visible and Invisible,

w

e

e

t ,

eat,

1 02 1 02 1 02 1 08 1 08

C q Th e Tell- Tale ards,

35 7 N To Fo rm a Li uid of t wo SO S,

1 08

H The D ouble D oz en,
The o usebreakers,

858
35 9

T h e M a g i c o f C h e m istry .

S vm path etic or Invisibl e Inks,

84

rl h e Si lver Tre e,

C P leopatra s earls, W C onderful Experiments in

Mimic
Mari ne

R ain,
Ill um

i

n

ation

,

o mbustion,

85 86 86
86
87

The Sp ectral Lamp,

C C C urio us hange o f olors,

P The rotean Ligh t,

C Th e ham eleon F low ers,

C C To hange t he olors of F lowers,

C P hanges of th e oppy,

C hanges O f the R ose ,

W B Light c hanging

hite into lack,

G The V isibiy rowing Acorn ,

Co lored F lames,

1 04 105 1 05 1 05 1 05 1 06 1 06 1 06 1 06 1 07

T h e Mimic E xplosio n,

88

H The Sh ower of Fire,

Th e
The

Magical
Magi c L

eat
am p,

,

88 88
89

S urprising Experiments wi th

si um ,

W D The

ater emon,

A F lame produced with Ice,

C C The he mi cal himney Sweep ,

T h e Magical Illu mination,

C T
C

he he mical
rystal lization

C
s

h1 of

M m el eon,
etal s,

C Beautie s o f rystall iz ation,

C C T o rystalliz e amph or,

To

do .

Ti n,

C H W rystals in ard

ater,

V C arieties of rystals, 9

Po tas

89
89
89
90 90 91
92
98 98
94
94
94

q C dH A Li uid

h an g ed

to a

Soli

d ,

an

C from rystalliz ation,

Beau tiful E xp eri m ent,

eat
94 95

C q A Solid

hange d to a Li

u

id ,

and intense

C q 9 old fro m the Li uefaction,

5

H M 9 agi c of eat,

5

H 9 Subli H G eat

m atio n by
P assing t h

e

a

t ,

ro ugh

l ass,

6
96

q H 9 Metals u ne ually Inﬂ uenced by

C Spontan eous o m bustio n,

q H Ine uality of

e at

‘
1n

F ire

Iro n s,

H 9 M Expansion of e tal by eat,

9 M E vaporation of a etal,

9 M A F loati ng etal 0 11 F ire,

M l ee el te d by Air

eat,

7
97 97
7
8
8
98

9 Splendid Sublimation,

8

G O range colore d F lam e,
Em eral d re en F lame,

1 07 1 07

In st
C To

aonotlanFeloamuseFblyamMee,

ta

l

,

P H roof th at Flame is ollow,

H K H TO old a Hot Tea ettle on the

an

d ,

1 07
1 08 1 08 1 08

In com bustible Linen,

1 08

C The B urning ircle,

1 08

Water O f diffe rent Temp eratures in th e

W D C V sam e

e

sse

l ,

ar mth of ifferent

ol ors,

Substitute for F ire,

La ughi ng Gas,
C F lam e from ol d Metals,

P C hosp horus in
Magi c V ap or,
Gas from t h e U

h l o rine,
nion of Metals,

Cam phor Sublim ated by F lam e,

Green Fire,

PBrillia nt R ed Fire, urple Fire,

Silver Fire,

F iery F o untain,

CCum bu stion o m bustion

wi of

tThlo1 u1 eteFMlaemtael,s,

To Mal e P ap er Apparen tly Incombus

t ib pe

H eat n ot to be estimated by Touch,

W F lame u pon

a te r,

C W R ose olored F lam e upon

at er,

W To Set a Mix ture on Fire by ater,

W W aves
W C ater

of fro

Fi
m

re
th

o e

n
F

lamaeteor,f

a

an dl e.

1nD Ex .

vii

W Form ation of ate r by F ire.

C W Boiling upon o ld

at er,

C W urre nts i n Boiling

ater,

W C Hot ate r Lighter than old,

W C Expansion of

at er by

o

l

d ,

W T he Cup of Tantalus,

The Magic

h

irl

p

o

o

l ,

P AGE
1 14 1 14 1 14
1 15
1 15 115 1 16

d A rti ﬁ cial F ire Balls
To Melt Stee l as Easily as Lea ,

1 17 118

To 'l ell a Lady if S he is in Love,

1 18

P To p ut an Egg in a h ial,

118

P To A sto nish a Large

P Mag ical Test

a

p

e

rs
,

D In ﬁ nite ivisibility,

arty ,

1 18
1 19 1 19

C W hemistry an Age nt in Secr et
W To Melt a Piece of Money in a

riting, 327 al nu t

PShell,

w ithout

Injj uring

th e

Sh

e

ll ,

The yramid of Al um,

855 354

E x p e r i m e n ts i n E l ec tr i ci ty.

P Th e R otary Tobacco ipe,

T he Erratic F eather,
W The A t tractive Seali ng
U The nneig hborly B alls, P Th e E lectriﬁ ed aper,

ax,

The

Sociable

F

e

at

h

e

r
,

ﬁ g é bh e h c‘e entric Fcea her

e I isco nt entecl i th

]

1 23
1 28 1 24 1 24 1 24 1 24 1 24 1 24

Th e D ancing B ra n,

1 24

The

E lect rical

C

a

t ,

1 24

P Electrical Sho ck from a Sh eet O f aper, 1 25

W Light under

at er,

P Simple means of roducing El ectricity, 1 26

A ttracti
How to

on and
Make

R epulsion E
an E lectrical

xMhiabcihtiende, ,

127
127

Condu ctor,
P M The late Electrical

achin e,

128
129

D Ho w to raw Sparks from the Tip of

E the Nose ,
Ho w to G et a Jar ful l of

le ctricity,

129
1 29

D K D The Ele ctrical Battery,

anci ng Balls and olls,

T h e Ele ctri cal

iss ,

130 131
131

W R ionrgkini nggBPeollws,er of E lectricity, W The E le ctri ﬁ e d ig,
C Imitation Th un der l ouds,

131 1 32 132 133

T he The

Lightni ng Stroke
Spo rtsman,

Im

itate

d ,

E x p e r i m e n ts i n G a l va n ism

G Singular alvanic Shock,

Th e Th e

F lash of
Magi cal

Ligh t, C up,

P The
K The

Mrison er Leech,
etam orpho se d

nife,

W P W G T

ith
oM

l at e ake a

'
s 10
Mag

n

a
et

t e r,
by

G Effects of al vanism on

M alvanism ,

a

ag

n

e

t ,

13 7

C C hang e of olo r by Galvanism,

G The al vanic Shock,

GA al vani c Tongue,

1 88

G :P Inﬂu en ce of alvanism on orter an !

GA l e.
Th e alvaniz ed Fl oun d er,

188 188

p ag e
E x p e r i m e n ts m M a g n e ti s m

Th e Impromptu M
fiﬁ The Met Iron Fi

ne

t ‘

ga

P P Test of

ornet ic o w e r,

M M T o ake A rt iﬁ cial ag nets,

M Ho w to agnetiz e a o ker,

e To Show Magneti c A ttraction a d R

n V p ulsion, ariation of

the

Ne edl e ,

D ip of t he Needle,

h To S uspe nd a N e edl e in t e

P H M Mag
Mag net
ow er o

n
f

e
t

tism,
by he E

am m
le ctro-

eMrianggn,

et,

The arin
To Make

er s C
Arti ﬁ

omp
cia l

aMss,ag

ne

ts

Air, by
With out

th e Aid of e ither Nat ural Load

W P M sto ne. or Artiﬁ cial agnets,

The
No rth

M atch ag ne ti z ed,
and So uth ol es of

th e

Magn et,

143
1 44
1 44

P o lari ty of t h e Magnet,

1 44

MToagPnaestsicMAacgtni

o e

n
ti

a nd
sm t

R

e

a

ct

io

n
,

hro ugh a Tabl

e,

1 45
1 45

T he Magn etic T able,

P C Interesti ng arti culars

Magn

e

t ,

m Exagge rat e d

Magn etis

1 45 oncerning the

T h e M a gi c o f P n eu m a tics a n d

A c r o s t a ‘w s

W P P ei h t of th e Air roved by a air of

gello w s,
P W Th e ressure of Air Sh own by a

ine

G lass

A h G Th e Pressure of ir S o wn by a lass

Jar

El asticity of th e Air,
P The Air ump, P W g To rove t hat Air h as P To rove A ir E lastic,

ei

ht ,

H D Air in the Egg,
The escending Sm oke,
alf Eagl e an d F eather,

The

Soun dless

B

el

l ,

C Th e F loating F ish,
Th e Mysterio us ircl es,

T h e D i ving B ell,

Th e A ir B alloon,
How to Make an Air Ball oo n,

H ow to F ill a. B alloon,

M To

ake F ire Balloons,

C P The Mysterious Bott le,
How to Make a arachute,
TahoeuBtcahcocuhcusBEalxlpooernism, ent,

T h e M a g ic o f O p tic s.

Ligh t as an Eﬁ ect,

R efraction,
C V The Invi sible

oi n Made

G Th e Mult iplying lass,

isibl e,

Transp aren t Bodies,

C P Th
To

e Prism Make a

,

rism ,

om positio n of Light,

V111

i nne r,

A Natural Camera O bssura,

B ul loc k‘s Eyes E xp erim ent,

C The
The

Mamera O bscura,
agic Lantern,

C Th e amera Lucida,

PT

ai
o

nt ing th Ex hibit

e
t

hSeliMdeasg, ic

Lantern,

M Elfe 1 ts of the agic
T emp est at Sea,

Lan tern,

P T
D

he is

o

l

h anta sm ag ori
vi ng View s,

a,

G Ho w to R aise a host,

T 1.e Thaum atrop e,
C C m The Bird in the age, onstruction of the Phantas ae eope,
Curious O p tical Ill usion,

163 1 65 1 65 1 66 1 67 1 67 1 68 168 1 68
1 69

Anoth er,

170

PA no th er,
The icture in th e Air,

1 70 1 71

B reat hing Light and D arkness,

1 71

To Sho w w hat R ays of Light do not

P O bstruct each o ther,
To See thro ugh a h iladelphia Brick,

Th e Stereoscop e,

W M O cul ar Spec tra,
Brill iant ater

irr or ,

O ptics of a Soap B ubble,

K The
Simp

M al eidosco pe,
le Solar icrosco

p A namorphoses,

e,

C I‘he osm oram a,

D C M istorted Lan
The agio o
T1:e Magician
P The erspecti

dscap es,

in,

M 3

irror,

M ve

irror,

172 1 72
1 73 1 75 1 75
1 76 176 1 77 1 78
1 80 180 181 344

The Artiﬁ cial Landscap e,
P Th e Boundless rospect, P Th e En chan ted alace,

T r i c k s i n Bl e c h a n i c s .

Im
Th

p
e

ortance Laws o

o
f

f Mechan
M o ti o n ,

ics,

Ex erim ent oi the La w of

Mo ti on,

B ancing,

P H The rancing orse,

C To onstruct a F igure, wh ich, being

P C laced on a urved Surface, and

P Inclined in any

o sitio n,

sh

al

l ,

w hen

left

to

i

tsel

f ,

R eturn

to

i ts

CP To

F orm er
Make a

ositio n, arriag e R un

in an Inverte d

P osition w ithout Falling,
C C To a use a ylinder to R oll of its own

W H e

igh

t ,

up

i ll ,

Th
C Th Q D To

eeMBahaklieanneasceedMuSaatrnitcdekra,rino, l

l

ar

Turn on its

P E dge on t he oint of
The S e l f- B alan ce d P ail,

a

N e edl e,

To Lift 11 Bo t tle w ith a Straw,

Th e D anci ng Pea,

The
q Th e

Toper s
Mag ica l Motion,

T

ri

po

d ,

Snake. or

th e

O

bli

K Th e Bridg e o f nives,

H Sand in t h e o ur G lass,

uity of

,
T r ic k s i n H ydr a u l ics a n d

H yd ro sta tics.

H The
P The

FScience of ydraulics,
o untain and ump,

H The ydraulic D an cer,

W The Syp hon,

Th e

at er

Scre w ,

H The
Th e

B o ttl e
Magic

EJe of

t'
c

ment,
ydrosta

ti

cs

wi th

An cients,

G W r To E mpty a lass under
The Myste ri o us Bottle,

ate ,

C W Boiling upon o ld

a te r,

C W urrents i n Bo iling

ater,

W CC W Hot

ater Lighter than

E xpansion of

ater by

W The Magi c hirlpool,

ol

d ,

ol

d ,

W W The Cup of Tan ta lus,

To
More

eigh than

ater
F ull9

w i t h out

Scal es,

the

T ric ks in A c o u stic s.

The Science of Acoustics,

D iti‘ere nce betw een Sound

V i si bl e
Transm
D o uble

Vi
i‘ t

brati
ed V

o n,
i br

ati

Vi bration ,

on

,

and

Noise ,

C h a mp ag
Music of

ne

and

S

o

un

d ,

the Snail,

P T he Tuni ng F ork a F lute

M usical

Bo

t

tl

e

s ,

l ayer,

W Th eory
Th eo ry

of of

V h isp eri ng ,
th e o ice,

G To T une a uitar w ithout the Assist

1 93 1 93 1 93 1 94 1 94 1 94
1 95
1 95
195
1 95
196

an ce of th e E ar,

P ro gre ss
H To Make

of

So

un

d ,

an E olian

arp ,

G The Invisible
Magic of A co

u

irl , stics

w ith

th e

q The Secret of Ve ntrilo uism

An
,

cient

s,

196
1 96
1 96
1 97
1 98
81

g To Sho v how Soun d Travels through a soli

g m 9 To Show that Sound depends upon V i

M bration,
usical F ig ures R esul tin fro

So un d,

18 35 7

T h e M a g i c o f N u m be r s , o r
C u r io u s T r ic k s in A r ith m e ti c .

PAph orism s of Number, alp able A rith m etic,

The A bac us,

N apier s R ods,

Th e. Ari th metical Boom erang,

To

F ind

a

Nu m ber

Th ought

o

f ,

Secon Third

d Met Meth

h

o

d ,

o

d ,

F ourth do. ,

F ifth

do. ,

DSixth

do. ,

To iscover t w o

or

m or e

Numbers

l ND EX .

ix

The Mysterious Halvings, to teil a

P 9 Number a erson

S ec o n d

Me

t

ho

d ,

has

Thought

of,

208 2 11

W W ho

ears t he R ing ?

W P hat is robable ?

Variations,
C A musing ombinati ons, V C P The isitors to t he rystal alace, C G How m any hanges can be iven to
P Se ven Notes of a iano ?

D C D The Arith metical Triangle,

How m an

ifferent eals can be mad e

wi th hirteen ards out of Fifty

G t w o,
ThTSeehcTiordhnrdMeeMetehtrohadco,eds, ,

The F o rt unate Ninth,

T he Ten Ten‘s,

Dividing the Beer,

C W The D iﬁicul l ase of

in e,

Decimation of F ruit,

W Th e ine a nd the Tables,

W C g o The Three Travelers, hat o unter has been Th ou ht r

q M

o ut of Sixte en,

S '
c

u a res

q 0 d Magic S uares,

q G The S uare of ot ham ,

C P The

Mathem atical

B

lac

ksmi

th ,

urio us ro perties of some Figures,

C Th e Industrious Frog,
T he o uncil of Ten,

Th e Tw o Tra velers,

g nq q Arit
The

h m e tica
Mon ey

l Trick,

T

ri

c

k ,’

he Philoso p h s Pu

o D i scover a

u are

ils,
q umber,

C C The

Sheep,

and

the

Sheep

F

o

ld ,

The o un trywoman and t he

To R ub o ut Tw enty h alks at

F ive

Tim es, R ubbing out every Time an

O dd o ne,

The Im

ibl e Triangle,

O dd or ven,

o

0 p The Figures, u

to 1

0 ,

arrange d

as

to

C make 5 05 i n each olumn, when

C C o unted in Ten ol um ns Perp en

dicularly,
Co unte d in

and Ten

the
F iles

Same w hen
Horiz o n tall y,

240

W O ld oman and Her E

- 240

r The Mathe matical Fortune ell e

241

D G U The ice uessed nseen,

Sovereign an d th e S

K The C The
The
C The

MAesanrtgootiawnciaiinslnhGgeedaSnmhFteeuap,rrhyme, redr,,

H C The

atter

h

e

ate

d ,

D U D gits The Basket of Nuts,

nite d i

,

e cembe r a nd

The T w o D ro vers,
The Basket and Stones,
Th e Famous Forty- F ive, Trick in Subtraction,

mm ed

g T he Mysta

s Addi tion,

H P To te ll at w hat our 11 erson

to rise,

To ﬁ nd the D iﬁ erence betw een Tw o

G Num bers, the reater of w hich is

U The

nkn ow
Magic R

n,
em

ai

nder,

P q A e rson havi ng an e ual

Number of

C P ounters, or

ieces of Money, in

H each

and, to ﬁ nd ho w m any h e

H has alt oget h e r ,
The T hree Jealous

usban ds,

T he F alse Scales,

W Th e
G The

Apple
ra c e s

M o man,

and

uses,

J The esuitical Teacher,

Q Nine uaint Q uesti ons,

G C The
M ul

F ti

ox,
lyi

M M oo se and orn ,
ng oney by on

e

y,

PT he h fair D ivi sion,
A op ular F allacy,

C u r i o u s T r ic k s i n G e o m e try .

G Th e Inventor Geo metrical D

of eﬁ

n

eom
i ti o n

etry,
s,

G The Five
q How to

eo m et ri ca l
Make F i ve

Sol ids, S uares

into

a

W large one w ithout any

aste of

D n V Stuﬁ’, ece ti ve

isio ,

Cp P The arpenter uzz led,

P The Brickl P Trian gu lar

ayer
ro bl

uz z

e

m ,

l

ed,

To F orm a S uare,

qS uaring the
P C The erplexed

M rol e,
abin et

aker,

258

C u n o n e a n d A m u si n g P u z z l e s0

G P Alexander th e reat’s

C C e The
P T he
D G The

hinese ross,
a ra l l e lo gra m,
ivi ded arden,

uzzl ,

2 66 2 66 2 67 2 67

The E ndless Stri ng,

C WP P P hi

V M ne se az e,t he
e rt ical Lin e

illow uz zle,

attern

T he Thre e R abbits,

q A ccomm odating S
C P Th e ircl e uzz le,

uare,

C P The ardboard uzzle,

P The B utto n uzzle,

Q P The uarto uzz le,

P The uz z le of F ourte en,

q C P Th e S uare and ircle u zzle,

P S cale and R ing
H P Th e e art uzzl e,

uzz le,

C P ross uz zle,

q Yan kee S uare,

C P ard uzz le,

q P l The
The

T hree S Cyli nder

uare uzz
P uzz le,

e,

267
late, 268
2 68
269

W P Th e F our Ten ants,

uzz le

a

l

l ,

CH P The Twenty- F our Nuns,
Th e orse Shoe uz zle,
Th e ard Square,

P The D og uzzle, P uzzle of the Tw o Fath

The Triangular P uzz le,

C C CP ut ti ng o ut a ross,
An ot . e r ross uzz le,

P P The
The

F o unta in uz z le of

uz z le, th e Sta rs,

CC q P P M The
Japan

o unt er
S uare

P

uz z le, uz z le,

T he abine t aker 5

uzzl e,

P Stri ng and B alls uz z le,

DG H PP P P ouble eaded uzz

Arit hm eti cal
ra m m a ti cal
The T re e uz

z

uz z
uzz
l e,

l e, le,

le,

P uz z ling

E

p

i

ta

p

h ,

C u nious Let ter

,

PA uzzling Inscription,

P uzz ling R
Th e K nigh
A nother
A nother

P ings,
t 3 uz zl e
MMeetthhoodd,,

,

R osa m o nd s Bow er,

The

Labyri

nt

h ,

C P T he hi nese uz zle,

W Tro uble -

it ,

A n sw e rs to

C C The
P The
D G The

h in ese ross,
aral lelo gr m a .
i vide d arden,

P u z z l es.

C P T

he Endless
hinese Maz

Str
e,

ing,

The Vertical Line uzzl e,

The T hree R abbits

The Acco mm odating
C P The ircl e uzz le,

Square,

C PP T he C ut ard uzzle,
T he B utton uz zle,

P Q Th e
P The

1: arto uz z le,
uz zle of F o urt een,

q C P T he S uare an d ircle uzzle,

P The Scale an d R ing° uzzle,

H P The C T h e

P e art
ro ss

uz z le, uz z le,

C q P T he Y an kee S uare,
Th e ard uz z le,

C q P P The Three S uare uzzle,
T he ylinder uzz le,

W P T he F o ur Tenants,

The uz zle

all,

T h e T w e nt y- Fo ur Nuns,
H P The orse Sho e uzz le, C qP The ard S uare,
T he D og u z zle,

P T he T w o F ath ers,
Th e Triangular uzzle,

C C ut ting o ut a ross,

C P A noth e r ross uzzle,

P T he F o un tain

uzz le,

P Th e Star uzz le,

C P Th e o u nter uzzle,

J q P ap an S uare uz zle,

C P M a binet

aker’8 uz zle,

P String an d B alls uzz le,

D H P ouble eaded uzz le,

P Arithm e ti cal uzz l e,

D X IN E .

G P rammatical uzzle,

P T h e Tree uzz l e,

P uzzling

E

p

ita

p

h ,

CA urio us Letter,

PA uzzlin g Inscription,

T h e M a gic o f A rt.

To Trace an O val,

A n E ndless So urc
Th e Magic of the Vari atio ns of th e

e
O O

of Amuse
val, val,

m

ent

,

W q hat m ay be done with a S
C Ho w to m ake a ircle,

uare,

C D Importance of the

ircl e

‘
1n

q C Variation of the S uare and

rawi ng,
i rcl e,

Im p o i ta nce of t he Tr1a u le

C Ho w to onstruct a Triangle,

W W Th e Triang le

orks

onders in Pet

803
3 03
3 04 3 05 3 06 3 07 3 07 8 08
3 09

Spe cti ve,

E
T

xagge rate d
he P aralle

D raw ing,
logram a

n

d

Triangle

in

C C b Pombination,
T w o aral le lograms 1n

om

P Magic o f t h e arallelogram,

ination,

-

3 12 3 12 3 13

C The Secret of o mic D ra wing,

3 l3

Caricature Sketch ing,

3 14

P ﬁ Si mple Ele men ts of th e ro le,

8 15

C P H b Pom ic roﬁ les, un ch , an d

M o th er

ub ard,

8 16 316

Co mica l Beards,

3 16

H Th e um an F igure,

317

P H roportions of th e uman F igure,

3 18

H Standard eigh t of th e B ody,

3 18

C D H omical

rawing of th e

uman

F ig ure,

3 19

C G The entre of ravi ty,

320

CA entral Li ne th ro ug h E ver thing,

320

C The urved Line Per vades al Nature, 82 1

D The roll Landscap e,

3 28

C A tti ude F ormed upon th e urved

i1ne,

D G How to

raw up on

lass, for Magic

Lante rn Slides,

W T h e M a g i c o f S e c r e t

r itin g .

W The Art of Secret

riting very

V C S M An

cien

t ,

ari o us odes of

om m un i cat in g

e

cret Inte llige nce,

327

C W hem istry an Agent in Secret riting, 327

W Ingenious Mode of Secret

riti ng,

328

The Ch iﬁ’re Indé chiﬁ’rable,
H P M A Look for r. obbs to ick, C CC TThhAeenMoiturhsceuirclaaMlr etyhyppohdhe,err,,

328 83 0

T h e M a gic o f Stren g th .

Mech an ical Inven tions of th e Ancients

fe w i n N umber,
Ancient an d Modern F e ats of Strength,

F eats of Bokeberg p articul arly des

a T H O ne cMriabnedD, rawing ag inst

wo

o rses,

Breaking th e R ope,

336

D X IN E .

Th e Anvil Feat,

H P AGE
33 6 The

our of th e D ay or Night told by

C Breaking Stones,
T h e ha ir F eat, Th e K n ee F eat, The C annon F eat,

To

a Suspen de Ench anted

d
P

Shillin al a ce,

g,

K ﬁ n ow w hich of Two

Di

'
e

r

en

t

Wate rs is th e Ligh test, w ithout

GTw isting Iron Bars, eneral E xp lanation

t P F eats,
R eal F eats of Streng h

erform ed by

T h o m as
P R t markable

T o p h am,
o w er of

P e rsons w hen the Lungs are

3 40

any Scal es,

K u P To

n o w if a S uspicio s

iece of

G Money is
Th e Pyram id

ood or Bad,
of A lum,

D Th
W To

e
M

ancing A uto
e lt a P iece of

m at
Mo

on ,
ney

in

a

al n ut

Shel l w i thout Inj uring t he Shell, 3 55

P ﬁ ated, yrami ds of

Men,

341

M isce l l a n e o u s C u r i o u s T r i c k s

a n d F a n cies .

G A
T T

hhneeAMPretairgﬁsipccieiaaclntiM‘vseeMmMiorirrryorro, ,r.

The Magi ca l yroscop e,

C M Artiﬁ cial Landscap e,
Easy and u rio us eth o d of F oretell

W ing R ainy or F ine
The Magical Measure,

eath er,

The B o undle
The Mat t el

ct,

846

Th e In visi ble Springs,

C C J P The
Mus

F ligc h t of th ical F igures

e r

R in g, esul tin

g

from

Soun

d ,

856 35 7

To Make a ard um p out of th e ack, 857

T he Tell - Tal e ards,

357

H T he D oubl e D oz en,

The The

ou
Mag

se
ic

breake Bo ok,

rs,

35 8
35 9
3 60

The
Mor

Ta p e
e th an

Tr ic
F ul

k ,
l ,

3 60 3 61

K F loating N eed les,
Th e no tt ed T hread,

86 1 3 61

C H P The uri

B ac
ou s

c

hus E xpe
Method

rim
0!

M en

t ,

easuri

ng

eight of a

Th e Transposable ieces,

3 62 the

THE YO U NG C O NJ U R O R .

C UD G H H H J C C D IN L IN SLEIG T O F

AND WIT ,

O B E TS O R

H U U WIT O T APPAR AT S

AR S WITH AND ,

.

H th b Juggl y g ld T AT

ere has

“
een

er

in al l a e s of the w or ,

p g hi t y b u d tly p v ci t the a es of s or a n an

ro e . The a n e n rel ig i

h th w ix d up with xt i v y t ons of the e a en ere m e

an e ens e s s e m

l g d i w l ti u t ick y of

e

er

ema

n ,

and

m e re ,

ore o r e ss ,

ss es of r

er .

l ight h d t gu by which w d S e

of

a n tl icks of the on ,

e

the

or

k pt but b k h p v i u w as e

to the e ar,

ro en t o the o e a n d a r o s ,

i cul u d c pti w by which p i t m ra

o s ee

ons

ere the me an s

,

the r e s s

gypt G c u d ubjug t ki d of E

,

re e e an d R ome ,

se

to s

a e man n .

ppy ught livi g wh hu bug Ha

o

w e t o be in ,

n

in a n a g e

en

m

v y ki d u t xp u by d ylight of e er

n is s re to mee e os re

the a

t uth be ams of r

.

t ti f li t ti p d The Eas ern na

o ns ,

rom the e ar es

1

m me s ,

osse sse .

2

T HE MA G l C l A N’S O W N 3 0 0 11

.

b id t ligi u j uggl th d liv i es es hese re

os

ers o ,

ers w ho ma e a

el

h d by g i g f pl c pl c p f i g v i u oo

on

ro m

a e to

a e and ,

er o rm n

ar o s

t ick f t by which judg t r

s and ea s

the

e me n wa s be w ildc 1 e d a nd

t i bﬁ itbly zlxcd d th v tp f W the re ason am oo e ; an d e en now the

t he E a s n n e e e e

ose 0 1 the

es

er ormers of
In the Nor

.

ti t d j gl u j cul t j man mes the ug g lei w as erme

on

e

r or
,

o

a or and ,

u it d i t l t l g y d w n e

m m in on e the

n s re a s ro o e r a n d

,

,

e rr - a n re .

f u t th c tu y h v b c In the o r een

en

r he se ems to ,

ae

e ome more

ti ly p f t ick f t b en re

a er ormer of r

s and ea s and ,

ore the n a me

g t u t g t u w d pt v y ki of Tre e o r. The re e o rs

e re a e s at e er

nd

l ight h d by i t c chi of s e v i u ki d d c iv y p ct t ar o s uch illu i w u u lly upp d duced s

of an and ,

the a ss s a n e of m a

n e ry of

ns ,

ee

e d the e es of the s e

a

ors ,

and pro

s ons as

ere s a

s

o se t o be the

ct ch t t which th y w f qu tly effe of en

k d with c gici witch h uc ran e

d ubt f qu tly pp tu ity i g who no o

ick xhibit d by t g t u ti y h h

se

an men for ,

re a son e

e re re en

m sor erers

a

,

ans and ,

es .

Ca

e

r
,

ha d re en

an o or n

of see n the

e

the re e o rs of his me sa s “ T ere

,

,

w j I sa e pl a yen g e

o

g

e

l

o

u

r

s ,

m ag ycie n s,

tra g ete ours,

phe

witch c t onysses, charmere sse s, ol d

p t g th ti th y will the old oe

oes on to say to

es an d sor e re sse s

,
em ,

“So m e

me s

e

and

b i g i ilitud g i li k ﬂ w r n on the s m

e of a

rm

on or ma e ,

o ers

p g up d w ti th y c u vi s ri n

a s in a me a o ; some me s

e

a se a

ne to

ﬂ u i h whit g p h w c tl built o r s , bea1 ing

e and red

ra

es ,

or

s

o

a as e

with t wh th y pl th y c u wh l s one and

en

e

e a se

e

a se the

o e to

di pp th p t w k y ,

,

sa ear

an d in an o er ar of his or he sa s

,

l t There saw I Col Trege our,

t ll U pon a table of sycamour,
P lay an uncouthe thynge to e ;

— f I saw e bym cary a w yndemell,

U nder a walnut shal e .

House o Fa me, book 111.

l d ch J p f ctly c vi c d The earne

mon ar

a mes I w a s

,

,

er e

on n e

th t th th i f i f t xhibit d by a

ese and o er n er or ea s e

e

t he tre g e

t u uld ly p f d by g cy o rs of his day, co

g tl wh it p lit of the

old

m e n e an ” ,

p f i l dy f ll v y cl ro ess on had a re a

on

be er orme

the a en

om

is not o

m e to n a

e .

The

a en e r l ow a n d at the ,

ose of

ig Qu liz b th p f w k d the re n of by l w it th t ti ly with the mora

een E a r ers of

e

the

,

er ormers

a

me not on

,

e re ra n e
ruﬁi a n s ,

bl ph thi v v g b d but l with J w as emers ,

e es and ,

a a on s,

a so

es
,

u k h ctic p g d T r s e1 ,

s ,

a

ans ,

and

sorce i e rs

;

an d m more mo

e rn

ti by uggl c ll d mes ,

j w a y of

de l isio n ,

the

er w as a e a mocus

p c h cu p cu t pplic pick p ck o us, or

o

so

s a ei m a ,

a bl e t o a

-

o

et,

c ch t or a ommon

ea .

m T HE YO U NG c o uno a

3

.

f ll wi g p g i t d d k y u The o o n

d ith ch t t ick t th thi g rea er e

er a

h p utt ly c t ptibl v y lif t ick a s so

er

,

d c pti w uld c uti y u g t and e e

on
,

bt i by th u t l v d c p i which not to o a n

ly ll w bl uc t u t which is on

ao a

a e s a re n o t n e n e to ma e the o n g

e a or a
on em

r

s er ;

e l n e er

e re is n o

- day

e as ,

n , per

r

e ry

and we

o

a

on our

on

mas er

e se a m semen s a o e of e e t on ,
e in s h fe a s of am seme n a nd

culp bl wh v y k w d c iv d is in no w ay w uld dvi t gly cultiv t But we o

,

ae ,

en e e r on e n o s he 1 8 e e e .

a

se him s ron

to

a e in his ow n

i d vi tu i c ity t i htf w d c d m n the

r es of s n er

,

p t uth hu ub fug d c pti o

enness and ,

r

to s n

w uld v u ptil h t w uld he o

a enomo s re

e

s ra g
s ter
and to

or a r ne ss ,
e and e e

an

o

r
,

on as

a e a l ie as he o

h th t g tl wh w p lit ate a same old en eman

om w e e re too o e to

f th it n a me and w ho is the a er of

a

Wi,th musing

t

choisnj

usa r

igneg

atdr

ivcikcse

,

we

h ll.
sa

p t resen

a

co l le c t ion

of

.

SLEIGHT O F HAND .

i t ti f ll wi g p g It is my

n en

on in the ,

oo

n

a

es to ,

l ay

mo re

t p th t ick which qui pp tu th s ress u on

o se r

s

re

re n o a a ra s

an

,

up th which p ci l pp tu i t c on

ose fo r

se a a

ara

s o r the ,

a ss s an

e

c f d t qui d ly w ll of a

on e era e is re ,

re .

No one is ne ar

so

e

pl d by t ick wh c vid tly li ease

ar

ose e ssen e e

en

e s i n t he map

chi y whil v y f l pl u i g l ight ner ,

e e er one ee s

e a s re a t se e n

a se

h d t ick tly x cut d p t of an

r

ne a

ee

e . Fo r my ow n

a r I de ,

pi u u b x b ttl v i g t d c v s se all the n mero s

o es,

o

e s, a r e a e

o e rs
,

th gi c ck whic g lly and o er

m ra s

h a re

enera

seen on a con

j u t b l h v v b pl d with ror’s a e ; a nd I a e ne er een so

e ase

any

p f with did v qui t bl but er ormer as

one w ho

n ot e e n re

re a a e ,

p d i t vic ticl b w d f udi c resse

n o his se r

e ar

e s orro e rom his a

en e
,

d b f th w lk d g th p c as he stoo h uld v bl t ick li tators s o

e ore ne er

em or ,
be a e

a
to

e amon
say, “Ah

!

m e

.

the r

The s e e s in

d h w i t the box he are s n ot s o

to us 1

f ll wi g t ick h v l t b ucc fully The o o p f d by y lf h v c u d put ti er orme gic i v t in the ma

n

r

s a e a mos all een s

e ss

m se and ,

a e a se me some re

a rt .

So me are my o wn n en ion

a on

F G D 1. THE LYIN IME

i t ick u t f qu tly p ctic d b f it Th s r

m s be re

p ublic duced in . c l d ilk h dk chi f f c p y Borrow tw o o ore s

h v di y u h d b ut ly h w k p and a e tkree mes in o

th ﬁ ly ﬁx d g i t t j i t ing the o e r o ne rm

en

ra

e

e o re

is pro

an er

e s ro m the om an ,

r an ,

on

so

two ,

ee

e a a ns the ﬁ rs o n o f the

G C T HE MA I IAN 'S O WN BO O K .

c d thi d ﬁ g u t l h v dl se on and

r

m n e rs You .

s a so a e a ﬁ ne n e e e

th d tuck i id cu y u c t h t k and re a s

n s e the

ff of o r oa . T en a e on e

h dk chi f put di but p t d of the th t ly h dk chi f th put a on

an er

e s and ,

on e is in the an

in bot/1

me s ,

re e n

er

e

en

the handker

chi f i t l vi g c h gi g h ld e n o a hat ea n ,

up di which p ct t i gi the tlzird

me (

on e orn er a n n
the s e a ors

out .

No w

o

ma n e is the

c p y c d h ) second , a n d a sk one of the om an to l ay the se on

and

chi f v it th h ld di tight ker

e o er

You
.

e n a sk him t o o

the

me

b tw ﬁ g thu b whil twi t up h d e een his n er and

m

k chi f hil d i g with b th h d c c l d u d er

e .

W

e o n so ,

,

e you

s

the

o

an s on e a e

an
n er

h dk hi f p titch u d di the an

e rc e , yo u a ss a fe w s

e s n er the

me ,

pl c dl hi b i g d p d c and re

a e the n ee

T e .

s

en

one s re a one orn er
,

h dk chi f v h d p till of the an er

e o e r t he a n of the erson w ho is s

h ldi g di t ki g h ld th c t ll o

n the

me,

and ,

a

n

o

of ano

e r orn er e
,

him

d p di wh h v c u t d th to ro the me w d th l t di whi k h d or “ ree,” he

en you e s g o the

a e o ne
me , a n d yo u

re e .

At the

s the an

i t wh di pp h v kerchlef n o the air ,

en the

me a e ars to a e van

but lly h ld h dk chi f th t ll ished,

is re a

e

in the an e r

e

You en e

.

t i h d i dividu l d w th h dk chi f the as on s e n

a to ra the o er an er

e out

by c th t h gi g di of the hat

the orn e r a is an n out The t w o me s .

h d f ll i t v y p u d d are h t h v c ju d di p t a

ear
yo u

to a
ae

n o the

hat and ,

e

er

one is

ers a e

on re one of the

me s out of a e rson’s

d t it i t han

and
,

sen

n

o

the

hat .

D 2 . ANOTHER METHO .

h p p ct t it g i d d Per a s the s e

k di thi c v y it f l w to mar the lw y ch t i c dul u p ty ( some one a

me .
as

a ors m ay a sk t o see

In

s ase

ar

,

oose the m os n re

a a n or eman ,
a s o lo s Ask .
) o s of the a r

k di giv it k to ma r a

me o f his o w n , an d

e

yo u .

Ta e t he s a me

h dk chi f giv di h ld th t l dy an

er

e , and

e him the me to o

a is a re a

cl d it l t t ick d pi g k d di en ose in

a s in the a s r

,

, rop n the mar e

me

i t p l y u h d wi t it up b f th n o the a m of o r an

Ts

.

a s e ore , a n d

en

l v it ti ly h d i ct pl c it ea e

e n re in his an s D re him t o

ae

on

.

t l c v it with b i uc a a b e and o er ,

a

as n or sa

er .

A sk him to

giv cup tu bl h ld it u d t bl e you a

or

m er, and o

n er the

a

e ,

b th pl c wh uc h t ll enea

the

ae

ere the sa

er is .

T en e

him to

k ck th ti uc thi d k ck no

re e

k d di f ll i t tu bl d tu b the mar e

me s on the s a er a n d a t the

,

me a

n o the

H m e r.

an

r

no

him the

l et
m«

whil x i i g di if it ler and ,

e he is e a m n n the me t o s ee

is the

th t k d t k uc h k same on e

a he m a r e , a e up the sa

er and s a e out ,

h dk chi f th t yi g u d it l t t ick the an er

e

a is l n

n er

a s in the a s
,

r

.

u t th tu h dk chi f whil p You m s

en re rn the a n

er

e and ,

e you reo

t hi g k d h d th e n d to be s e a rc n for the mar s ra w out the t re a

at

,

6

G C W T HE MA I IAN’S O N BO O K.

d pi c i c c li g ma e of the same

e e of w re an d ,

on ea n

the fal se '

ip gt d ph l it y utu h dd b w h dlk hi f W r n in the
s ec e ;

a m of o r an , offe r the re a

en

is re rn e

o rro

,

a an

on e to be ln
erc e and ,

whil t ki g it f l d lip l i g i t y u e a n

rom t he e n e r, s

the re a r n

no o r

l ft h d t k f l p i t ju cti e

a n a n d a e the a se on e at its ,

o n of

n

on.

h w h dk chi f v i g iv it T ro

t he a n e r

e o e r the r n , an d g e

to some

h ld b tw ﬁ g thu b h d one to o

e e e n his n e r a n d

m .

Le t the an

k chi f f ll v it giv pi c t i g c d er ct t di cti g it u d h dk chi f spe b ut i ch b l w i g cl it a o

e a o er

a or , tw o

re n n es

and
,

ea

him t o t ie

eo

the r n

t ll tightly hil bag , and e him to do so as

e e of s r n to a se on

. ro n the

an

er

so a s t o e n ose

,

W a s he ca n

.

e,
in a
e he

d i g thi t k up y u c ju i g w d is o n

s ae ,

h d ight i ch l g wh k t ar w ood a bout e , ’

ti d t p f d p i g i t y u l ft h d is

e se ,

orwar ,

t ki g c lip v it l i g which l i a n

are to s

o

o r on r n

a n a ro d o f some ,

een n

e s on

and

,

en the n o

a ss n the r od n o o r e

an ,

er

t he re a r n

ha s a n

c c l d th lip y u l ft h d c t on ea e

ere

S

.

or e

,
a n t o the e n e r of the

di ct ch p h ld rod and

re

,

it ight h d h t ll i g of in his r

ea

of the t wo ersons to o

one end

an

T en e the o ne w ho has the r n

.

h dk chi f th y u l ft h d which and an er i di t ly c v with y u ight h t ll th mme a e

e , to lay
o er

em on o r e

an ,

or r

T en e
.

yo u
e m to

p d th h dk chi f y u h d S rea ano er an er

e ov er

or

an

s and to ,

say

ft hil th y d ithg tu b lidk fi lv ti g d w W a er you any nonsense

a

e

e are so o n

,

you
n en

e to n en .
the a se r n

and
,

it th ugh h dk chi f by p i t c ro

the

an er

es

on e o f it s o n s

,

ful y ubbi g b tw thu b ﬁ g pl c l r

n

e een the

m a nd n er the

ra are ae

wh it c h ugh g pty h dk chi f ere

ame t ro

Ha n the e m
.

an er

e

v i g which t k w y y u o er the r n

is on the ro d a nd a e a a ,

o

r bands ,

which xhibit pty h v tuck f l i g you e

em

, a s yo u a e s

t he a se r n

i id y u cuf k y upp h dk chi f ns e o r

f T a e a wa the .

er an e r

e and ,

thi d p c x i wh will let a

r

erson ome to e a m n e

,

en he

ﬁ nd the

i g g h dk chi f hu g up r n

on e o u t o f t he a n e r

e and

n

,

o n t he ro d .

D C C C W TO TIE A KNOT IN A HAN KER HIEF HI H ANNOT BE D G R AWN TI HT

.

t di y k t phccqluuuiulptiltdhytkh ttpuhdcdkhciiltitghffcytwtthiilutluhfhiutthipgbuthpwtwutulglhlhlidvdpkdull Cas . an or nar

no on a an er

e and ,

end out of o r r

e the
an to

some
on s

se

a or and ,

e

him to

J ar a n d re e .

s ar s as

en
he

you
s ,

or e

m

n er the

an

er

and
,

e s ra

e as d ra , be
wo
,

n in
e
a ny

t he
o ut
not

C J U T HE YQ U N G

ON ROR .

u t th t h v l f at all. You m s let g o the end

a

an g s o er the e t

h d g p h dk chi f b tw thu b an

and ra s the a n e r

e

,

e e e n the

m and

ﬁ g fo re n er.

C P 6.

THE THR EE

US .

hi d i bl d lu i but qui v y c ful T s is an a m ra e

e

s

on ,

re

re s e r

a re

g t h uld p ctic d p t dly b f it mana xhibit d publicly th cup h p is e

e men and s o

be ra

e re e a e

e ore

,

e

. You g et

re e tin

s
,

of the

s

a

e

h w cut h y h uld h v th idg s o n in the

Te s o
.

a e tw o or

ree r

es

i g u d th uth d giv b tt runn n ro n

em at the mo

in
,

or

er to

e a e er

h ld F u b ll h uld o .

or a s so

n o w be

d c k c fully bl ck ma e of or , and are

a

1

d b ll h ld ene

O n e of the a s is e con

.

b tw t c e ale d e e e n the roo s of the

thi d f u th ﬁ g whil r and o r

n e rs ,

e the

th th h d d u d o er

re e a re a n e

x i ti t g th with cup h th y e am na on o e er ,

ro n for

the

s

.

W en

e are re

tu d y u g c ju b gi by pl ci g ch b ll rne

the

on

on ror e n s

an

ea

a

,

u d cup ch ki g p ct t f n er a

or i he

,

,

ooses, a s n

hil thi b i g d lip f u th W do so for him

e

s is e n

on e o f the s e a ors to o n e he s s the o r

.

,

b ll tip c d thi d ﬁ g th lift a to the

s o f the se on a n d

r

n e rs He

en

s

.

cup pl c it t bl i ch f up

No 1 re a e s

.

,

on the

ﬁ t p iti ti lip f u t b l rs

os on and at the same

,

u d it t k up b ll p d th w it n er

He a e s

.

N a

o.

a e a fe w n e s me s s the o
1 and re ten s t o ,

rom
rh
ro

it s
al

w y but lity lip it i pl c which a a ,
f u t ll ccupi d d with th o r h ba

in re a had o

he s s

n to the

ae

e

He oe s the s a me

.

the

the
re e

cup th c c h ch ft l t b ll s, and

e n omme n e s a s a m se ar

a e r the os

which ccid t lly l k ck v cup in

he a

en a

( ) n o s o er one of the

a
,
s ,

p t d d t i h t ﬁ d b l l u d it a nd to his re en e as on s men

,

,

th k ck v th th cup ﬁ d th He

e n no s o e r bo

the o e r

i i g b ll the t w o m ss n

as .

nsa
s and ,

a

n er

.

n s in e m

g i pl b ll u d cup t ki g c He a a n

lip f u th b ll u d cup th t k up cup s

the o r

ace s t he a s

a

n er

n e r the

sa n

a re to

,

No 3

He

en a es

.

.

l p t d th b ll i t but hid it N d o

an

.

,

re en s to

ro w the a

n o No 3

.

,

es

b f th l dy b ll p c A as e ore.

s

e re a re a re a

t w o a s in No 3 the s e

.

,

t t i gi th t lly th b ll i t it a ers ma ne

a he re a

ha s

ro w n the a

no .

pl c cup v b th b ll lip g th He re a es

No 3 o e r o .

a s, a n d s

s amon

em

b ll th t k up cup g th ugh a p c k cki g v cup th the ll f u d t g th u d it whil p ct t ba b i g t i h d b ll quickly are

No 1

.

.

He

en a es

N 2 o .

,

same ro e ss and o n no ,

n o er

s are o n

o e er n er

and

,

e n as on s e

a No 2 c a n be

,

and oes

ro

No .

3 ,

all

re e

e the s e a o rs

g e t rid f o .

th t tli g t i ti thi t ick A ra er s ar n

e rm n a on to

sr

c a n be m a n

g d by t ki g cup with ut a e

a n up m r e o f t he

s ,

its mo h u nw a rda

8

G C K T HE MA I IA N’S O WN BO O

.

h ld g g thu b l uth by o in the ﬁn er and

m c ose to its mo

th wi g th cup i t it l tti g ﬁ t c tch ro n ano er

no

en

,

c d pp h v th w c d cup ing the se on , you a

ear to a e

th ugh ﬁ t ro

the rs .

g o the rs ro n the

[h en
.
and a
se on

D C U F U DG U W 7. TO TIE A HAN KER HIE

RO N

YO R LEG AND GET IT OFF ,

ITHO T UNTYIN THE KNOT

.

ld h dk chi f by b th d c t Ho the an er

h dk chi f y u k p d b l w an er pp i g c thgwtighchihvcbtihutgttihhdi wbhiiclhigwtyhbhpihcgihctwckdhthi tgydtwhwdthiwitihgii a ear n

e on o
to ross

e

o

e n s, l a y the en er of the

r nee a nd a ss the tw o en s ,

em ,

in re a

n

em

eo , n

ea ra

o er a s re re sen e in the eu ,

n,

s o s the ma nn e r in

s is m an a e

D ra

.

s loop

, and r n

a

the en s to the

same s e on

e

e re o r

lly th b v l p na

, a nd tie

em a o e .

If the oo

p p ly d it will t d g d is ro er

ma e ,

s an a oo

t ﬁ ly it tpi udll put hy u hft d uh dwi g k t ors how by givi g it h p pull it will c n
g vi g p t which l p The en

rm
as ra n

is
ar re

.
e ,
,
re se n

T en, a er s o

o r an

n

ome

o

ff .

s the m an n er in

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MAN AND

HIS CHAIB.

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F W W 10. TO TIE A KNOI‘ ON THE LE T EED - ITHOUT LETTING THE G D PP C RI HT HAN A ROA H IT

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C J U T HE YO U NG O N R O R

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G UG 12 .

TO PULL A STR IN

THR O

H YOUR BUTTON- HOLE

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12

G C W T HE. MA I IAN'S O

N BO O K .

G D 13.

THE OUT STRIN

R ESTORE .

t g th d pi c t i g p Tie o e

th ugh ch twi t it c u d put b th d i t ro l ft h d w ight h d pidl l g ubl the e

ea
an

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.

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m e

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a nd remo
W ,
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D 14.

THE GOR

IAN KNOT .

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an er

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T

.

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14

W T HE MA G i c rx N’ s O N BO O K.

h d ly ut will l ft i t d th thi d an , on which pp h v g i t y u a

two n ears to

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re e
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C C U U W W 17. TO R A K

ALN TS IN YO R ELBO .

c l v y t g w l ut y u ight h d Con ea a

er s ron

an

i‘
n

o rr

an

and

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s .

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j i t y u th t g i g on the

on

Of

o

r arm and ,

s ay

a you a re

o n to

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the o e r O f o r m s e s Yo u .

now a e

w l ut y u y ight h d l one a n

in o r a rm a n d tw o in our r

an .

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a n a aren

o en

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en

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on O f the

a n u in

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en

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me n

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you had

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it b k f y u ight h d stitute for

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an .

F P D C F 18 .

TO TAKE

EATHER S OUT OF AN EM TY HAN KER HIE .

P cu ilit y cl thi f u l g plu ro re at the m ar

o

e r’s o r o r ﬁ ve ar e

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a s a re

orn

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ra

T ro
.

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D D C F 19 .

THE

KNOTTE

HAN KER HIE .

hi f c i t tyi g u b h d k t T s e a t ons s s in

n

ck t h dk chi f b w d f c p y po

e - an

h l t i g p h ld k t by p t en e t n

t ly i g h dk chi f k t b c a or mere

er

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no s and ,

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er

e all the n o s e ome

,

U G C J T HE YO N

O N URO R

15

.

l d h dk ch i f t d igi l un oosene , and the an

er

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na

t t s a e

.

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os e e n s on e in e a ,

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g 1 o the r

an

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ro ,

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yo u

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- a n e n d o e r the e , a nd

e the e t

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,
- an

end as

p ihbl h v ti d y k t h dk chi f W oss

e.
e n yo u

ae

e

as man

no s a s the

will d it h d th u d c p y f l th t a m O f an ,

e m ro n for t he o m a n

th y k t th h d h dk chi f y u e are ﬁrm no s

en ol t he a n e r

an
to
e

er
ee
in

e a or

ight h d ju t b l w k t with l ft h d r

an
,

s

eo

the

no s and ,

the e

an

tu l p t c t h d ch i f v rn the oose ar of the en er O f the an ker

e o er

th d i i g p h ld th f th y t k em, es r n some erson to o

m e

.

Be ore

e

ae

h dk chi f h d d w ight h d the an er

e in

h dk chi f which h v ight h d of the an er

e

,

which ily b i g till h ld you may eas

g th by l p t h dk chi f p e er

the o o se

h ld h dk chi f will d cl f l th who o s the an

a n , yo u

ra

out the r

d - an e n

you a e in the r

an and ,

do a nd the kr ots e n s ,

e to

ar of the an er

e , the

e rson

er

e

e are he e e s

em

t t k h ld d h dk chi f h you

en a e o

O f on e of the e n s O f the an er

e

which h thg d wth t lld i ph t bfyt givi one ,
h dk chi f t h k wh k t the

an s o

two ,

re e

an er

e

n and , en e
a sm ar

e s re him

him to l et

s

a

e the .

to re e a a er you,

go, w

en ,

ole of the

ng
n o s w il.

c u l d be o me n o ose

.

16

m W T HE MA c l AN’s O N BO O K.

h uld by ccid t whil t tyi g k t giv S o w g pull h d k t will ron

you,

a

e n d t o be

will k w wh thi h pp d quence , a nd you

en ,
ed, a
no

s ar
en

n the no

no

be

s has a

s ,

e the

the con se

en e the

i t t d w l ft h d ns an you try to ra

the e - a n e n d O f the ha n dke r

chi f h t u t th f tu thi i t k e

s or er .

Yo u m s ,

e re o re ,

rn

s m s a e to

b t dv t g by ki g c p y the

es a

an a e,

a s n any one of the om an to

l g it will t k u ti k c u t see how on

c d h u ti d k t y u th ing

the

se

on

s .

a e him to n e on e
W e n he ha s n e the

n ot ,

you

o

no , o r o

n
er

k t will i ight th y w b f vi ﬁu no s

rema n r

as

e

e re

e ore .

Ha n g

tyi g k t p h ld th ished

n

t he

no

s
,

let

the

same

e rson o

e

m ,

a nd

t ll th t t k i ut u ti k t e him

a , a s he o o

two m n

es to

n e on e

n o he ,

ught ll w f u t i ut u ti v o

to a o

you o r een m n es to

n e t he se e n ;

but wi h t k dv t g will as you do not

s to a e any a

an a e, you

be

ti ﬁ d wit f u t c d sa s e

h o r ee n se on s .

xcit l ught du i g p f c You may e

e some a

er

r n the e r orma n e of

t i t ick by d i i g th pull k t l g with h s r

pull h d th y pl f id yo

u ,

to

h dk chi f y u lik wi the an

,

es r n

as ar as

er

e is n ot

ose w ho

the n o s a on

e

e a se , a n d n ot t o be a ra , a s

o rs you may

e se g o to the

h dk chi f d i i t o wner of the an

pulli g k t yi g th t if h dk chi f t n a no sa ,

it ly ight th t h uld h v h it is on

r

a

er

e , and

e s re

n

a

,

the a n

he s o

a eas

him t o a ss s yo u in

er

e is t o be orn ,

a re of

you m ay

lik wi th t d pull v y h d which will e se say c u l ugh g i t a se a a

a he oes n ot
a a n s him

er

ar ,

.

C 2 0 .

HOUDIN’S NUTTRI K .

p f cl v t ick with d xt ity b f ll To er orm a e er r

e er

e ore a sma

p ty c b c h v i g m a r ” is at on e t o e o e the ero O f the e e n n . If you

c t i g u t lv c u d u d c h anno pip if ith th y u f t g d t ick e ; will giv qu l pl u b ight blu y p two

s n , you m

ne

er of

ee a

m s so e o n
e se be “ o

n r

r

s or
,

or e ” a

e a s re to the “ r

,

an e a

oo

r

e e es ”

orn or
eer

t ick xhibit d th p f ing

at

yo u .

The n u t r

is e

h d udi c d t pl t c b ic an s the a

e n e a e sser

e

u s The

a e and a am r

ro essor
ha ndke r

chi f x i t th b i g tu d pl c e for e am na ion

ese e n

re rne

he

,

a e s the

pl t p t bl h dk chi f th a e u on a a e near to him ; the

an

er

e is

en

p d quit v pl t c d ug d s rea out

e ﬂ at o e r the

ae .

At

omman

s
,

a re

l d ut p u i t t pl t a mon s n ,

s a nd comﬁts ,

o r n o the de sse r

a e the

i t t k chi f lift d p duci g ct th t ns an the er

e is

e up, ro

n a n e ffe

a

w uld h v t i h d gi which o

a e a s on s e t he ma

of O ld .

The w a y in

it thi M k c lic l g ugh h ld is done is

s

a ea a

o bag ar e en o

to o

ut w t t i t d di t ib ut x ctly the n s an d s ee me a s you n en to

sr

e ea ,

p tt ightc p l tt lv g to the a ern of a n

a o r t he e e r A a s rn a ll s e a e ,

tu d b tt p cu pi c is rne up at the o om O f the bag

ro re t w o

e es

t h p i g b d th quit ch O f w a c

s rn

and en

,

em

e ﬂat ea ,

sp1 ing to

U G T HE YO N O O NJL' BO R .

17

x ct y h lf di t h i t be e a l lv g w up h p d it the se a will cl it lf c qu c p i g l g ose

a the ame
e and se n , se in on se

W e r O f t he ba g . T e se a re p ut

ﬁ rm .

e n t he bag is o e n e

en e of the s r n s

A on

.

no
,
p in

p d th ugh b t u d h k is asse

ro

the top of the bag an d en ro n

oo

h p ﬁll d with ut it s a e .

If the bag be n ow

u p d d by h k ith u d g ut s s en e

the o o w ,

e
o t a ny

n s &c

,

.,

m ay be

an er O f the n s or

thi g l f lli g b c u lth ugh u any

n

e se a n

out ;

e a se a ,

d w w d p i g k p it hut h thi the bag is

on

ar s the s r n s ,

ee

o s

the mo th O f

W en

s

.

t ick h w p p d hu g id r

is t o be s o n , t he re are ba g is

n on the s e

t bl th t w y f udi c pl t of the a e

a is a a rom the a

en e The .

a e is

l pl c d th t id wh h dk chi f l id a so a e on

a s e and

e n the a n e r

e is a

v pl t p ti l ft f ll v id o er the

a e a or on is e t o a o e r the s e of the

t bl k ch f pick d up with h d a e .
c t ju t l dy d wh wi h xhibi in the

No w the

( en er

s

er ie is

e

as a a

oes

en she

the rig ht
s es to e

an
t

l c dg wit it ut f ld the a e e c b c hid l ft h d u d d w am ri

)e an d ,

h the ba g O f n s the o

e t he ba g . The e

an is now se

s o f the
to ra

v h dk chi f p thi c u o er the an er

e an d to re ss the bag ;

s a se s

p i g p f ll g d thi g up the s r n

s to o

en and out ,

a

pl t hi c u u ci t div i t the

a e . T s a se s s fﬁ e n

the

oo

n s”

on

e rs on for the me re s

ty c j u d p b hi d t bl u ro O f a on ror to ro the bag

whil dv c udi c p lit ly i qui i g ill e he a an es to the a

en e,

e o

n e

t he
n

a e n se en

rn

W “

,

,

t k ut w t t you a e a few n s or s ee mea s

C G G 21.

ONJURIN A RIN .

v l v y v l u t ick h w with Se era

er mar e o s r

s c a n be s o n

an or

ﬁ g i g p i g it t ugh t bl dinary

h n

er r n

su c
,

, as

ass n

hro

t he a e ,

th ugh b i gl pl t th i t ro

l a a s n a n a e,

ass or a

a e,

en n o a box or

t b x th f t l g d i i i l ne s o f o es a n d o er e a s O f e er ema n O f a s m ar ,

ki d h t ick g d th t th y lw y h w n .

T ese r

s are so oo

a

e are a a s s o n

by p f gic v i g p ti but v the ro essors of ma

at e en n

ar es ,

a re n e er

xpl i d h w v will tt pt P cu ft e

a ne ;

o e er w e ,

a em i t .

r o re a so

cl ilk h dk chi f h g ld i g ean s

an er

e and a s am o r n

now a nee

bl ck ilk d ubl ilk iddl dleful of h dk chi f i g h g f it u p d d by an er

a

s

o

e se w the s

to the m

e of the

,

,

e an d l e t the r n

an

ro m

s s en e

,

,

k chi f ilkh h b dukt thchi f fhuld i ucph by f W the end O f the s

the e r

e

, say at a o
en the an

.

ree or o r n

er

e is e

e s rom
two

c u p d d i g u t lw y h id orners the s s en e r n

ms a

as

a ng on the s e

f ci g gici h dk chi f th h k a n the ma

a n the an e r

e can

e n be s a e n ,

pf ld d f i up p h idg th ugh dki ikti g N o e ear

“,

an
all

d

c a

1 ump
r” .

l

ed
ow

,

in t he a n s ,
to ass a r n

so as ro

to

ma e
a rn

ap
n

gl pl t th ugh t bl which it p c d ass and

a e and ,

ro

the a e on

l dy g tl will ki dly l d g If any a

or en eman

n

en

l i s

ae

.

me

a

ri n

I
,

h ll ppy xhibit l ct ic g tic cti s a be ha

to e

the e e r

and ma ne

a

on

9

a ll

[8

T HE MAG l c rAN’s O W N BO O K

.

t llic ub t c b di c i O f me a

s

s a n e s o n dia pho n ou s

o e s and eram c

uf ctu by h wi g th i i p vi u man a lig u p duct du rosity O f y u t li wh t xt di y y uth sa s A n

re s ,

so

n e o s ro
Caro ne “ ,

n a

e r m e r o sne ss, a n d the p oa

s O f t he Ho n

ra s ” .

He m I”

an e ra or nar

o

1” D O

h w v ll w y u lf c i d w y by not ,

o

e

er ,

a

o

o rse

t o be arr e

aa

a ny

ﬂ tt y thi ki d but d t i ll a er O f

sn ,

e e rm ne t o do th e trick we a n d ,

p i k b w d i g h d deserve

ra se .

Ta e the

orro e

r n in t he LEFT

an ,

k p it th p t d p it ight h d and ee

ere

re en to a ss t o the r

an and

will pl c it h dk chi f will ki dly say, “I

ae

in the an e r

W e .

ho

,
n

h ld whil put gl pl t o it for me

eI

the

a ss on the

a e in the ce n

t bl hil thu f ly wil W ter O f the a e ? ”

e you

s ree

a sk w ho

l

h ld chi f will cu t b hful l dy o

the ke r

e , you

se re the mos

as

a

or

g tl c p y h ld y u i g en eman in the om an

h dk chi f will p c iv l di g tl an er

e

“Y o u

.

( ) to o the

o r r n in the

er e e , a es and

en emen,

th t gl pl t quit pty h ll a the

a ss a n d the

a e are now

e em

Is a
.

pl c gl pl t c t now

a e the

ass in the

a e on t o t he e n e r O f the

t bl qu t l dy g t pl c i g a e and re ,

e s t he a

( ) o r en to a e the r n a nd

h dk chi f v gl p ticul ly w y u the an er

e o e r the

ass .

I ar

ar

dra

or

t ti f ct th t will i g f ll i t a ten on to the a

a you

[rea r the r n

a

n o the

gl wh qu t it l d will th ass

en I re e s

t o be re e a se . Yo u

en be

c t i th t it gl but c d it h ll er a n

a

is in the

ass

a t my o mma n

sa

p i t thi h w u d which h ll pl c ass n o

( ) s box s o the box ro n ,

Is a

ae

u t bl i g d ugh nder the a

e .

( ) No w m ss or sir be ,

oo eno

to let

i g f ll i t gl il c i g h d the r n it f ll u t ply xc pt d f P t a

a

n o the

ass S en e 1

“Ye s ” all m

s

.
re

ee

,

,

Tn t he

You ea r

ea

re s o !

lift h d chi f th It is now in the box

You

.

the

a n ke r

e s moo ,

d w y u b w with it put it i t y u p ck t o n o r ro

udi c l ft th lv h y u h a

en e a re n ow e

and
,

to

emse

no o r

es .

Te

oe

The

.

r s to the

pl t gl it th b h ld it a e and

a ss ,

u d v it th u t y c uld v a s so n as e er

is n ot how

e re
g ot

h n ow

t he box ,

er A n Carr

eo o

I is
ne er

t ll but c uld put it th y u l ft h d e ,

you o

, fo r you

ere out O f o r e

an

wh p c d u d t bl en you

la e

the box

n er the a

e .

a m m s .

THE

a

a EGG .

f f g Tra n s e r the e g g

m r o

one w 1ne-

l ass

h b ck g i igi to the ot er an d a ,

p iti with ut t uchi g nal os on

o

,

gl ll wi g p or

a sse s, or a o

a o n.

a n t o its o r

n
an y

the eg g
e rso n o r

thi g t uch th p f any

n

to o

e m TO .

e r orm

thi t ick th t h v s r

al l
,

a yo u

a e to do is to ,

bl w tly id o smar

on one s e of the e g g , an d

it will i t xt gl p hop n o the ne

a ss ; re e at

thi will b ck g i s and it

hop a

a a n.

U C J U T HE YO NG

ON

ROR .

19

D D 23.

THE OBE IENT

IME .

C D A APITAL TBIO K AT THE INNER TABLE.

di b tw h lf d ll Lay a pl c up l g c i gl and a e di g v di ith in the a

me

e

een two

a-

o

ars ,

on the ar er o ns a

ass as ,

m ra

.

R emo e the

me w

di pl ci g ith h lf d ll out

san e

er O f the

a

-

o ars or

gl ft h vi g pl c d gl the

ass A er a n .

i i ply c tch t bl co

ns

a

s

in

dic

a

t

e

d ,

s

m

cl th with il f ﬁ g di o

the n a of the

a e the ass a n d

s ra

t he a e

o re n er in the

cti w uld h v di v re on you o

a e the

it will w i di t ly t bl cl th c y and

ans er mme a e

me to mo e ,

The a
.

e

o

is n e e ss ar

thi t ick b t uit d b kf t for

s re a son the r

is e s s

e to the

re a a s or

di t bl u t will ight d by nner a

e .

The a m se me n

be h e

ene

re

citi g f ll wi g w d p i vi g ﬁ g n the o o n

or s r or to mo n the n er

ittl L e dime , do not stay
In a pl ace so out- f o - t he - w ay ;
ﬁ ll But when my nge r moved sha be, i l L ke a good fel ow co me to me . ”

P D 24.

THE

R ISO NER R ELEASE .

Pl c di b tt gl v a e a me in the o om of a

put qu t di g puzzl a

a r er a s in the ,

v l l c i f b th is to remo e the sma

a ram .
o n rom

ass, and o e r

The

e

ene a

the

l g with ut t uchi g ith c i ar er one ,

o

o

t uchi g up tti g gl thi or o

n or

se n

ne

e r of the o n s ,

t he a ss To do

s

.

c pit l t ick u t bl with c id bl a

a

r

you m s

ow

ons era e

f c d w i d gl p d g o r e o n one s e of the

as s u on the e e

qu t di will xp ll d by of the

a r e r. The

me

be e e e

f c will f ll ith up the upp u f c qu t up the

or e

O f the

a ir a n d ,

er s r a e O f the

ae ar er or

er

on

on the

t bl littl p ctic will d p f a e A

e ra

e

re n e r the er orm

c thi f t v y y .
a n e of

s ea

er e as .

l atte r

DV G G W 25 A .

ANTA EOUS

A ER .

qu t l dy l d tch x i it R e es a a

to en

giv gu v lu th f w e a

e ss a s to its a

you a wa

. E am ne

and
,

e

e n o fe r t o l ay the o n e r

w g c id bly b l l v lu w tch a a er ons era ,

e o w the re a

a e of t he

a

,

th t will w th qu ti which wil a she

not ans er to

put c cutiv ly My w tch h to her onse

w tch thi which h ld h d a

, a n d s ay, “t

e

,

a t is

c u will f il ply My w tch x she O f o rse

,

,

not a

re e
“
s
to re

es ons

a

”

.

Io
“

,

yo u

l

S o w he r t he

in my

a

”

.

an
Ne t.

20

W T HE MAG IO IAN’S O N BO O K

.

p t tic th bj ct p ti g re sen to her no

e some o er O e

re e a n the sa me

,

q u ti bj ct p t l es on If she na me the O e .

you

re se n

she

,

ose s

w g but if gu d b i g the a t k y My w tch u t c u her s a

er ;
e she sa ,

she be
“
s ,

on
a

he r

ar , and remem er n

” she m
,

s , Of

o rse w in ,

th f div t tt ti h uld b v and yo

c t i t k but upp i g to

he

r
,

u

e re

“, Yo u a

ore re

to
,
er a

n

er her a to w in the

en sa

on s ,
e
,

o
s

O ser e
os n I

l wh t will giv if c ﬁd t ucc ose

a

,

yo u

e me ? ” a nd , on en O f s

e ss,

pli thi d ti My w tch th t k it she re es for the

r

me

a

”

en a e

and

v w g g d lea e her the

a er a re e

,
on .

,

D G 26.

THE

OUBLE MEANIN .

Pl c gl liqu up t bl put v a e a

ass O f any

or

on the a e

,

a hat o er

it will tgucgh d i k liqtuh u d u tdh t I , and say,

I

hat ,

and

ye t

’ll

t bl ft givi g th k ck k i the

a

e and a ,

en a
n ot o

er

n

e to r n the

or

the ha t ” . ree no

Yo u

en

s ,

you

ma

n er

a

g et n er

e a no se

wit y u uth if w w ll wi g liqu h o r mo

as

you

ere s a o n

t he

or .

h g tti f u d t bl g tl T en e ng rom

pl d k g if men be ,

e a se to

d k liqu will i up wh i t tly ran the

or ,

t k gl d i k c t t yi g G tl a e the

ass and ,

v fu ﬁll d p i it th t I ha e l e my

n er the a

e ,

yo u

s ay,

No w ,

en e

loo ” .

Some o n e e a e r t o se e ,

you

ra se

the hat ,

en you ns an

r n the on e n s, sa n ,

en emen ,

rom se

You a re all w nesse s

.

aI

did t uch not o

the

hat ” .

P 27. THE THREE S OONS.

hi t c pit l t ick but it qui c f d T s is a mos

a

a

Pl c th ilv p c wi t bl erate’s

aid .

ae

ree s

qu t p t uch u will re

es a ny erson t o o

t uch by i gl i p cti lth ugh ﬁnd out the one he o

es

r
,

re

res a on e

e r s o on s ro ss

se on a a e ,

one and ,

a ss

re

him

yo u

a s n e ns e

on a

o

will l v wh l d v if you

e a e the room

i e he oe s so an d e e n

he

,

uch it g tly di g d which to

es so en

as n ot to

s a r ra n e t he o r e r in

th y c put light t d g ti e are on e

in the s

es

e re e

You re re and

.

wh giv tic t w lk up t bl en he

e s yo u n o

e to en er ,

i p ct p if t yi g c t i wh th and ns e th k up th d cid ere are

the s oon s a s ,
a ny ﬁ n g e r- m a r s

rn
on

u c f t c u k ig p vi u ly Yo r

d m f o n e e ra e o ,

o rse ,

a es

a

t o the a e

to as er a n

em and tl en ,

some s n

re

,

e er

e

e.

os

g d up giv tic which id tic l a ree

on to ,

e you n o

p cti t uchi g butt j ck t s oon

the a

ons

may

be ,

o

p t chi g chi c d put for the top s

o on ,

ou

n his

ti g ﬁ g lip ig ify l w t but n his n er to his

s m ay s

e

is the

en

na

on O f his a

n fo r the se on a n d ,

n

the o e s

a e
t he

p ci cti i t i l th t p th y i di re se a

m m on s a re

a er a , so

a the s o on

e

n;

c t u d t d a e be n ers oo

.

UGG 28 THE J .

LER ’S JOKE.

k littl b ll ch d t tch y u h d Ta e a

e a in e a

h a n , a n d s re

o r an s as

22

T HE MA G IO IAN’ S O W N BO ox.

th w g th t ere is a ﬁ re, and O ffer to bet a

a er ,

k will bl k l t with th coo

n ot be a e t o m a e a n o me e

w g by h vi g p vi u ly c u d gg a er is won

an

re o s

a se

il d v y h d bo e

er

ar .

a the cleverest

m e

.

The

the e s to be

P P W 33 .

NE

ER ETUAL R OTAR Y MOTION .

ccid t l ccu c it c tly b By an a

en a o

rre n e ,

ha s re en

een d is

c v d th t pi c ck c y t l qu tz cut o ere

aa

e e O f ro

- r sa

or

,

ar ,

in a

p culi f p duc up i cli d pl with ut e

a r orm ro ,

e s,

on an n ne

ane, and

o

pp t i p tu xt di y t y ti any a aren

m e s a n e raor n ar ,

ro ar

mo on ,

which k pt up i d ﬁ it p i d ti may be e

for a n n e n e e r o o f

me .

The

cu i ity thi phil phic l h vi g xcit d g l r os

of

s

oso

a toy a n

e

e

en e ra

i t t ci ti c w ld P f li n eres tu thu xpl i ph re
c y t l id b i g cut ccu t ly f “T, he

in the s en ﬁ

se

a ns the

r s a ha s six s

or ,

ro e ssor Le s

e nomenon

es and e n

a

,

e , in his le c

ra e

rom

f c p f ct c v x u f c if pl c d up the a es to a er e

on e

w tt d th u f c h ld p ll l ti will t k e e

smoo

s r a e, and e

s ra e ,

ae

m a ra

e

no
,

o on

on a ae

pl c b c u c t g vity ch f c b l c d a e, upp t d thi p iti pl u f c but if and s

e a se the or e in

en er O f ra

O f ea

a e is a a n e

s os on O f t he

ane s r a e

light i cli ti giv pl t y ti a s

n n a on is

e n t o the

ane a ,

ro ar

mo on

c c c qu c upp t b i g v d ommen es in onse en e of the s ,

or

en

re mo e

f c t g vity i p tu c giv rom the en e r of ra

The m e s on e
.

en ,

the

c t ifug l f c i c t y ti uc en r

a

or e n re a se s the ro ar mo on to s h a

d g b v u bl d i ti gui h e ree a s for an O ser er to be ,

f c y t l Pl c c y t l pi c pl t f — orm of the r s a . To p roduce the ( eet

a e the

na e to

sn

s

r s a on a e e of

t he
ae

c wi d gl chi gl z d pl t or ommon

n ow

a ss a ,

na or

ae

a

e ,

or

a ny

th u f c p f ctly cl g p ticl smoo du t w uld i p d ti u f c giv s

s

ra

e
,

o

me

er e
e its mo

e a n a s re a se o r a a r

e Of

W ,
on

e t the s r a e a n d

e

.

,

pl light i cli ti wh if p p ly g d the

ane a s

t y ti will c c which k pt up a ro ator mo on

n n a on ,

en,

ommen e ,

ro er
m ay be

mana e ,

e

fo r

l gt ti by givi g lt t i cli ti t th any en h of me

n

a ern a e n

na ons o . e

pl u f c cc di g v t c y t l ane s r a e a or n to t he mo e men s of the r s a ,

h ight pl i g ct which v i ty p p to e

e n the e a s n e ffe

Of

a ar e
,

O f a er

ﬁgu h l qui w ltz tt ch d ﬁ t res ar e ,

ns

a

,

e rs, & c. , m ay be a a e . The rs

t i l p i t b tt d by givi g r a O f the ex er men had e er be ma e

n

a.

light t t y ti c y t l s

ro a or

m o on to the

r

s

a

”
.

C PP 34 .

THE MIR A ULO US A

LE .

divid ppl i t v l p t with ut ki To i d P dl th d u d i d the r n
.

e an a

e n o se era

ar s ,

o

b rea ng

ass a n ee e and

re a

n er the r n of the

ppl which ily d by putti g dl g i a

e

,

h l it c p i g till at the sa me

is e a s

one

n the n e e

oe

a me o ut O f ; a n d so a ss n

e in
’
on

a an
yo u

U G C J U THE Y O N

O N ROR

23

h v u d ppl b th d g a e

one ro n the a

e

Then ‘ t ake

.

o

e n s c f the

th d y u h d w it by which rea in o r an s and dra

out ,

mean s the

ppl will divid d i t p t a

e

divid it i t y p t pl you may

i d will i ti P t ppl the r n

be

e n o two

e

n o as man

re ma n e n re .

a r s . In t he sa m e m a nn e r,

ar s a s you

e a se ,

and

yet

re sen the a

e to any one

p l will i di t ly f ll pi c o ee and it'

mme a e

a to e es

,

.

.

C D V 35 .

AN OMELET

OOKE

IN A HAT O ER THE M ,

C D OF A AN LE

t t th t b ut c k l t th S a e

a you are a o

to oo

an ome e ;

en you

b k f u gg pl c h t ti v rea

o re

s in a ha t ,

a e the hat for a s or

me o er

ﬂ c dl h tly ft p duc l t the ame O f a an e and s or ,

a er ro

e an ome e ,

c pl t ly c k d quit om e e

oo

e

and
,

e hot .

p will c dul u ugh b li v th t by Some ersons

be re

o s eno

to e e e a

h lp c t i i g di t h v b bl d the

e

of er a n n re e n s you

a e een ena e

to

c k t with ut but c t t ick oo the omel e

o

ﬁ re ;

the se re O f the r

Is

,

th t l t b c k d pl c d a the ome e had een p1 eviously oo e and

a e in

but c uld b c u p t wh the

hat ,

o

n o t be see n e

,

b ki g gg pl c d it high p ct t rea n the e

s ,

ae

too

b v c t t gg w pty O ser e the

on en s .

The e

s

a se t he O e ra o r

en

,

fo r the s e a ors to

ere e m

on e s the c on ,

t t h vi g p vi u ly xt ct d b i g uck d en s th ugh ll p tu but p v t c p y f ro

an

be e n

re o s

a sma a er re

e ra e , by

en

s

to re en the o m an

e
ro m

u p c i g thi p t h uld if by ccid t s s e t n

s, t he O era or s o

full f ll t bl which b ki g i duc b li egg a on the a e,

th t th l full a the o ers are a so

.

as

a

,

re a n , n

en , let a
es a e ef

F P P 38 .

THE IN ALLIBLE

R O HET .

thi t ick th ticl b i g t k ch In

sr

one of

re e a r

es e n

a en by e a

Of

tthk p will uppp p t ltlicl ticl cih p di W ree ersons, you

a en

e

s

.

re o se t o e
o se the a r

the a r

e ea

erson has

e s to be a r g n .

me or

hilli g p f u t i d s

n , a n d a key. The

t i g hilli g di thi erm the r n a , the s

e r ormer m s

in his o w n m n ,

n or

( me e, a nd ke y i :

s

b i g lph b tic l d v w l ily e n

the a

a e a or er of the

c ll ct d u l t lly ) re o e e

a nd he m s t a so me n a

o e s c an be e as , dist in g u1sh the p e r

ﬁ t c d thi d h t ki g t t f u c u sons as

rs se o n a nd ,

r

T en a n

.

w en y- o r o n

t c d giv ﬁ t p h ers

or

ar s ,

e

e s o ne to the rs erson t w o to the se c ,

th thi d pl ci g i d end and ree to the

r

a n d a n the rema n e r o f the

c u t t bl tu b ck l v o n ers on the a e he ,

rn s his a

or

ea

es

t he

r

o

o

m ,

t lli g p ch t k ticl th t wh v e n the ersons ea

to a e an ar

e and a ,

o e er

t k i g t k l y c u t l dy a es the r n is to a e a so as man

o n ers a s he a re a

t k hilli g twic y has he w ho a es the s

n ,

e as man

t k f u ti y hi b i g d a e s the key, o r

m me s a s

an .

T s en

f dv c ck i i g c u t ormer a

an

es ,

and

re

ons the re ma n n

cc di g th i u b d th li whic a or n to

e r n m er a nd the un e rn e a

an d he w ho

on e t he p e r~ ,

o n ers and ,

ne,

h

24

T HE MA G IO IA N ’S O WN BO O K

.

u t h v p i u ly cqui d ll k he m s

a e re v o s

ch di t ticl ea

O f the fferen a r

a
es

re , he te s who ha s t a en

.

c t it er a

a n imae

sem a

q uie s.

hu if th b i d c u t T s ,

ere had e en a rema n er of six o n ers, the

iti c p di g w d h w pos

on O f the vow el s in the orre s on n ,

or vita s o s ,

t t ﬁ t p t k c d p ha the rs

e rs on

oo

i ,

the

key

a nd the se on

e rso n

i g c qu tly thi d p u t took a the r n ,

a nd on se e n

the

,

,

r

erson m s

h v t k hilli g u t b v d th t a e a en the s

n

It m s be o ser e

.

,

a in n o in

t c th i d f u c u t th t s an e can

ere be a re ma n e r O f o r o n ers an d

a

ﬁ t yll bl ch w d p t ﬁ t p the rs s a c d yll bl c d p hi i g i u and the se on

e O f ea

or re re sen s the

s a e the se on

e rso n

T

.

rs

e rson ,

s n en o s

f t f u d d p ut ti th ticl e a is o n e on the erm a

th i p t tiv v w l which ly pl c d e r re resen a

e

di t p iti c p di g u ic l fferen

os ons

o es , a n d the

on of the
can on

re e
be

orres on n

ar ae

es or ,
in six

n mer a

g t c u t thu ,

a rran e men O f the o n e rs,

s

th v w l th i di t p iti d The

ree o e s, in

e r ffe ren

m os ons , are

ae

c ll cti by b i g u it d with c t easy O f re o e

on ,

en

ne

on sonan s a nd

d th i gul ucc i i t b v ti li forme in e r re

ar s

e ss on n o the a o e La n ne ,

i t thi i il ly c t uct d F ch or n o

s s m ar

ons r

e

re n

one

Par fer C e sar

jadis

d i g d p i c ev nt si ran

r n e.

P P 37.

HILOSO

HY CR EATED .

hi t lly xc ll t t i h d T wd p ct t di t p t it d t t cro

s fe a is re a

an e

e en

on e a n d ha s a s on s e ,

s O f s e a ors in ffe ren

ar s O f the Un e S a es.

f v it l t p f by wh it It w as one of the a or es O f a

p ulg t d f p f it public w as rom

a e . Be ore you

a e ro e ssor,

e r orm

in

om
, you

u t p ctic it u til quit p f ct p iv t m s it w ul pity ct by ki g blu d o

ra

e

d be a

n

you are

e

to S pO ll its e ffe

er e
ma

in r
,
na

a e, for
n e r In .

U G C J U "l ‘HE YO N

O N RO R.

20

it gi by t ti g th t b ut p f i g wh Be n .

sa n

a you a re a o

er orm n

at

h v d ubt wil g d d you a e no o

l be re a r e a s a

v y xt di y uv er e raor nar

mane

e r, a n d yo u

will l v c p y d cid up ea e the om an to e

e

on

wh t p i cipl tu l phil phy it a

rn

e O f n a ra

oso

is

cc pli h d d p f c a om s e

The m o e of e r orma n e

.

ll w p i c w d is as fo o s

Lay the

e e of

oo

c p l y u l ft h d which a ross the a m O f o r e

an ,

k p wid p with thu b ee

e o en,

the

m and a ll

ﬁ g p t l t u p ct d the

n

e rs fa r a

ar ,

e s yo u be s

s

e

e

upp t g w d with th xt O f s

or i n the oo

e m Ne

.

,

t k y u l ft w i t y ight h d g p it tightly a e o r e

pu p t t givi g h d for the

r

t di udd ly tu b ck y u l ft h d s ea ness .

r s in our r

o se ,

as

you

sa

No w , s

en

an
e, of rn the

a nd
,

ras

n the an

a

of o r e

,
mo re
an

upp t y u w i t v y u ight h d ermos and as ,

or

r s mo es in o r r

an ,

t tch f ﬁ g y u ight h d s re

o ut the o re n e r o f o r r

an , and as soon as

w d c u d t upp it with uch f ﬁ g the oo

ome s

n e rmo s s ,

or t

s

o re

n

e

r .

h k h d f t You may now s a e the

an

,

and ,

a

te r

a

momen

or two ,

u w d d p but p ct t s ffer the oo to ro

It is t w o t o o n e

.

the s e a o rs

will upp it p duc d by ct s

ose

to be ro

it th lv but c u th y u t u l try to do

emse es ;

h v p f d f t wkw dly you a e e r orme the ea

e
, of
so a

the a

1on

Of

the

a ir

‘
a

n

d

,

o rse ,

m e

s ,

n e ss

ar

di c v d f il p f c as to be h v bj cti v l If you

s o e re

a

,

a e no O e

in it s

e r orman e .

on t o re e a the

c t it g i whi th y se re , you ca n do

a a n and ,

le e

g v ly phil phizi g up it are

ra e

oso

n

on

s ud
,

lift up y u h d denly

( ) o r an

vide Cut , a n d

xp t ick hi will ubtl e ose the r

Ts

.

do
,

ess ,

c t uc u t v th t rea e m h am se men

O bse r e

.

a in ,

d i g thi f t u t k p y u ﬁ g o n

s e a , yo u m s

ee

o r n e rs

th t p l so low

a n o one c a n se e the a m O f

y u l f h d v y u ﬁ g o r e t an ; and mo e

o r n er so

c fully th t cti are

,

a its a

on m ay n o t be de

t ct d if it t e e th t b c f u d w i t l f h d isﬁed

and

be

n ot ,

yo u

m ay

re s

sat

a its a se n e rom ro n the r s of the e t a n

ill di c v d ﬁ g b i g tu lly w

n ot be

s o e re some O f the ,

n ers e n n a ra

upp d u d c t th t if p ct t s

ose to be n e r the oa ; so

a
,

the s e a o rs

ly v th y will i gi th on

see tw o or e en ‘ ne

e

b th cu h h v tu d y u h d v enea the

W,

ff .

en yo u a e

ma
rn e

n e the o
o r an

ers a re
o er do ,

k p tick l g uph ld l t p ct t h uld not ee the s

tO O on

e

es
,

the s e

a ors s o

t k h ld y u h di c v t ick b f th i a e o

of o r ands and ,

s o e r the r

e ore

er

v v y u f ﬁ g u tick surpi ise is o m er, re o e

or

ore n

er and s ,

ffer the s

to fail

G C K W T HE MA I IAN’S O N BO O .

D PP G D 38 .

THE

ISA

EAR IN

IME .

P vid y u lf with pi c di bb c d b ro

e o rse

a

e e O f In a ru

u er or a o t

tw lv i ch l g di with h l dg e e n es on

and a

,

me

a

o e on t he e

e;

tt ch di c d with p c whit wi g a a

t he me t o t he or

a i e e of

e se n

ilk ft h vi g d thi c d y u c t s

, and a er

l v li i g but v y c ful c t i th t s ee e p which di tt ch d d xt d l w th U on

nn , t he

an
be

on e

s ,

sew

the

or

to o r oa

er

are

and as er a n

a the en d

me is a a e

oes not e en

o er

an

withi i ch xt l v wh n tw o n es of the e reme end O f the s ee e

en the

c t b tt h v di l ft i oa

s on.

It is e e r t o a e the

m e in the e

a rm

l v vi g d thi b i g d di with s ee ight h d pl c it b tw thu b i d x ﬁ g r

e

Ha n

.

an and ,

one ae

s rn ,

o w n the

me

e ee n the

m and n e

t he
n er

l ft h d h wi g it c p y t ll th of the e

an

and s o

n

,

,

to the om an

e

,

em

th t will giv c i p t will a you

e the o n to an y on e re sen w ho

not

it lip w y u t th l ct udi c let s

aa

You m s

.

en se e on e O f the a

en e

wh p di ju t b ut to

o m you roffer the

it u t it lip f b tw y u ﬁ g ceive

you m s le t

s

me a nd ,

s as he is a o

to re

rom e

ee n o r n ers a n d ,

c t cti l tic c d will k c i the on ra on O f the e as

or

m a e the o n dis a p

p y u l v uch t i h t p ear up m o r s ee e,

to the a s on s men of the erson

w thi k b ut c iv it hi f t n s he is a o

to re e e

T s e a c an be va

.

by t di g w p c i pi c p p rie h dk chi f G t c h uld t k a an

p re e n n

er

e .

to
re a

ra the o n in a

e e of

a er or ,

are s o

be a e n n ot t o l et any

t c d thi w uld c u di c v par of the

or

be se e n a s ,

so

f o
,

o rse,

s o er

t ick hi t u p i i g f t the r

T s is one of the mos s r r s n
.

ea s O f leg

chi f b uty c i t xt erdemain, and its

e

ea

w it f qu tly t i h d wh l plicity. The r er has re

o n s s s in its e

en

a s on s e a

re me sim o e room

f ll c p y by p f c thi t ick u of om an

the er orman e of

sr .

K Q P PP TR IC S R E U IR ING S ECIAL A AR ATU S .

d it t ick th t wh lly g d by pp I a m no r

s

a a re

o

mana e

the a a

tu thi k th y u w thy tic h f ra

s as I ,

n

v y t ick ti d f ll wi g p g u t c e er

r

me n

e one

a re n or
in the o o

of no

e.

T e re ore ,

n

a e s m s be a re

fully p ctic d p iv t b f it p d c d public ra

e

in

r ae

e ore

is ro u e in

.

pp tu c u c t i p ct d by The a

ara s O f ,

udi c th t it b tt th with a

e n e a n d for

,

h t ick th t h v b l dy ti d th ‘ ose r

s

a

a

o rse,

ann o

a re a son

is

be ns e e
e e r to mix

em

e e en a re a

men

o n e d in or e r ,

t he
at

u pici u p qui t d by cc i l p i B s

o s e rson s m ay be

ee

a n o a s on a

erm s

i i p ct bj ct d p c s on to ns e

t he O

e

s use

in the

e rfo rm a n e s .

y u g c ju h uld lw y v y d The o n

on ro r s o

a

a s ar the mo e of pe r

ti l h l d tudy c b i form an ee in the n on- e ssen a s an d s ,

ti t ick wit th by which will ons of one r

h ano

e

r
,

p duc t i hi g ult th if t ict d hi lf ro

e m ore a s o n s n re s

s an

ou

s

om na

me an s he

he re s r e

mse

th d ti d thi w k h ul d l to the me o s men one in

s or

He s o

.

a so in

U G C JU T HE YO N

O N RO R

.

27

k littl p ch ck wl dgi g th t ly vaIiably ma e a

e s ee , a no

d c ivi g i d h uld th f e e

n

the eye a nd n ot the m n

qu t p y qu ti d d re es the com an not to ask any

p cti pp tu ins e

on of a ny O f his a

ara s.

e

n

a he is on

and
,

s

o

es ons, or to

ere ore
eman

C 39 .

THE DIE TRI

K .

w d b ut i ch h l f qu Get a oo en die a o tw o n es and a a s are

h ll w x ctly iz w d but and a with ut id h p i t th b th x ctly o

o o tin die e a one O f the s e s

the s e of the

oo en one,

T en a n

em o e a

lik vi g will b tt a

e a s in the ,

en gra

n .

It

p p id ch h dental ﬂaw a earon the same s

be e er to l e t an a cci e o f e a . T en g e t a t in

c v th t x ctly dic t ick it lf ( ) o er 4

a ea

ﬁts the

e . No w fo r the r

se .

w h t whil tu y u b ck p Borro

tw o a s and ,

e you

rn o r a

U on the

udi c y u t bl lip i t th a

en e as you g o to

or a

es
,

f l Pl c b th h t t bl d u d a se die .

ae o

a s on the a

n o o ne O f e m t he e , a n d se n ro n the

hl th y c vtu d i p cti W N re a die and o er for ns e

en

e a re re rn e , s ay,

on .
OW ,

l di g tl it a es and

en emen,

is my in

t ti pl c th h t en on to

ae

ese

a s one

b v th thu th a o e ano

er ,

s” .

Yo u

en

pl c h a e the tw o

a ts a s in NO 3 the

.

,

h ll w b i g b tt o o

die e n

in the o om hat .

h ll th c v thu “ I s a

en

which ft h v you do,

o e r the die and a er I

s,” ae

k ck d c v h ll t k no e on the

it will h t u d c v o

ff ,

and

yo u

o er I s a ,

ae

ﬁ nd t a the die is n ot

n e r the

o er ,

it t ki g it but i id lik thi as

is now ” a n

,

off ,

ns e the ha t

e

,

s’ .

th put l i t b i v You en

the re a die n o the ha t .

You do n ot e l e e

l di g tl but will c vi c me a es and ,

en e me n,

I

soon

on

y n e

ou ” .

th t k f l pl ci g upp You

e n a e ou t t he a se die , a n d re a n the

e r hat,

put upp c u with p id the die on the

( e r ha t of o rse ,

the O e n s e

d w w d pl c c v v it Pick up y u ) o n ar

and

,

a e the o e r o er .

o r con

ju i g w d giv it ﬂ u i h b i g it d w r n

an ,

e

a fe w o r s e s a nd r n

,

o n on

c v G p c v tightly b tt wh the o er.

ra s the o e r

n e a r the o om,

en

b th c v f l will c up t g th put o

o e r an d a se die

ome

o e er

the end

y u w d i t th giv th g d ttl h O f o r an k ck upp with bl w w d pu h no off the l w t bl th t tu bl the o er one lw y pl ty g tu b ut y u t ick A a s use

no

em

d'
an

,

er hat

a

off the a e so ,

en

of e s re a

e

m e

a

oo ra

e T en .

o of the a n , a nd

s

a the die m e s ou t of it

o

or r

s

.

P V C 40 .

THE

ENETRATI E

ENTS .

b zi cut i t i c l Get a ra er to

ou t a ll the n e r o r O f ﬁ ve

ents ,

on

y

28

G C W T HE ‘ MA I IAN’S O N BO O K.

l vi g i u t th b ly e a n the r ms He m s .

en ore out nea r all the in

ixth c t ly l vli gg ivh tll u tc tphp terior of a s

e n m e re , the t op .

ea n
A on

a s e Of
r e ms

o er at
e n be

i t h w Fig let h l u t d ill d NO
.
ch i g ea iv t p d th ugh The

no

the

rim a s ,

s

o

2 and a ,

oe m s

' o f the ﬁ ve r n s,

r e is to be a sse

n in
be r a s in
ro

1

.

,

e in

N 3 O .

.

t he

h l i g f t d b l o es in the r n s and as e ne ,

th t i g pl y ily so

a all the r n s c an

a

e ow , '
eas

up it Fig cti on .

N 1
,,

O 1 is a se

.

,

on of

ti pp tu d tt d li the en re a

ara

s ,

t he

oe

nes

p ti g iv t h y th re resen n the r e

T e can

.

en

pl c d h w Fig be

a e a s s o n in

2 NO 1

.

,

.

,

will i gi th t th y d an no' one .

ma ne

a

e are

v th b ut up ly ch th l th ttcl vth Fig mo e

em a o

t d which p ily v h p N 2 ,

O 2 is

.

,

he n

on

sha me ,

as

you

can

ra

e

em or

on e a

o

e r.

A ea

e rn

o er ,

.

ma e ,

asse s eas

o er the ea

c t but b i g pli bl c p bl picki g up O f en s ,

en

a e is a a e O f

n

,

t he

h ll w c t with it wh it h ld ﬁ ly u d o o

en s

en

is e

,

u f c t bl f t littl h lf F ig s r a e O f the a e you as en a

rm .

TO t he

n er

ese ,

2 NO 3

.

,

.

,

which v hi g f ll by pl ci g f t mo es on a n e and is let a

a n the oo

,

p d l Fig which d w c tch on the e a ,

2 N 4 .

,

O

.

,

ra s the a

.

p f t ick pl c l c t littl h lf TO er orm the r

a e six re a e n s on the
,

es e
,

h v h c t t bl k th up and

a e the s a m en s on the a

e .

Ta e

em

an d

ttl th put th d w Fig K p ra e

em and ,

e m o n a s in

2 N 1 .

,

O .

.

ee

ixp c p l y u h d pick up h c t a s

en e in the a m O f o r an ,

the s am e n s,

put th d w lip ixp c u d th and as you

em o n s ,

the s

en e n er

em as ,

b ll t ick k c v put it v you do the a in r

6 Ta e the o e r a n d

.

,

o er

h c t k h t p ch k ck c v the s a m en s ma e a s or s ee

and no

,

,

the o er

it y u w d ti p i g p d l with w h o r an , at the same me ress n the e a

y u f t which will c u l c t tu bl o r oo ,

a se al l the six r e a e n s to

me

d w with g t c h k up c v f l c t o n

a re a

ra s .

Ta e

the o e r a nd a se en s

t g th put y u w d i t th h d th o e er ,

the en d of o r a n n o em a n d ol

em

up t iu ph tly h wi g p ct t th t c t r h v b pl c d by ilv ixp c hil a e

m an
e en re

so
,
ae

n the S e
a s er s

a ors en e.

a the six e n s
W y e ou are

picki g up c t lip h c v n

the e n s s

the s a m on e s out of the o e r

,

i t y u l ft h d t k pp tu ity l tti g n o o r e

an a nd a e some O

or n

O f e n the

,

pty c v ll t w d u i c wh em

o er ro

o ar s the a d en e , on e of

om you

pick it up b i g it hi uv g ask to

and r n

to

yo u .

T

s mane

er ene

lly di u pici pick u ra

sarms all s s

o n fo r the ,

p e r- u is s re t o e x‘

i it v y cl ly am ne

er

ose

h v ly giv utli thi lly xc ll I a e on

en mere o

nes O f

s re a

e e ent

t i h v i d hu d d w y c p r ck w hic ,

m ay be

ar e

in a

n re

a s a nd is a a ,

30

G C W T HE MA I IAN’S O N BO O K

.

k th ti h l d di l gu k yo u c an ma e ano er ora on and

d ct u cit t hi lf which c u d by the

o or re s s

ae

mse

,

t ki g h d p ck t with l ft h d a n the ea out of the o e

w ki g it b ut by or n

ao

the p eg .

o

a

ao

e, ma ing

is of o rse on e

the e

an , and

F G C 42 .

THE

LYIN

OINS .

k gl th b i it ti g i d Ta e tw o ea es, or ra er ra ss

th d w u til th y duc d h lf th i hick em

on

n

e

are re

e

m a ons, and

rn

to a

er t

wit u t d ll f t ness .

D o the s ame

th cc t ly t g th th t will h v c i em a ura e

oe

h two q ar er

er so ,

a you

o ars a nd ,

as en

a e two o ns ,

ch h vi g ilv f c b f c k ea

a n one s

d e r a e an ,

one rass a e .

Ta e one

th ch h d h wi g ilv id of em in ea

an s o ,

n t he s

e r s e of on e a n d the

b i th ch g th with ut rass s de of ano

er ,

and

offe r

to

an e em

o mov

y u hut y u c will tu ing m o r ar s. S

o r ha n ds a n d t he oins

rn

v h p i g th g i th y will pp o er .
h v ch g d h d i t th a e

T en on ,

o

en n

em a a n

e

,

a n e fro m on e an

n o the o e r

a ear to

.

V D F D 43 .

THE

ANISHE

HAL -

IME .

igPhutth littl t k h lf diil i t idpdll ﬁ g r h d l h d p i g c i h an pidly p it ilv pi c ill dh ra quit c c l d b hi d ﬁ g wh and

a

e w a x on t he n a o f the m

e n er of the

and and a e a a ,

me n o the

a m of t he s ame

.

C ose the an

re ss n

,

the w a x on t he o n T e n .

o en

and the s

,

er

e ew

a ere to the w a x ,

be

e on ea e

e n the n er

en you hold

y u h d up D D o r an

.

44 .

THE R ESTOR E

OCUMENT .

M k du b k li c v with p p a e a memoran

m

oo and ,

n e the

o er

a er

hich b p vi u ly bb d ith ixtu l w

ha s e e n re o s ru e w

am

re of a mp

bl ck p p u t l ly x d th t a

a nd oil

.

i d up l f f du k c an be ra se

pl c d u d it u t l k h vi g a e

n er

d ub p i g o

le O en n

The a e r m s be o ose a fﬁ e so

,

and a ea

rom t he me mo ra n m

,

Yo u m s a so ma e a ﬂa t box a

.

,

.

a it
bo o
na

t k l f du b k Yo u n ow a e w it t c ti i g ask some one to b k w it up p cil with which him the oo to

a e a out of the memora n

r e a se n e n e a t t he s a me ,

re

on

The e n

.

m oo and , me offer n
yo u

fu i v y h d f c d p p rn sh him is er

ar

p p d k d i g bl ck t d m a er in or er to

ar .

p u p cil f bl ck d p p by the ress re of the

and he is or e
,

h In s o

on

t
,

e

en

rom t he

t o re ss u on the

a

i s ra n sfe rre

a ene

a er to

whit l f th t b pl c d d it c u the

e ea

k x ct c py w iti g th iv ma es an e a

a has een

ae

un er

and of
,

o rse

o

of the

Y r

n.

ou

e n g e the m a n

d cu t put du b k y u p ck t his

o

men ,

the me mora n m o o in

hil f tch y u whicth k h v W and g o out of the room to e

o r bo x,

org ol ten .

e

yo u a re

out

of

the

ro o m ,

yo u

or o

e ,

you a e

a e out the

( u d bl ck p put it i t i eaf fro m n er the a

ape r, an d

n o o n e s de o f

U C J U T HE YO NG O N R O R .

31

hut d w c v th t hid it the

ﬂat

box and s ,

o n t he o er a

es

Y .

ou

b i g p l gi i g y u b c giv r n

in

t he

bo x ,

a

oo

sn

fo r o r a sen e a nd ,

e the

p id i t w it h d ll box o en at the other s ,

e n o t he ,

T r e r’s a n s.

e

him

bu w iti g c dl pl c h to

rn his r n in a

d cl i g t it box .

He

d o e s s o , a n

an e and to ,

a e the a s e s in the

os n

t he box , re urns

to

yo u .

th ﬂ u i h b t littl with w v it You en b i g it d w wit b g t bl t ik it with air, r n

o r s a ou a

on

ha

e

the box ,

ae

an

on t he a e s r e

,

in the

y u w d th p i g it ﬁ t p duc o r

an and ,

en, o en n

a s a t rs , you ro

e the

duplic t l f which w it ck wl dg a e ea ,

t he r er a n o e e s t o be it his .

h d w iti g l p bl ck h uld h v c own

an -

r

n

If the

m a

-

a

.

so

a e o me off

d p p cc u t it by b vi g a n d sme are the a er, you can a o n for

o ser n

h t it v y di cult t c bu i g t a

is er

fﬁ

to g et rid of all ra es of the

rn n .

G C G 45 .

THE MA I

R IN S .

bl ck ith k u b i g b ut Get a a sm

to ma e a n m er of r n s, a o

six o r

v i ch di t cut d wit se en n es in

a me e r a s in the ,

A is ma e
.

ha

p i g p i g id i g f g d S r n

O en n

on on e s e , B is a set of t w o r n s or e

p tly withi ch th th i g ermanen

n ea

o er e is a set o f ,

re e r n s

d i p l i g forme in the sa me ma n ner an d n n a re tw o s m e r n s

,

.

i g h uld b ut thick th l g The r n s s o

be a o the

ness of a ra er ar e

bl ck l d p cil a

- ea

en

.

i g th th y w ill pp Lay t he r n s on one an o er, and

e

p t d ti ct h uld upp t i g se ara e and is n

D us o

be t he

th th th d u d i p cti en B ,

en A and ,

en 0 .

Han

ro n

u d th d i d tu h dd W a nd if any more are

ro n

the o e r D

es re ,
he n re

.

an rne
,

h g th v y u l ft g p an

e m o e r o r e a rm or ra s

,

th y u h d t ll em in

or

an and ,

e

the c om

p y th t g i g w v an

a you a re

on

to

ea e all

all a e a r to be

ermos r n s ,

D for n s e

on

i g t g th c h th the r n s o e er You l as .

em

g th ft g i g th ugh to e

er and a er ,

on

ro

s o me

c p ic t d v t b i g om l a e

mo emen s ,

whic p ct t will thi k h the s e a ors

rn

out B,

n

you

h v ju t f t d t g th d a e

s

as ene

th u d h th y tu d W m e

ro n .

en

o e er .

Ha n

e a re re rn e

th up b i g h t k y u mix em all

a nd
,

rn

o ut 0 .

T en

a e A in

h d p i g ut i g th ugh an and ,

a ss n

one of the o

er r n s of 0

ro

or
t he

p i g h v f u i g t g th h o e n n , you

h v k ub titut hich will giv you

a e ﬁ ve .

a e o r rn s o e

Ta

e

ﬂ'
on

and

s

s

er .

T en

eBw

add 1)

and
e

w vi g th i t ki d you

s ix .

So yo u g o on

ea n

em n o all

n s of

t ic h p u t w y c c l j i t fa n ast

s a es .

You m s a l a s

o n e a the o n

with y u thu b t iv ft in A h v l t i g can to

or

m ,

and c on r

e as o

en as

you

a e one a t e a s of t he r n s D a t l ibe rtv

82

G C K W T HE M A I IAN’S O N BO O .

hi c pit l t ck div iﬁ d T s is a a a xt t p ci lly if u b i g i c d e en , es e a

ri , and may be

ers e

to any

the n m er of r n s is n re ase

46. THE PISH AND INK TR ICK.

hi lly t d lu i b i g b T s is rea

a ﬁ rst- ra e

Y e s on .

ou

rn

e fo re

p ct t gl v ful dip dl the s e a ors a

ass

a se ,

l of ink You .

a la e

i t it p u up pl t d n o , and o r out some of the ink

on a

a e in or er ,

c vi c udi c th t ub t i t v to on n e the a

en e

a the s

h s an ce

'
n

e

a se

l y th th w h dk chi f v is rea l

in

k .

You

en

ro

a an er

e o er the

v i t tl withd w it wh v f u d ase and ns an y

ﬁll d with pu w hich c upl g d be

e

re

ra
,
a te r in w

en the
ao

a se is o n t o
e Of ol ﬁ sh

,

wi i g are s mm n .

hi pp t i ibility p f d ll w T s a

aren mpo ss

is er orme a s fo o s To .

i t i v l ﬁtt d bl ck i k li i g hich the n er or of the esse is

ea a

sl

nn w ,

dh cl ly id h p d by w t a eres

ose

t o the s es w en re sse

t he

a er,

which ithd w i id h dk chi f du i g and

1s W

ra n ns e the an e r

e

r n the

p f c t i ck l d h w h d er orman e of the r

The
.

with p g i t b wl h dl p fu an o enin

n o the o .

a l e has a oll o

an le

In t he a n e 1s a s o on l

which i t b wl wh it h ld or

so

of

i

n

k ,

ru ns n o the

o

en

is e

d w w d du i g dippi g it i t v o

n

ar
,

r n the a ct of

n

n o the a se .

C 47 .

THE

ANNON BALLS .

p f thi t i ck b w u b h t The er ormer of

sr

orro s a n m er of

p c th t bl th tu ch and la es

em on the

ae .

He

en r e rn s

p tu i g it v p u d erson

his

hat ,

and

on

rn n

o

e

r
,

a

thirtys tw o

o

c b ll ll annon a th d p f i g thi ll w The me

ro

s

out .

o of e r orm n

s del usmn 1 8 a s fo

tu k u b w d b ll ch Get a

rn er t o m a e a n m er of

oo en

a s ea ,

iz thi ty p u d c b ll h l s e of a

r - tw o

o n er annon

a , and let a

b d ch which will d it iddl ﬁ g be ore in ea

a m the m

e

n er.

as
,
ea n er
os . the oe The

b ll g d h l pw d h lf y u t bl a s are arran e

oe u

ar s o n a s e on o r a e

id pp it y u on the s e O

os e to

o r au

th t b l ly dience so

a the a l s a re n e a r

,
l v l with t bl h e e

W the t op of the a

e' .

en

t k t bl li p y ou a e a hat off the

a

e ,

you

s

y u f iddl ﬁ g t o r ore or m

e n er in o the

th bbgllll bjutytctbjbbdcti gg w ulﬁid igt tugcbhtthihiigtbil hat in h l cut t ll a o e

a

s a s you o

n oa

me ,

and

be n n

the

n

e

r
,

rn

the

a

in

o

the

hat .

Any O e ma y be bro

no a

is man n e r a ,

re a

a

a e for ,

ns an e,

av ng

in t he s a

G C J U T HE YO UN

O N ROR

.

33

48 .

THE D IME IN THE BALL

COTTON .

i k tub whic ill j u t Get a t nman to ma e a ﬂa t tin

e

hw

s

ll w di p th ugh it i d qu tity a o

a

me to ass

ro

W,

n

a

an

.

of

t d u d it k it i t b ll Wors e ro n

m , so a s t o

ae

noa a .

h p li i i h vi g b cc pli h d p f T ese t ick th t will di ight uch u b any r

re m n a r e s a n

een a

a

g e t a me out of s

om
,s

se
,

er orm

as n m er

h t ll p ct t th will b i g 1 or 2 T en e the s e a ors .

a t you

r n the

k d di i t iddl b ll w t d k mar e

me n o the m

e o f a a of ors e

Ta e

.

d w b ll f pl c wh it lyi g d p o n the a

rom the

i i t tub withd w tub l vi g d me n o the _
di b ll g d qu z will h d it tight me in the a .

e and ,
A oo

blit t v y k tub Pl c b l and o

era e e er mar

ae

e re

is

n

ro the

,

ra the

e ea n ,

t he

s ee e or two

ol

,

of the

e.

a e the a l in

tu l t k w d giv it a mb er ,
u wi d hi b i g d di will f u d one to n v y c t b ll with w t d in the er

a e the e nd of the o rs t e a n d ,

e

to some

n.

Ts

en

on e t he ,

me

be o n

en er of the a ,

the e n d of the ors e

w pp d tightly u d it ra e

. ro n

.

C 49 .

THE EGG AND

BAG TRI

K .

,

chi tz cl th d tw Get a

n or o

ba g

ma

e double ’ an d be ,

e e n the

b g k v p ck t ch which will two

a s ma e six or se e n

o

es ,

ea

of

h d h v p i g i t ill ol an eg g , and a e an O en n

n o t he ba g . F

t he

p ck t with gg dy p f c o e s

e

s ,

a nd you

a re

re a

for the

m e r or

an e .

ld by pl c wh gg h k it Ho the bag

the a e

e re t he e

s

a re s
,

a

e

,

tu it i id h w th t th thi g it rn

ns

e

out and ,

s

o

a

e re is n o

n in

.

h t ll p ct t th t u th T en e

the s e

a ors ,

a yo u a re s re

e re is a hen

Put y u h d uth in the bag . k clucki g lik th k w and ma e a

or
n

ea ea

ne ar the mo

he n You

en

.

of the say “I

ba g ,
ne

ight l id yi g I w as r .

, a n d she ha s a

gg a n e

”

.

So sa n , you

y u h d i t t k gg p ut o r an

n o the ba g a n d a e ou t on e of the e

s,

t ki g c p t d g p c a n

a re to

re e n

to

ro e in o ne of t he orners

i t for

.

hi p t d u til gg but g T s is re ea e

n

all the e s

on e a re

one .

th ft t ki g l t th t You

en, a er a n

out the a s e g g , say

a so me

p pl thi k gg l but will c vi c eo e th by cul i p cti yi g thi b em

n - the e

s

a re

not

rea ,

o

ar ns e

on

Sa n

.

you

s ,

you

on n e
re ak the

uc wit y u ight h d whil p pl egg in a sa er

h o rr

an

and

,

e the eo e

ccupi d with it d p b hi d y u t bl are o

e

, you ro the bag e n

o r a e,

h g it h k ight t k up th or an

on a oo out of s

and a e
,

ano er

x ctly li it i t which h v put h e a l gg th if d ubt th i rea e

ke

no

,

s” ,

you

en

sa

yo“u

y,

a

a
nd

e

a hen .
any one

T e se a re

o

s

er

lity th y c t ubt th t thi l rea

e
,

anno do

a

s is a re a he n ” Yo u

.

h tu d w h t en

rn the ba g u psid r

o

n a nd s ake ou t ,

the

he n .

wi h i p t th t with If any one

s es to ns ec

a bag , he can do so

b i uch wi it out e ng m

se r fo r .

Th at t h ird bag

is, make t wo
be t w ee n t he

bags

h

m .

and

se w t he

edg es

t

o

g

e

th

er .

so

that

actual l y

there

will

be

a

34

W T HE MA ' i c N’ s O N BO O K .

D C G 5 0 THE AN IN EGG

.

.

d gg t k c l c g Sen which b pti d c t t which one

fo r so me e

s and a e ,

are to p a e a mon

ha s ee n e m

e

of it s

on

en

s ,

a nd

to

t h em

f t d l g h i th which ti d is as ene a c k d w ll tick f roo e pin.

on

a r a t the o

,

Bo rro a s m a s

er end of

is e a

rom on e o f the spe cta

t b hi d y u t bl c t iv h k ors, and a s you g o e n

o r a e on r e to oo the

b t i t y u c t p i g it v tick h en pin pl c i v d u ic a e the di ctly it b gi u d light i p c ptibl and re

no
egg

or on an

oa

a ss n

,

n e rte ha t ,

e ns to so n

a

,

o er the s

T .

en

a n d a sk for so me m s ,

s

and m er e

e

d p i l v ti ti ck will c u e ress on or e e a on of the s

a se the e g g to

twi t ll b ut up it if it lif u s and ro a o

on

as

had

e Yo u m st .

c ful tu g tly u d th be are p tly v y di t c f b dy at en

to

rn e n

ro n now and

en so
,

as

ap

to ar the

s an e of the eg g rom the o

.

51.

BELL AND SHOT .

w d b ll d thick th t th Get a bl p c b tw h htdllilt wwut uup tduppci huuttpdwpttihbhuyicf citpwbi lgld cra e s

oo en

ae

e

e ma e so ,

a

ere is a consid

e e n t he o

er and

nner

s r a es ,

es

pecially on the

er ar of the e .

A o o m s be

in

s, a n d the

an e so ma e, t a

en

is a t

re s ,

is forc e d ‘ up w a rds

a s rn ,

and dra s

the ro n

e e of oo

which cl pp ch i tt ch to

the a

cl p tu h w a nd oses the a

g v i g the en ra

n .

h v c db d u You a e a

which p ci ly is of re

er er
ar se

a n is a a ed, re a s s o n in
,

oar
the

me a s re ,
same ca

c v ity b ll p acity as the a

in the e a nd ,

ju t wi gh h ld c t s

de e nou

to

o

a

en .

t thi p iv t y c t In o

s you

r a el

put a

en ,

th ﬁll u with h t h pi g it and

en

up the m eas re

s o,

ea n

littl c p t c t k up a

e to ,

o m e nsa e fo r the

en

You ma e

.

a

t l b ut g i g h ti g i gi g b ll a e a o

a man o n

out s oo

n

and r n
,

n

the

e

gu k h p th i g y u w d b ll of the

n ma e r’s s e .

( Yo u

en r n

or

) o o e n e .

b u ht u full h t c t How the man o g

a me a s re

of s o

fo r a

en
,

p u h t i t b ll b ck g i (you

o r the s o

n o the

e

and a

a a n tw o or

th ti but l g h ggli g v th h t ree

) me s,

w as so on

a

n o er

re e s o s ,

th t gu k t k w y h t h g i a the

nma er oo

( a a

the

s

o ,

ere you a a n

p u h t i t b ll by p i g h dl o r the s o

n o the e and ,

re ss n

on the

an

e ,

ll w th i t h ll w k pt a o

e m all to ru n n o the

) o o , an d

e

t he

c t t ubl t h p but en for his ro

e .

T he ma n w e n o u t o f t he s o ,

c i g fu i u ly g i soon

ame

in

aga

n ,

an d

ran

i g b ll which p tly pty i v r n the e

is n ow ap

ro s aren

.

(Here yo u a a n

em

a nd n e rt
,

U G C JU T HE YO N

O N RO R

.

35

u t bl c t b i g h ld the meas re o n the

ae .

The

en not

en

e

ﬁ g h u b will f ll t bl cl th by the n er and t

m ,

new a

) on t he a e o .

whhich ﬁ i t y bitchk ccc ut t h h v T en

n s h t he s or w

t he m an g o t

a

an a
his

on
en .

W o f the m an n er in
en you a e

ﬁ i h d i v t b ll v pty u n s e

n e r the e o e r the e m

,

me a s re, an d on

p i g h dl h t will ﬁll it t uch ress n the an e, the s o s

re

D o not o

.

u til h v d th t ic th wh it n

you

ae

one a no

er r k or tw o and ,

en,

en

b ll id i g it g i k th t you put the e

as e r n ,

a a n a n d rem ar ,

a t he

pu ch illy f ll w ft h h t r aser w as a s

e o o e r all for e re a re his s o s

u in his mea s re

,

.

D D C F D 52 THE BUR NE HAN KER HIE RESTORE

.

.

ti k d ubl c i t uch Get a

nman to ma e a o

e

an s er, s

as is

h w cut with p i g ch hi s o n in the ,

an o en n

at ea

end T s .

u t lid withi tub th t ith m s so s e

n a t in

e ,

ae

er en d c a n be

c c l d withi it lt t ly g vi g on ea e

n

a ern a e

a s se e n in t he e n ra
,

n ,

wh h w c c l d ere the end A is s o

n ,

and

B

is

on ea e .

thi p iti l k lik di y In

s os on it oo s

e an or nar

c i t i i divid d i t an s er The .

p t t put pi c c b ic d ar s

In o B

nter or is

a

e e of

e

n o two

am r ma e

.

l k lik h dk chi f to oo

e a an er

e.

w c b ic h dk chi f Borro

a am r

an

er

e and ,

s ay,

l di h l l b u Ne w a e s a nd g entle men, l s a

rn

thi h d chi f h pl c th thi s an ker

e to as es ,

ae

em in

s

c i t yi g p ut i t i t ( an s er,” so sa n

yo u

) n o A ,

and

wh h v utt d p ll it ill en I a e

e re a . S e

w

be re s

t d p f ctly wh l ill w ore wh t k it hil udi c l i g a

er e
mar

oe

W, the o

W .
has ? ”

e the a

ner say
e n e are

ook n

to

w d w tu c i t v p h ar s the o

ner ,

you

rn the

an s er o er and ,

us

up

c i t u til h uld l v l with the an s er tub h k b d cl d top of the p t k c b ic p t d v ify o en B, a e

n

t he S o

er of B is on a e e

W e .

e n t he m a r has

een

e

o u t t he a m r , a n d re e n to

a re er

the
, you
the

k th put it i t c dl ﬂ wh mar

Yo u en

.

n oa

an e

ame and ,

en it

bu d ti ly h put h i t hut it up has

rn e e n

pidly v it tu u d y u udi c and ra

re

th t upp t g i h utt so

a A is

re

to as es

,

the a s

erse

a s you

rn ro n

ermos a a n

T en

.

es n o B, s
to o r a

,
en e ,

er any n on sense

lik p t k h dk chi f u i ju d you

eO ,

en A and ,

a e o ut the

an

er

e

n n re .

th dd t ick if d p littl c l g l t ra er a s to the r

you ro a

e e au de o o n e

i t b f c ci g n o A e ore ommen n

.

F 53 .

THE

IR E EATER .

y u g c ju d i u pp i g If the .
ch c t it v y ily g d ara ter

on

on ror is e s ro

f ﬁ o a.

re- e a e r ,

is er

s of a
eas

e ar n in the

H man a e .

e

36

C W T HE MAG I IAN’S O N BO O K

.

u t p p pi c thick i g it m s

re are a

ee

luti it th cut pi c so b ut i ch l gth light w p it up a o

on O f n
an n

er and ,
in en

pi c which h ld l ft h d in a

e e of tow

iﬂi g ill c c l d by hug bu dl l tr n smoke w be

of

Strin g , . by so ak n

en

dryin g

it .

He

s off a

,
he

s one end and , o s in his e

ra s an
.

on ea e

a

e

n e of

in a
ee
The
oose

l c i d l ft h d tow a so arr e in the e

an .

t k h dful igh h d put i t He a es a an

uth ch w it up pp w ll w it his mo

,

es

of to w in his r

t an ,

and a
,

ears to s a o

s it
.

no
He

th t k th h dful with it pi c which en a es ano er an

t i g put thi i t t k is the s r n

As he

.

and
,

the

e e in

s

s n o his month he ,

a e s out

pi c which l dy ch w d t ki g b th the e e

he ha s a re a

e e . By a n

re a

th ugh t il b thi g it th ugh ro uth b gi i u f h wh l i t i mo

the nos r s and

re a

n

,

o ut

smoke e n s to ss e ort a n d the

ro oe

the
n er or

,
uth light d up with gl w h of the mo

uth hut p d t g th g mo

is S

is soon

e

an d the tow

,
re sse

a
oe

W o .

en the

e r the ﬁ re oes

c pt pi c p p d t i g M h out ex e

,
the

e e of re a re s r n

,
ore tow is t en

k i t uth t t d ,
ta en n o the mo

.
an d re a e in the same manne r

,

.

54 .

THE EGG- BOX .

upp h ll i h l l A, the eg g- box ; B, the

er S e ; 0 , the nn er s e ,

v d v with h ll l w p t co ere o er

the S e of an e g g ;

the o e r ar

t ick ct ll d l k tiht bid th t of the box.

To do the

— r

a
,

for a n e g g ,

by s an ers oo a t

en

all the

, and see

a

i t l is a re a e g g , set the box on the

t bl t k upp p t wit a e a e off the ,

er

ar
,

h

y u f ﬁ g thu b th o r ore n er and

m ,

en

pl ci g a n

the

egg

in

the

box ,

say,

it f i ly u c v You see

ar

it g i lik wi ing

a an ,

in ” a n d n o e r

e

,
se

s ay,

“You

h ll t k it put it S a see me a e

out an d ,

p ck t y u ight p n my o e in o r s

o en

y u g i h thi g cl y u h d o r box a a n a nd s ay,

T e re is n o

n”
,

ose o r an

b ut iddl y u t ki g by tt a o h g i which it pp p c say,

the m “T ere is

e of

o

r

bo x ,

and

the eg g a

an” ,

a

n a

B

the bo

om ,

e ars t o the s e

cl ppi g th t g i t ki g tators

to

be ,

so

a

y u ﬁ g thu b h it g c in o r n er and

n

m

a
,

in a a say, “T

n, and
ere

a
is

n the lid of

g one a

al

n

”
.

G 55. THE

LOBE- BOX .

hi t ick i f i b t th t h w wi h T s r

is n ot n er or to the es

a is S o n

t

b x with d f u p i c o es. It is don e ll c v i tly c t i d th i ba as big a s may be b l d d c iv a l se rv e s a s the e g g

a box ma
on en en
oes in the

e of o r
on a n e

e

e

s ,

and

a

e re n the

e g g - box, to e e e the

38

G C T HE

MA

I IAN ’S

O WN

BO

O

K .

th w h dk chi f f ld d and

e re

ere the

an er

c t d which di t i ut d th i p ctiv cl i t s en e , th xp i t p pul p f c ll d Ano er e

he s r b e t o
e r men of a o

c illi P d ci g v l lik offee for the m

on ” .

g p f d ﬁll d it wit u g u d c ram A, tl1 3 er orme

ro u e

es ,

all

dry,

oe

a nd

,

e r re s e

e

a ma n s

.

a r e r orme r w a s a e

n a e s se

e the dia

h n ro n

offee , a nd

pl ci g it u d c v id h wh h v a n d th t it i th qu t h u but one

n e r a o e r B be s a ,

a let ,

s mme r for re e

,

T ere ,

e n you

ar ers of a n o r

ae
,

p h p will lik w i l g h th it er

a

s ,

you

vi g c v v l pp d fu l and on remo n

n ot
the

e to a t so on
o er, the e sse a

e re e are

en

is

l of hot

liq ui d c th v l ki d offee In a n o er esse of the same .

n he o h

lu p ug f p d thi d w tained

m s -

ar

m ro

ra e- see

; a n d in a

ilk f h b p u i g c i t m

m ro

orse- e a n s

a n d o r n o ut t he

r
,

a rm

offe e n o

cup t th u d g l udit y id t th i s ,

sen

l ud pp vi g h ut g t t f ti o

and a

h f t ult c id bl i g uity T ese ea

p b bl th t d vic pl y d w uld dily is ro a e

e m ro n to re a e his a

m or , a

s

m ro n

So

s at so

re a a ra n s o r a on .

s a re the re s

of on s era e n en

.

a the e

es em o e

o

not rea

er
It

ccu p ct t g l whil th y w uld utt ly o

r to S e a ors in

en e ra

e

e

o

er

,

c p th wh bj ct ly u t es a e

ose

o se o e

is mere

am semen , and w ho,

if th y th ught w uld lik ly d c ib e

o

at all o

be

e

t o e s r e the re

ult up tu l p c d th u v li g s

as s

ern a

W ,

ra

e

.

ro e e ,

en to the nra e n ,

y t y i t b v d f c of the m s er . Let

be o se r e in re e re n e t o the ,

ﬁ t xp i t th t u b h dk chi f rs

e

m e r

en ,

a

a n m er of

an er

e s are

c ll ct ly p t f v i g v i o e e d in the e ar

ar o ' the e e n n

for

a r ous

U G T HE YO N C O NJU BO B .

39

llu i th t y th pp ti i s ons and ,

a

man

p f t bl P vid d with c ll cti on the

e r o rm er’s a e .

th ticl f h d ilk h dk chi f ese ar

e

s ,

rom the

an

i d with l c u d by f hi bl l y c uld tr mme

a e, se

ily ub titut ki d th eas

ss

e his o w n of

of

e m a e a r for a

me

ro

e

a o e on of

some s

a n er

e to one

a a s on a e ad

he

,

o

the sa me n for o se of his

udit y cu t i f ll cc di g g t a

or a s t he ,

ran a s a ,

or n to the arran e me n s

v i g b tw c ll cti h dk chi f of the e en n

e

,

ub qu t p c h dk chi f th a nd the s se en

ee n the o e on of the an e r

H r o e sse s

is o w n an e r

.

es ,

es e re

f w h d pl c d ore ,

a re

as e and

a e in the

v l dy d c ib d ase a rea

es r e ; and the se e

c ll d ch g i t ﬂ w thi g a e

an e n o o ers is no

n

th t ti h d more

an t he re e n on of t he a n

k chi f l w p t er

e s in the o er ar of the ap

p tu which u illu t t ara s ,

the ﬁ g re

s ra e s,

whil upp p t h ld ﬂ w e the

er ar

o s the o ers

till th y c tt d g p c e are s a ere amon the s e

M whil qui d tators .

ean

e all that iS re ,

d t i h dk chi f is one to he r an er

es .

re
It is

b lut ly c y th t th y not a so

e

ne essar

a

e

h uld w h d f ldi g p s o

be as e

for o

littl l g w uld ing , and a c pl t p p ti but g t om e e the

d C e e a u- e- o o
re a ra on

n ,
ne ,

re ss o ra n

th t th y w h d th ing

a

e are

as e ,

ere is

till di culty th ugh thi s

n o fﬁ

o
,

s mystiﬁ e s

p ct t h v i d th t the s e a ors w ho a e the e a a ,

d yi g l g i i t r n is a on affa r for

m ay be

ct d i ut b y effe e in a m n e or t w o

a ma

chi th t dily bt i d ne

a

b ught th d p it d box ro

is re a

o a ne

The

.

out has em e os e

it but it d ubl i t i in ,
ﬁ t h w which c u is rs S t i thi g i d w a ns no

as

is

o n,

n

fo r

o

e on e n er or

,

of o rse con

,

,

the nn er ra e r

h ldi g h dk chi f i c but wh o n the an er

,
e s re ma ns in the a se

en a

u d utt d p f t uch c t few so n s are

e re

and
,

t he

ro e ssor o

e s a se re

p i g b hi d which di g g i d w it S r n wit ut p t h dk chi f out udi c di g h w pty the a

e

n
,

se n a e s the n n er bo x he ra s ,

h the o

er

one ,

and

re sen s the

an

er

e s to

e n e In the .

a ra m A, the box is S o n a s e m

.

h v p t ti c t i i g At

B ,

we

dk chi f ly c y th t han er

a e a re re se n a on of the box

es

It is on

n e e ssar to add

.

on a n n the
a the box is

v y ic ly d p t withi th d w er n e

ma e the ar

n the o er ra n out to

d ﬁ d t cti the end e e s e e ,

N on .

S ee Trick

65 o .

.

p p ti c ilk ug ily The re ara on of offee, m

, and s

ar ,

m ay

be

eas

xpl i d if v l c t i i g p ctiv ly e

a n e ; fo r

the

e sse s on a n n

re s e

e t he

40

G C W T HE MA I IAN’S O

N

BO

O

K .

u g u d c p d h b lw y n ro pl c d u d c v put p t t b h v a e

n n

offe e the ra ,

e - se e

and the
,

orse-

er a

o

e

r
,

be

on a ar of t he

e

a

n

s ,

a

as

a l e a ing

ci cul t p d thi th full p vi i a

r

c v t bl xt di g c f d t the o

— a r ra - o or

a n d fo r

e r of the a e e e n n

— s

ere is

to the ﬂoor a

dily ub titut th may rea

ss

e on e for the o

er .

ro s o n in
on e era e

U G C JU THE YO N

O N RO R

41

.

G C FU 57. THE MA I

NNEL

hi f v it i pl t ick c i d by i t T s a or e and S m e r

is a rr e o ut

the a ss s

c d ubl fu l th t fu l ld d an e of a i t th l v p c b tw th n o the o

o

e

nne ,

a is to s ay, on e

er so a s to e a e a s a e

e

nne een

so ere
e m fo r

t c u ic ti g with h ll w fu l by w a er and omm n a n ,

h l tub d wi will i t xp ti a o e in the

e.

O ur ra

the
ng

o o of the a ss s the e

nne
lan a on .

t t s

8 ,

sp ac e

for wa er be w een the funn el s,

which

is

ﬁll ﬁ ed by stopping e nd c f tube '1 w ith the nger : the

wate r ﬂ ow s in an d out

i t N ,

a pin- hole

at the

top, wh ch is covered wi h

the

ﬁ W l g n er .

hen the funne is prepared for use , eve ry

it w time the ﬁn ger is w hdrawn

ater ﬂ ow s out

from

tube

T .

fu l lw y p p d b f The

nne is a

a s re are

e ore the

udi c by p u i g w t cc i lly t ppi g a

en e

o rn

pip with ﬁ g th t i p c end of the

eT

ﬁll d hil t thi b i g ct d c ju may be u t ﬁll up ti with phil phic l di qui iti m s

e

Ws

the me

in

a

e

r
,

o

as on a

the

n er so ,

a

s is e n e ffe

so

n

the n n er S

e the on

the
ae
ror

a

os o

a

s

s on on

fu l di g h w v f ct th t if th nne

s ,

all

en

n ,

h l v l w t w ill udi o e in a esse the

o e er in the ,

a

,

a er

ﬂow o ut .

a

ere is a

O ne of the a

c qu t d t p t bl e n e is now re

p c d d w w t f h i y ro ee

to

ra

v y ti ﬁ g withd w f h l e er

me the

es e to s e
a e r rom
n er is

up to the a

his

a r e a rs e

,

,

ra n ro m the

e, and you

es &c as

,

.,

o e N the

p u d itt d w t ﬂ w re ss re of the an 1S a m e and the

a er o s out

,

hi t ick if w ll g d t w d T s r

,

e man a e , is on e of the mos

ful th t p f d d wi g with ut a can be

e r orme

in a

ra

m n - ro o

on er o

pp tu but it qui d xt ity c clu i a ara s p p f i g t ick p u f The erson

re

res e er

er orm n the r

a t the on

s on .

offe rs to o r ro m a

c wi b ttl p t wi h y ilk ch p g ommon

ne o e ,

ucc i d in s

e ss on an d in ,

cc pli h t ick u t k luti To a om s the

f ll wi g ch ic l l b l b ttl with u b o o n

em a s ,

or

n e s e rr

,

any or

er .

r

, yo u m s

a nd a e the

m
,
ma
o

and
,
e so es

am a ne
on s of t he
n m ers ,

hu t s

tu t d luti ulph cy t p t h 1 A sa dilut d luti b v p t lu 2 A

— ra e so

on of the s

e so

on of the a o e

o ana e of o as .
on e ar of the so ~

i f u w t t on t o o r of

a er .

tu t d luti it t l d 3 A sa .

ra e

so

tu t d luti p chl id i 4 A sa .

ra e

so

tu t d luti bic b t p t h 5 .

A sa

ra e

so

ulphu ic cid 6 S

ra

on of n ra e of e a .

on of er

or e of ron .

on of

ar ona e of o a s .

cl bi 7 A

.
e a r sc l uti m of g um- ara c.

42

K W T HE MA G i c l AN’S O

N BO O .

cu c p g b ttl w h it w ll h Pro p u th t p ful i t it qu tity o r

re a ha m a
re e e a s o o n

n e o e and

as

,

s of No 4 n o

.

.

out

e

t
,

en

AS the

an

v y ll it will b v d p ci lly if is er sma ,

n ot be o ser e , e s e a

quick y u v t P u di till d i in o r mo emen s .

o r some

s

e

yo u a re
or ra n

w t i t c w t b ttl j ug t bl a er n o a ommon

a e r- o e or

, and add a a e

p fu it th it id dy S oon l of No 7 to .

en se t

as e re a

for use .

P vid wi gl f u di t p tt ro

e some

ne

a sse s of o r

ffe re n

a e rn s ,

i p tt p u luti k d i t and nto one a ern

th th t k d ano er

a mar e

o r the so

on ma r e No 1 n o

.

,

N N o .

2,

and

so

on

fo r

OS .

3

and

5 .

tu luti th i p ctiv b ttl g R e gl ll t y b i g luti th t the

rn the so

on s to e r re s e

e

o

es ,

and

a rra n

e

asses on a sma

ra reme m er n the so ,

ons

a

w p u d i t ch tt ere o re

n o ea

pa ern .

v ythi g b i g dy t k ch p g b ttl th t E er

n

e n rea

a e the

am a ne o e

a

,

h v p p d f th th h ldi g you a e

re a re

rom tw o or

,

up h w c p y th t it cl pty to S o

the om a n

a

u t d i p h d w t b ttl m s

e s re so me e rson t o a n

re e o ers and o ,

is

ear and em

yo u the

a er o

n it , you
e or

th ﬁll up b ttl with w t jug, and

en

t he o e

the

a er .

P u c t t b t l i t o r some of the on e n s o f the o t e n o an unpre

p d gl d h th t it w t th are

ass in or er to S o w ,

ch g ch p g p u liquid f b ttl an e to

am

a

ne ” and ,

o

i t gl i d with th p u i t n o one of the

asse s r n se

a

is

r the

No 5 .

a er ;

e n say,

ro m the o e

en o r n o a

gl i d with it ill ch g p t wi ass r nse

No 1 a n d

w

.

,

an e to or

ne ;

but if p u d i t it will ch g ilk if i t o re

n o No 3

.

,

an e to m

and
,

no

it will p d c h y c ful p u i g No 2

.

,

ro u e S e rr

Be

.

a re

in o r n the

ﬂuid f b ttl h ld it high b v gl rom the o e not to o ,

a o e the

a sses ,

but k p uth it cl dg gl to ee the mo

of

ose to the e e s of the

a sses ,

th wi p will b v th t it u d g ch g o e r se ersons

o ser e

a

n er oes

an e of

c l ft it p u d i t wi gl thi o or a er

is o re

n o the

ne

a sse s and on

s

,

cc u t gl h uld h ld th high a o n the

asse s S o

be e

ra er

.

luti u d b v ick d l t AS the so

o ns se in the a o e t r

a re e e e

th y u t l ft b ut child rious ,
c ﬂuid wi gl t v and of

e m s n o t be e

ao

in the w ay o f

ren ,

o urse t he

in the

ne

asses mus not e en

t t d but if c p y wi h d i k be as e ;

a ny of t he om a n

wi h v d th t y u t d itly nes you

a e ma e ,

en the ra

xch g d th with p p wi pl c d it e

a n e for a n o e r

the ro er

hi xc ll t p l t ick if w ll g d T s is an e e en

ar or r

e

di ﬁcult c p h d not f

to o m re e n

s to r n the
m s be a ro

nes

a e on .

man a e , an d is

.

C 59 THE BOTTLE TR I K

.

.

ch ic l th d p f i g thi d lu i The

em a me o of e r orm n

l dy xpl i d ch ic l will ily been a rea u d t d f M gic F l ick u u lly n ers oo

e

a n e the me an a

ro m

the

“

,
a

u n n e Tr

c i d ith b tt b dy which c t uct d arr e out w

a o le t he o

of

s

e s on has

one

be e a s

” It is s a
.

is o n s r

e

,

U G C JU T HE YO N

ON ROR

43

ck gl b dy divid d i t u d y of tin, the ne

of

ass the o

is

p t t h which u ﬁci t with c t com

ar

me n

s
,

t

re e

of

a re s f

di y by cutti g b ttl one for or nar ,

use :

n the

g t will u d t d h w b th arran emen

be n e rs oo a s S o

e

no s n r

en , o e in
n enea

a en e r
t w o the ,
.

t t l n 0 , c e er of bo t e , from

WhiCh

m1l k

may

be

p

o

ure

d .

l 1 ,

2 ,

3 ,

co mpartments ho

ding

l l port, sherry, and a coho .

u t u d t d th t littl tub f ch c p t It m s be n ers oo

a

e

e s ro m e a

om ar

t t i t ck th y ﬁll d with th i men

e rm na e in the n e

a nd
,

e a re

e

p ctiv liquid by p h p d v l l dy res e

e

s

the

e a r- s a e

e sse a re a

er
ex

pl i d c c p t t p f t d wi th littl h l a ne . Ea h om ar men is er ora e

a

e oe

th t wh ﬁ g pl c d v th at the top, so

a

e n t he n e rs a re

ae

h l ﬂut liquid c t ( as on the o es of a

e ) t he

anno

o er

em

run o ut on

i v ti g b ttl n er n the o e.

h wi g t ick p f llud O n s o n the r

t he
,

er orme r a

e s t o his w on

b ttl full ilk hu ki d which derful o e

of the m

of

man

n ness

,

he

p u c fully f c t c p t t k pi g o rs out are

ro m the en er om a r men

ee n

,

th h l tight with ﬁ g t b i g ﬁll d the ree o es

his n e rs the ce n e r e n ,

e

p ti d di y ft p u i g and e m e in the or n a r m an ner a er o r n o ut and

h di g u d gl ilk p u t an n ro n a few

a sses of m

, he m ay o r the re s

i t jug b tt which ilk b n o a

in t he o o m of
,

some m

ha s

een

l dy pl c d th t c p y b li v b ttl a rea

a e so ,

a t he o m an may e e e the

oe

igi lly ﬁll d with it w w as or

na

e

; he may n ow

a sh ou t the

b ttl th t c t c p t t till k p ( ) o e

a is t o say, the en er om ar men , s

ee

ﬁ g v h l k l ittl ing his n ers o er the

o e s a n d for the s a e of a ,

e

put b ttl up ight u d c d mystiﬁcation

the o e

b ttl ch g t p c h bit ing the o e to

an e its

r

n er a hat

,

e m e ran e a

s

.

o mman
He may

c p y c ll p t h y b dy n o w a sk the om an to a

fo r

or , s e rr , g in , ra n

,

& n oye a u,

c .

h y p t p u d f th i c p t The s err pi it uppli h u b i gl the S r s

an d or are o re

ro m

e s the ot e rs a s a n m ,

e r o m ar tme n s ,

er of w n e-

asse s

p p d wi h d p bu t ug b dy y up can be re are

t

ro s of

j u ip ll p d and

n e r for g in . A sma

rn s
dro

ar for

ran

sr
,

of o il of al mon s o r

th ﬂ v i g t i l u d di t o er a or n

ma e r a s may be

se

fo r the

ffe re n

liqu thick i gl u t pl y d h ldi g ors

A

.

w n e-

ass m s be em o e , o

n

a

v y ll qu tity ﬂuid er sma

an

of

gic c g d i il A ma

with th c p t t h ld c pu ch ree

iddl c p t t h ld c b i the m

e

i t which i t t p u by i t k c t t n o b ttl l b l d p f ft c tc of the o

.

offe e- p ot m ay be a rra n e

in a s m ar ma nne r ,

om ar men s to o

hot te a offe e a n d

,

,

n

om ar me n may o

t he t e a a nd o ffe e e rr e s ,

the ass s an m ay o r

m s a e the on en s

e a ee

Ink ” .

The e r o rm e r a e r s ra h ,

44

G C T HE MA I IAN'S O WN BO O K

h d if d p lu p ing his ea , as

in

ee

thoug ht ,

w ill
,

.

t ake

a

m of

whiti g p wd up pl ci g it c t c p t n and o

er

an
,

in the

en er

m o

ar o

t which f d up with c k p p lid men ,

c an be a ste n e

a or or ro er

.

h if h l f c p t t t i t T en ,

the o e s rom t he om ar me n s erm n a e in the

h dl pip p ut h ﬁ g an e and the

e s in t he s o

w en the

,

n ers a re

v d th liqui p u p t y remo e the

re e

ds

o r o ut se ara el , a s in the

ttl ick hi d h wi g t ick g d B “ o

e Tr

.

T

m s

f o e . o

So

n

the r

is

oo ,

c u h w v l g u udi c p vid be a se ,

o e er ar e yo r a

en

e ,

you

can

ro

e

v yb dy with thi g it di pl y d with e er o g t by ig litz y reat effec

some n S n or B

to ' drink a n d

is

W a n d
,

,
ma n .

s ae

G C QU 60. , THE MA I

AR TER .

cu ll u d b ut i ch d p which Pro

m re a s a

ro n

bo

x ,

a

o

one n

ee , to

ﬁt ccu t ly qu t c t li with d k a

ra e a

ar er or en

n e t he bo x

any ar

p p c i i t c p t it ( ) a er

r mson for n s an e and a s e some of

,

,

on on e

id c i th t wh it li l w p t S e of the o n, so

a

en

e s in the o e r a r of

it h ll pp lik l hi qu the box

S a a ear

e the re a bo x T s .

art e r or

c t c c l d h d b f p f i g en is on ea e

in the

an , and

e ore

er orm n

the

t ick it will h ight ct if u b i gl qu r ,

e

e n t he e ffe

a n m er of S n e

ar

t c t hidd b ut p c k w ers or y u lf vi g b w d c i d xt u ly pl c o rse thi id ub titut p p d put s on

e n s a re

en a o

Ha n
.

o rro e

one s e and s s ,

t he room in l a es n o n to ,

a

o

n
,

you

e ero s

ae

e the re are one a n d

ti g g v ly i t u th y h v n it it t wh lid h k d w seen i b t y t l c d it di pp no se

ra e en er e ra s

n o the box a sk al l to be ,

en the

is on S ,

a

e up

th e me a ; n e w o mm an

s re
and
to

— e
on

ae
t he

sa

e ar
,

h k l t lly f id id qu t and S a e a era

d ﬁt ccu t ly i pp t c i ma e to

a

ra e

— rom s e t o s
, n o n o se is a

e ; a s the

are n

the

ar e r is
o n se e ms

g p f which p to be one in roo of

you

o

en

the

box a nd ,

dis

pl y i t i p p c i c c l i t whil t a the n er or the a er on the o n on e a s

,

s

di ct udi c l k i t b k p i you

re

the a

en e to oo

no a

oo or a ,

a r of

lipp i i g qu t p p d c i s

e rs fo r the m s s n

,

ar er the re a re

o n can he

lipp d h d d u d x i ti s

e o ut, a nd the box

an e

ro n

for e

am na

on in ,

whic c u thi g ill f u d hi t ick h f o ,

o rse n o ,

nw

be o n

T sr

.

may be

p t d th ti with g t t ucc re ea e tw o or

ree mes

the rea e s s

ess, and

i pl th t b dy gu p f c is so S m e a no o

e sse s the m ann er of m er or an e .

C G D QU 61 TO HAN E A IME TO A AR TER

.

hi quit i pl p l t ick but wh p f d T s is with d xt ity c lcul t d p duc uch t i h e er

e a sm
is a

e ar or r
a e to ro

,
em

e n er o rme a s on s ment

v i g p ty f ct it u p i cc u t at an e en n v y i plicity P cu pi c bl d p p its er S m

ar

In a

.

,

s r r ses on a o n of

.

ro re t w o

e es of m ar e

a er

b ut v i ch qu h vi g put bl b ck a o se en n p p t g th cut h h p di g O f the a er

es s

are and a n ,

oe

er
,

t e m the

the mar
s a e of

ea s
a ra m

46

G C m W s MA I IAN’S O N s o o x

.

p thi t bl v l c q dee .

In the top of

s a e are se era se re t s uare

h l dif t iz f th i ch c o es, of

fere n s e s , ro m

re e t o ﬁ ve n e s a ross

h vi g c v which x ctly ﬁt hu g up t ese na n

o ers

ea

, a nd

n

hi g th t d w but wh cealed

n es so
,

a t hey m ay be l et o n ;

lyi g t l pp p t p f ct n

ﬂat ,

t he

top

of

the

ab e a

e ars to re sen

u f c d thi u f c b utt which p v t s r a e.

Un er

s s r a e a re

ons,

on con
en
a er e re en

h lid f f lli g d w wh d d t ose

s ro m a n

on

en not ma

e

u se

of .

U n er

t bl f t d d w p the top of the a e is as ene

a

bo x ,

or

ra er, o en at

id which f th t f the top, and at the s e

is a r e s

rom the spe cta

hi b ut tw ty i ch d p c c l d tors T s box is a o

en

n es ee

and on ea e

by cu t i thi pl c d c t g t . the

r a n and in

s box is

ae

,

t he se re

’
a en

i t p f who a ss s s the er ormer

W C 63.

YMAN’S GUN TR I K .

vi g p vid d y u lf with f wli g pi c p i Ha n

ro

e

o rse

ao

n-

ee ,

erm t

p l d it t i i g y u lf p ivil g any erson to oa

re a n n
,

fo r

o rse

t he

r

ee

putti g b ll vid t ti f cti O f

n in the a to the e ,

e n sa s a on of t he

c p y i t d which u t p vid y u lf om

an

but
,

ns ea

of

you m s

ro

e o rse

with tiﬁci l d bl ck l which an ar

a one ma e of a

e ad ,

may be

ily c c l d b tw y u ﬁ g t i l eas

on ea e

e

een

or

n

e rs a nd re a n ,

the

re a

b ll y u p i p duci g it ft b a in o r ossess on, ro

n

a e r the g un h a s e e n

di ch g d k h vi g b p vi u y put up s ar e

and a mar

an

e e n re o sl

on

it it will i t tly ck wl dg d hi t ick quit ns an ,

i pl tiﬁci l b ll ily duc d p wd s m e as the ar ,

pplic ti d b id ll on the a

a on

be a n o e

a

a is ea s

of the ramro

e . re es

Ts r

is

e

e to a o

er

e s the sma ne ss of

b ll p clud di c v y d c pti the a s re

e a ll s o er of the e e on

.

C D 84 THE HAT HE BIR D

.

.

p t iddl ly p ibl Se ara e an eg g in the m

e as n ear

as oss e

pty it th with pi c p p littl em glu j i h lv t g h h vi g ﬁ t put l v e
,
c y bi d i id it w ich il c ti u u hu t it anar ti p vid d k ll pi h l h ll some upply bi d wit h v l wh l s P t gg ch ness
.

and
,

en ,

a ﬁ ne e e of a er an d a

e”

o n the t w o

a

es

o

e t er ,

an

rs

a ie

r

ns e

h

,

w l o n n e n r in

for

me ro ,

e you ma e a sma

n o e in the s e to

the r

h air

a e, a so, a

o e e g g in re a di

re se n the t wo e

s for o n e to be

ose n p ut t he

whic c t i i d xt p egg,

h o n a n s t he b r n e ,

t o the e rson w ho is t o

ch thi p u p u l ct l dy oose and for

s

r o se be s re to se e

aa

,

s he

tu lly ch t b c u h vi g na ra

oo se s t he n e ar e s

to

h

e

r
,

ea

se ,

an

no

id t ick p d th p t ea of the r t k f th t if w g son to a e the

t o be e rforme ,

i e re - s n o a

ur e r o n e

at

a ny

ra

e ,

the

pa re n
ron

rea one

t k f il t ick b k be

a

en ,

you

do

not

a

t t thi f i f h d and say,

Yo u see ha

in the r

, for yo u

s eg g is a r and

re a re s

the e g g ,
ma am

U G T HE YO N c om m o n,

47

w uld h v u d th if ch so y on

o

a e fo n the o er,

you ha d

osen it .

ch i it u c y bi d Now ,

do

you

oose to ﬁ nd n

a mo se or a a nar ,

r ?”

tu lly d cl bi d th l if She n a ra

e a re s fo r the

r

; n e ve r

e e ss ,

s he

t c p a sk

fo r

t he

mo use ,

he re a re m e a n s to e s a

e

yo u a sk the

qu ti v l l di g th j ity same

e s on O f se e ra a e s, a n d a e r the m a or

of

v t which b bility will f v bi o es ,

, in al l p ro a

,

be in a our of t he rd

whic h p d uc h you t en ro

e .

PP 65. THE A LE AND

v d with d w ﬁtt d it Ha e a box ma e

a ra e r

e to

a s in the

ﬁgu k d b ck p t d w N re

m O 2

.

,

ar e

A .

The

a

ar of the

which l id i t p i c th h v s es n o the box A has no end

ee

ra e r B , en a e

,

th d w d k d p th w ill 0 ano er ra er ma e mar e ,

O
,

ﬁt d w th y wh p ut i t it i d the ra er B ra er e as ,

en

d d w d th thi w d with th i en s of the ra er 0 ma e of ra ,

id l pi g t w d id d end and s es s o n

o ar s the

th t wh it d c t di c v d so a

en is in the ra w er B

en at t he t op ,

at

no

the s e s a nd

er

n oo

,

s es of the

it anno be

er

ra wer

B ,

s o ere

w ithout minute x i ti e am na on

th , en

p u sh

them both

in to

t he

G C K m W r ; M A I IAN’S O N BO O .

h v l h l b d th ugh box

A ,

and

a e a sma l

whic l wit box A in ,

h yo u p ut

k d pl t thi l g th t it will j u t mar e D in the a e

o e ore

ro

a sma l pin

s pin is so on

the top of the h a ﬂ a t top, a s

a

s

c tch d w i id p v t it f a

ra

er

0 ,

ns

e of the

box

A ,

to

re e n

ro m

c i g with d w wh c y B om n out

t he

xp d dy f xp i t with w e ose

It - is no

.

ra er

,

en not n e e ssar to be

re a

to p er orm e

e r me n s

.

w l dy b c ib d th t You a re a are, as has a re a

d e e n e s r e ,

a the

d w p i c qu tly wh th t ra

e r B is O

en a t the

nn e r

e

n

d ,

o nse

en

,

en

a

it l d w p u h d i w h the oose ra er C is

se

nto the box

A ,

and

you

p ut pl c d ull d the pin D in its

a e t he ,

ra w er B may be p

e out ,

pu h d b ck but if v or

se

a , w ithou t z inte rrup tion ;

you re mo e

will c i id d w the

p in

out

of

”

t he

bo x ,

0

o me o u t ns e of the ra e r

with ut t ick b i g di c v d b i g u d d B

o the r

en

s o ere

it ‘ e n

n erstoo

th t f l d w i v i bly c c l d f a p ct t h d w s e d w d w d w wil ra

the a se ra er C is n a r a

on ea e

rom

a or

W e n the ra e r O is in the box A a n d

.

er

B

has

b

"
een

ra

n ou t the en d of t he

,
ra e r C

the
the
l

,

th pp if d w en a ear as

f it w a s the e n d o the ra e r B a s r epre

t d pll t u tih id h w it d wc p y e sen e l n the a e You can .
a n d you ma y a so me as re th

en s o

:to the

om an ,

n s e of the ra er B a n d ,

ut id c vi c h th t pp the o s e of the box A and on n e t em

a a ar

tly thi g c c l d u t k pulli g ,

,

en

no n 1s on ea e

Care m st be a en 1n

n

d w l t d w will lip f ,

.

the ra e r C out a on e hat the ra e r C

n ot s

rom

b tt d w which t wi w ld p v ,
the o om O f the ra er B

o he r se o u

re ent

it f b i g pu h d b ck littl c tch x d rom e n

se

b tt d p v t in the o om of the

aA .

ea

ra wer C so a s to

may be a fﬁ e re en the same

f lippi g pl c rom s

n out of it s

,
a e.

F ill p iv t ly d w f To P er orm the E xperiment -

r ae

the

,

,

ra er C

ith f uit cl d w xhibit th pull w

r

,

o se the

ra

er B and e ,

it

en

the

d w l p t d p l t ﬁ g u ra er B o ut a one as re resen e in the

,

,

a e,

which will c vi c p ct t th t it pty h on n e the s e a ors

a

is em

.

Wre

2 ,

en

h v ti ﬁ d th th t p i t lid b ck d w you a e sa s e

em on a

on s ,

ea

t he ra er

th pl c l ft h d c t t k it B

en a e the e

,

an

on the se re

p in

D ,

and

ae

th with ight h d pul d w with out

en

the r

an

l out the

ra

er

B ,

c t d w which full f uit g t the se re

ra

er

C ,

is

of r

, to the

re a

t i h t c p y t k f u it as on s men of the om an

a e the r

out a n d p re

t it p ct t i c clud p f c sen

t o the s e a ors Th s on .

e s the m er or an e .

ra P F m W 66

ENCHANTED

'
COIN

AS

s ron

.

,

BY RO ESSOR

YMAN .

Put ﬁf pi c y i t t k teen

y t i ly p th b c i c v d m !

s er ous

e es of mone

n

o

a

hat ,

a e out ﬁ ve an d

a ss em a k nto the hat a nd it o ere .

thi t ick u t h v y u l ft h d pl t To do

sr

you m s

a e in o r e

an a

a e’
,

u d p l t y u l f d h v p vi u l and n er the a e and in o r e t h an

a e re o s y

U G C JU THE YO N

ON RO R.

49

pl c d pi c c i uch will h v p c a e ﬁve

e es of o n s

a s you

l a e

a ed in

f h v c u t d ﬁft t the hat a ter you a e o n e the

e en p l e c e s i n o the

th p wh h v l ct f y hat ou ,

e n a sk the erson

om you a e se e ed rom

udi c i t p f i g t ick c u t the a

e n e to a ss s you in e r orm n the r

s ,

to

on

y i t p l t th t th the m one out O f the hat n o the

a e to see ,

a

e re is

i t k ft whic tu y pl t no m s a

ea ,

er

h you

rn the mon e

i t ti f ll pi c n

o the

hat and ,

a t the

same

me let a

h v c t d y u h d u d pl t th you a e se re e in o r an

n e r the

out O f the a e

the ﬁ ve

e es

a e you

en

d w p i c which will til l v ﬁft a sk him to ra out ﬁ ve e es,

s l ea e

e en,

t k th t d w pl c th you a e the ﬁ ve

a is ra n out a n d

ae

em in a

d w g p pl t ick th ( ra er see the oran e and a

er

),

en you g o

th ugh gic w d th ro

the m a

or s ,

P resto,

P a ciﬁc ,

P a ss ,

you

en

p d w ft pl ci g y u ﬁ g p i g ( o en the

ra

er ,

a

er

an

o r n e r on the s r n to

h ld i id d w which p c w pl c d o the ns e ra er in

the ﬁ ve ie e s e re

) a e ,

h w udi c th t pi c g and s o the a

en e

a the ﬁ ve

e e s a re

on e ,

you

th t ll y p i c en e him to g e t the hat and se e how m an

e e s are in

it g t u p i c u t ; he

e s the

hat and to ,

the

s r r se

of

all ,

he

o ns

igi l u b ﬁft the or

na n m er ,

e en .

U C D P UG 67 MYSTERIO S OIN OR HOW TO MAKE OLLARS ASS THR O H A

G C P F D W.

,

INE LASS A HINA ,

LATE A TABLE AND

,

,

ALL INTO THE HAN .

ft p f i g t ick p dd A er er orm n

r

( 4 0

,

.

you m ay a re ss the

c p y g i will h tu om an

a

a

n ,

a nd

say

I

s o w you the n a re of

thi t ic if will ly l k h p ugh s

r

k ,

you

on

oo

s ar e no

to see how

it d h f w tch cl ly if h v is p t ti g y y th ugh ene thi gl f ll up pl t f th t th ugh s

one .
ra n ass

T ere
e es ,
and a

ore

a

,

you may

.

on the

ose

and

,

you

see the mone

go

a e a nd rom

a

,

a e very
ro
ro

t l i t h d will it d lib t ly th t the a b e n o my

an .

I

do

e

era e

so

a

,

h v v y pp tu ity d t cti g d c pti you may a e e er o or n

of e e

n the e e

on,

which will k wi y lf ma e you as

m se a s

se

”
.

t k pl t pl c it t bl pl c Now you a e a

up th t wi gl up id d w t k pty on

aa

ne

a e and

a ss

se

ae

o n the a e ,

ae

o n a n d a e the em ,

l th c h ld it b f udi c c vi c ea ern ase and

th th t thi g i id Pl c it c l em

a no n

o

e ore the a

en e to ,

on

ne

is ns e.

m a e , in a are e ss

an

v iv t d y which b f put n

e

r ,

o

er the r

ee

m o ne ,

yo u ha d e ore

a

littl id f vi p t t Pl c e as e rom the

ew

of the

s

ec

a ors .

ae a

ll b ll b tt gl th t k c sma withb ll wc hicch lwdill c i tch t id pl c th t ll v the p y k p h p l k th y di c v com wh l p c k l c i th w th the

a
the

on the
on e a e

a
,
an to ee a

o e ro e ss .

o om of the

ass ,

en a e the

o ns

ere n an d ,

ae

em

be se re e

the "e in . No w e

a se
o er
the

s ar

oo out and

e

,

Ta e the oose o n s a n d

may
ro

s o er
em on

t bl b i g th g i u d t bl xch g the a e ; r n th b ll p vi u ly d p it d h lf em for a a

em a a n
re o s

n er the a e an d e ,

an e

e os e on the s e , a n d l ay

3

a

50

K T HE M G IUIA N’S O WN BO O

up t l v c l which the same

on the

ab e .

R em o e the

a se a one ,

,

c u ill l v y xp d of o rse w

gl y p f p u th t h v N ass.

“

,

O

W ,

e a e the mon e e

s a s the

er

o

rme

r
,

ose on the t op of the
I re s me a you a e

i c v d wh l y t y b ut if will giv d s o ere the

o e m s er

not I ,

e yo u

th pp tu ity will tu y h c ano er O

or n

a nd
,

re rn the mone w e n e it

c v y with c b i g b ll m a

e .”

Co er the mone

the ase an d r n the a ,

hich p vi u ly p d p ct t u d w

you re o s

ex ose

to t he s e a or

n er t he

t bl xch g it y h lf which a e, and e

an e

for t he m on e

on the s e ,

g i t up t bl v c with you a a n oss

on the a e . R e mo e the a se

t he

c i c c l d th i b l will pp o ns on ea e

ere n a n d the a l ,

a e ar on the top

gl ﬁ t p f k f ll w of the c cludi g p ch h v upp ing on

a ss a s a t rs

O ur er ormer m a e s the o o

,
n s ee

N “ .
:

ow ,

as

yo u

a e, I s

ose dis ,

c v d h l y t y l di th t will o ere

the W o e m s e r , I hO p e, a

es ,

a you

not

pp iti li t i c if set up an O

os on ne ag ains me

sn e ,

yo u

do ,

you

will v y i u ly i j u p ck t c u er ser o s

n re my

o

es ,

a nd,

of

o rse,

c p y l v p ty h u a ttra ct all the om an an d ea e me in an em

o se

with p em ty pockets ” ,

.

G C G P F U W 68. PROEESSOR

YMAN’S

R EAT TR I K OF THE E Y TIAN

L IDS CB ,

P CC P D IM OSSIBILITIES A OM LISHE

wi w t t g th th p t th by Mix ne and whit t p p f thi t ick u of a red and

a er o e er ,

e

ae .

To

e n se ara e em

means

er orm

sr

' you m st

h v th c v d f t i a e

( ) ree

o e rs tin

ma

e of a n obeliatic ,

orm ,

erm na

ti g b ut i ch h lf up n a t a o one n

an d a a o n top ,

on the top of t w o

th c v ld d pi thick b c pp O f

e se o e rs is so e re a

e ce of

ra ss ,

o

e r,

d ut qu t i ch thick or lea , say a bo

a

ar er of an n

in

n e ss in the ,

c t k h l b u t di t b u t m en er a e a o e a o the same in

ame er a o ,

two

i ch f i id ill p titi n es rom the top, and on the ns e w

be a a r

on or

ﬂ th ugh c t which k ll h l thi oor,

ro

the en er of

( ma e a sma

a

oe ,

s

p titi u t w t tight P vi u p f i g ar

on m s be a e r

).

re o s to er orm n the

t ick ﬁll c v th with w t r

( m ) the t w o o ers the t o

of

em one

a e r,

th with wi th c k th w ll which xclud the o er

ne ,

en or

c qu tly k p liquid f c i g air ,

on se

en

ee s the

em e
rom

e

es the

om n o ut a t the

ll h l d c t p titi th t k sma

o e m a e in the e n er of the ar

on ,

en a e two

u d tu bl put b u uc w t so n

m ers an d

a o t a s m h a e r in o n e a s t he re

w t c v pl c c v v th t is

a er in one of the o ers,

a

tu bl th t w t th put b ut qu tit m er a has the a er

en

,

wi th tu bl th th c v of

ne in the o e r

m

e

r
,

as

pl c th t c v v it h v tu bl with h l and

ae

a

o er o er

now

e the
ao

o er o er
the sa me

a the , an y

e re is in t he o a e a m er

er o er , a oe

th ugh c t b tt d with d ill h v ro

( the e n e r of the o om m a e

thi h l cl d with l g f u d id th s o e ose

a on p e g rom the

th ugh y u t ick t bl h v ll ug h l d ro

or r

a e a e a sma

a

) a r ,
n er s e,
er o e ma

ae en
e to

U G r un YO N CO NJU no u

51

.

it thi tu bl u t l c v d with adm the peg ,

s m e r m s a so be o e re

a

i il c v xt l pp c th t k s m ar o er in e erna a

earan e

yo u

e n a e the c ov

tu bl c t i i g w t wi ers off the m e rs on a n n

a er and

n e , a nd in pre s

c udi c liquid t p u b th en e of the a

e n e mix the tw o

s, hen

or o

t tu bl th t h l th ugh b tt pl c in o the m er a has the o e ro

t he

o

om ,

ae

tu bl b ck c v th v lift tu bl the m ers a

and o er

em o

e

r
,

now

the m er

c t i i g ixtu th t udi c it up on a n n the m

re

a the a

en e may see ,

k pi g y u d f t pl c it b ck with ( ee n

h ) o r a n in ron of the pe g ,

ae

a

th ugh h l c v it v th t k peg ro

t he

o e, o er

o

e

r
,

en a e a red and

whit t p t i g th t p vi u ly b f t d e a e s r n

a ha s re o s

ee n a s e ne to a

ll tick pl c it c v th t v sma s

and
,

ae

in the tO p of t he o e r

a is o er

f l tu bl th t k t p which the a se

m er,

en a e the e nd of the red

ae ,

ll w it ft vi g c k f has a sma

ire t o

and a er remo n
,

the or

rom the

c v v wi d p wi i t wh l o er o er the

n e ro the en d O f the ,

re n o the

oe

th i t wi whic l t it d w i t the air is en let n o the

ne ,

h es

r un o n n o

tu bl u d th lik wi with whit t p the

m ers n e rne a , do

e se

the

e a e,

th ch y u h d u d t bl d w en rea

o r an

n er the a e an d ra t he p e g o u t

tu bl ixtu d w i t tu of the m er and let the m

re run o n n o a

m bl e r

cup c t d th th t pu p v or

se re e

e re for

a

r ose ; no w re mo e the

c v h udi c th t tu bl p u d o ers and s ow the a

en e

a the

m er yo u o re

ixtu i t pty p u d it the m

re n o is e m

and
,

the

one

you

o re

o ut

c t i it g i whic will g tly t i h th of on a ns h t cc pli h d gici P f y T a a om

a an ,
s e ma

h
an ,

re a ro e ssor

Was on s

m e

.

man has as

,

ppl udi g d li ht d th u d v y city tonished a

a

n and e g e

o san s in e er

it d t t d by p c in the U n e hi w d ful xp i t t s on er

S a es

and Cana

a
,

e e r me n

the e rforma n e of

.

G V F W 9 6 . THE MA ICIAN’S SNO

BALL ONE OF THE BAKER OF A A’S EATS

.

.

k cup it it ic th c g it i t h d Ta e a

chi f thi t ick h v cup ker

e .

and ﬁll

To do

s

w hr e ,

r

yo u

en han e
a e tw o

n o a an
s ( t in ) mad e

ﬁt withi th but ut id cup b ut to

o ne

n the o er ,

le t the o s e

be a o

i ch d p th i id i tu d two n es ee er

an the n s

e

one ,

let

the r

ms

be

rn e

qu d w u d but th t i id cup s

are o n all ro n ,

let

a o f t he ns e

be a

t iﬂ l g th ut id th t h c v r e ar er

an the o s e one, so

a w e n the t in o e r

which u t l h v put v th it wil ﬁt (

) you m s a so a e is

o er

em

l

u ci tly tight lif i id cup wh it t k s ffi en

to

t out the n s e

en

is a e n

P vi u p f i g thi t ick u t pl c O

ff .

re o s to er orm n

sr

yo u m s

a e in the

b tt d p cup whit p ck t h dk c i f th o om of the ee

9 .

e

oe

an er h e

en

,

pl c th cup it t which b i g it p c a e the o er

in

af er

,

rn

o u t in re se n e

udi c th ﬁll i id cup which of the a

en e ,

en

the n s e

(

to the

udi c pp ly cup with ic pl c a

en e a e a rs t o be the on

)

r e,

a e the

v v it f which p t y ti w d co er o er , a ter

re e a the m s c

or

s

P resto ,

th v c v i id cup will Pa

l’
ca

l

o

P ay

,

,

e n remo e the o e r and the n s e

52

G C K W T HE MA I IAN‘S O N BO O .

h v tuck it c c l d f vi w t k a e s h dk chi f it will g tly t i h th the an

to

an d be

er

e a nd

,

on ea e re a

rom

e

now
,

a e o ut

as on s

ose w ho see

it

.

G D C M 70 THE .

A NETIZE

ANE.

Is a

v y er

surprising

littl f cy c lcul t d e an

and
,

is

a

a e to

c t uch t i t rea e m

h a s on s men in

p l the p f thi t ick t k To pi c bl ck ilk th d e

a r or or ’ dra w in g m roo .

er orm

sr

a ea
,

e of a

s

re a or

h h i b ut f t orse

ar ,

ao

two ee

l g f t ch on

and
,

as en to ea

end

b t h k of the same en

oo s of a

i il l h s m ar c o or .

W en unob

v d f t h k ser e ,
b ck p t y u p t the a

a s e n the oo s in ar of o r an a

l l g b ut i ch oon- e s a o ,

two

b l w b d k e o the en of the

n es nees

.

h pl c c it h ul d ( T en a e the ane

so

d k be a ar on e a nd n ot t oo

h vy withi i p t ea

),

n the nner a r

th d p t d of the

re a , a s re re s en e

g vi g by in the en ra n and

a

k c d c ib pult v p f t gl g t you can ma e the

v i ty f t tic v t ight y u di c ar e

of an as

ane
mo

,

s m e mo e men of the e s ,

an e a o

and

,

er orm a

re a

m e

en

s .

At n

o r au en e

c t p c iv th d pp tly c will anno

er e

h v upp t wh t v p f h uld i f a e no s

e the

re a a nd a ,

or

a e e r The

.

aren

t he

er ormer s o

ane
n orm

c p y b f c ci g thi t ick th t i t d the om an

e ore omme n n

sr

,

a he n en s

g tiz c by vi g h d to ma ne

e the

ane and ,

mo n

his an s a s p ro

g ti ti l g will fessors of m a ne sm do, the mo on of the e s

n ot be

tic d no e

.

P F D P F G C W 71. RO ESSOR

YMAN'S MO E OF ER OR MIN THE EGG BAG TRI K .

k xhibit it udi c tu Ta e a bag and e

to the a

en e ,

rn the ba g in

id th b ck g i ft which t k v l gg s e out ,

it p f thi t ick h v b ut h l of

To

.

en a

a

er orm

an a ,
sr

er

a e se era e

, a e you a bag a o

s out
a af

y d id b ut ighth d p d bl ck ar w e and a o ,

b ic th t k t ip cl th b ut th i ch r ,

en a e s r

m ﬁ ve e

s ee

ma e of

,

s of the sa e

o

ao

wid th ch id t ip l gthwi e and sew

em on e a

s e of the s r

en

a re e

cam
n es
se of

th c ll d c ll it th th t gg the bag,

pl c d c ll cl d uth are

ae

e se are a e

es ,

is in

; l e t the e n d of the e s be

e se
o se

l g th t uth c ll ill of the ar e bag , so

a t he mo

of the

a the e s

at the mo

e sw

be

T R I C'K S WI T H

C

AR

D

S .

H U H p ﬁci cy g with c d ALT O G

ro

en

in ames

ar s is in

,

,

our

pi i t p ici u cc p i h t y uth o n on a mos ,

e rn o s a o m l s me n for o

, and

which c t v y p b t d one

a n n o be t o o se e rel

re

ro

ae

we
,

do

not

c id H H CK w ith p ck c d ons er SLEIG T- O F- AND TR I S

aa

of ar s, at

bj cti bl but th u c uch h l all O e

on a e ,

ra er a so r e of m

arm e ss

u t u d thi i p i h it t a m semen

and n er ,

s m re ss on, w e do n ot e s a e

i t f ll wi g i xc ll t d c pti to nser the o o n

ser es of e e en

ee

ons and

l ight h d t ick s e

f o -

-

an

r

s

.

Pl yi g c d b li v d h v b i v t d a n

ar s are

eee

to a e

een n en e

in

.

p i ly f u t th c tu y J h S a n a s ear

a s ' the o r ee n

Fi t ki g til f b d c d pl yi g the

rs ,

n

O f Ca s

i i dict hich t i i il m n ons in an e ,

l gi l tiv u th p t ﬁgu e s a

e me a s re in

e or ,
w
o er

en r

ae

ar -

for in 1 3 78

,

,

on

a n in his do

is an er or to ar s of EurO p e .

any s m ar

The

re s

p c d th lv t gt u on the ar s

e mse e s, a dd t o t he s re n h of t he

upp iti uit w i g th p d s

os on ; fo r the s

s ans er n

to

ose of s a e s

club h v i v t d h t t f il and

s a e n ot the sa me n er e

e ar a n d re o

h p which u p t di pl y s a e

o rs of the re se n day

s

a

but
,

esp a da s,

w d cudg club th t f c or s or s and bastos or

,

,

els or ,

s ; so

a in a t

t i th i th u h v l t d ﬁgu w e re a n

e r n ame s ,

o g h w e a e a ere the

res .

p t ti c d f v it div i At the resen

me too

,

,

a r s a re a

a or e

ers on of

p i d p ly lli g th v t d the S an ar s and the mono o ,

of se n

e m is e s e

h d v i g in the an s o f the so ere n .

ig y v th c d pl yi g In the re n of Henr

S t h e

e en

,

ar -

an

was

v y f hi bl c u t u t gl d a

er

a s on a e

o r a m se me n in En a n .

The

c d th u d di d t i lly th i ﬁgu f ar s

en se

ffe re m a er a

,

in

er

re s ro m

th v gu i t d club p d di d ose now in

o

e, as ns ea of

s s a es

,

,

a mon s ,

h t th y bbit pi k ﬂ w and ear s ,

e had ra

s ,

n s ro se s a n d the

,

,

o ers

c l d c lu bi up th l b ll h l v al e

o m nes ,

on

em

as a so

es ,

e a rt s ,

ea

es,

c d tu t ic th a orns,

8 e e r, 5 0 .

Le t u s n o w

rn t o t he ’ r ks

at

pl y d with c d can be

ae

ar s.

cc d c with ul h ll p i cip In a or an e

t c d t ick th t qui pp tu s ress O 11 ar p f d wit di y c d be er orme

r

s

h or

my r
a re

e Isa , re no a

n ar

ar s

l ay the r n

al

ara

s
,

and

may

.

C D T ru c xs 4 1T H A R S .

55

P 1 .

TO HAKE THE

ASS .

hi c y b gi i g c d t i M ki g T s is a ne essar

e nn n for a r

r cks .

an

p t ch ic l t hifti ith the ass ” is the e n a ,
b tt c d pl c p ck th t lik or the o om ar to any

erm fo r s
a e in the

ng e er the top

a

a you

e .

l t i p ibl d c ib it ly It is a mos m oss

e to es r e

and I can on
,

s ay

th t will l d b tt i ut f f i d a it

be e arn e

e er in ﬁ ve m n e s ro m a r e n ,

t y h u f b k h w v f i d han in a s man

o rs rom a

oo .

As ,

o e er a r en ,

lw y f u d p f p is not a

a s t o be o n

who can

e r orm the

a ss
,

will d d c ib it I

en e a vor to e s r e

.

c d h ld b th h d ight h d u d th The ar s are e in o

an s, r

an

n erne a

l ft b v g vi g wh and e

a o e, as in the e n ra n

c d i d littl ﬁ g ar is to be ra se to the top, the

tw th t c d th b v it quick v t een

a

ar and

ose a o e .

,

e re a s ,

t he

bottom

e n er is s e en be

By a

mo e men

ight h d b tt c d lipp d w y t w d of the r

a n the o om ar is s ,

e aa

o ar s

l ft pl c d up u d h d the e and is ,

ae

on

the

top

ca rd ,

n er s a ow

l ft h d whic i d t ll of the e

an
,

h is r a se for the mo men t o a ow o f

p g ti s ass a e .

hi v t u t idu u ly p ctic d b f T s mo emen m s be ass

os

ra

e

e ore

xhibit d public thi g l k wkw d it is e

e in

th it clu ily p f d which c an to see

ms

h c d g lly tu bl ﬂ t ree ar s enera

as no

n

,

oo s m ore a

ar

er orme in ,

ase tw o or

m e on the oor

.

C D C 2 TO TELL A AR .

BY ITS BA K .

hil hu i g p ck c t gl c b tt W e s fﬂ n

the

a

as a

,

an e a t the o om

d k p b i g it ti u c ar ma e the ,

a ss a n d ,

rn

t o t he top. Co n n e to

hu up it by d g y c d s

fﬂ e ,

and

lay

on

e re e s a s m a n

ar s as you

ik h p ck t bl f c d l

y e s a ,

s ix .

d d vid i t v h p b gi i g War s and

,

T e n l ay t he a

i

e it n o se en

o n the
ea s ,

a e ae ,

own

e n n n a t the

56

G C K T HE MA I IAN’S O WN BO O

.

b tt l v v th h p l g th o om and ,
th the o ers

ea e the se en

ea

ar er

an any of

h h v d thi t k c d f W . en you

ae

on e

s, a e one ar

rom the t op of

v th h p pp c lcul t f c the se en

ea

a ear to a

,

ae ,

and

l ay

it ,_

ae

u w d th h w ith p ar s, on one O f the o

er

p e a s .

D O so

ﬁ ve more

c d thu l vi g y u ipp d c d ar s ,
v th h p th u c th t by se en

s ea n

ea

You

.

o r sl

e

ar at the top of the

en anno n e

a

the aid of the

c d will v th it cc d six ar s you

n a me the se en

You n ame

.

a or

gly ft c fully tudyi g th c d ki g in

a er a re

,

s

n t he o er a r s a n d on a s n ,

p ct t t k it up it will th t ight a s e a or to a e

,

be se en

a you are r

.

pl c c d b v lipp d c d will If you

a e ﬁ ve ar s a o e the s

e

ar , you

h p if ight c d th will c u lay out six

ea s and ,

e

ar s
,

ere

O f o rse

i h p be n ne ea s

.

C D D G W 3. THE AR NAME

ITHOUT BEIN SEEN .

l t t ick c t gl c tt c d As in the as r p d ck y h p the a ce O f s a es
.

as a
,

an e a t the bo om

Lay o ut the p a

in a s m an

ar , say
ea s as

lik ti g wh th t l id which c t i th t you

e, no n

ere

a on e is a

on a ns

a

b tt c d t k c d o om ar .

Ask a n y o n e to a e up t he t op

ar

of any

h p l k it pl c it th g th ea

oo at

,

and re a e
,

Yo u
.

en

a er up the

h p p tly by ch c t k c put ea s ap aren

an e , b ut you a e a re to

the

h p c t i i b tt d up c d which ea

on a n n g t he o om ca r

on t he a r

has

b ch th giv c d cut een

osen .

c u ti g th v c d th t i di t ly f ll w on o n n

p d c d ch the ace of s

Yo u
em o
a e s is

en

e any one

er the ar

a

,

the ar

osen .

the ar mme

s to
ae

and
,
oo s

by ccid t c d h uld p t d If

any a

en the t w o a r s s o

be se a ra e

wh p c d p ck ch en

cut ,

the

up

er

pick d with i g c can be

e out

ar of the
seem n

a is the
are

osen

one ,

and

.

C D D P G 4 THE AR TOL BY THE O ERA LASS

.

.

M k t bl uch giv pl c a e out a a e s ,

a s is

en

in

F ig .

1 and ,

ae

it p gl th t ﬁgu will vi ibl wh in an O era-

a ss so ,

a the

re s

be

s

e

en

l k c v i c h v i you oo

t hrou g h i

t .

For on e n e n e , I a e m a de m ne a s

Fig u b ch i b i g seen in

.

2 ,

t he

n

m

e rs

123

,

,

in

ea

ser es e n

u d t d b t pl w it u b cut n ers oo

The e s

.

an is t o

r e the n m ers or ,

th b k p t th ci cul pi c em out of a oo

an d as e

em on a

r

ar

e e of

,

c db d which u t th k d k ar oar ,

ms

en be soa e

in

oil ,

so

as

to

ma

e

it i t p t light will th ily pi c m se

- ran s aren

.

The

en e as

er e

th gh it ﬁgu will b tt vi ibl th if it rou

and the

re s

be e er

se

an

,

w p u ere O

q a

e.

ig will th t ththti dFig c ﬁgt ui uvchd byttit F It

be seen

1 and a t wo

,

a

2 on a ns as m

ma

.

r s of the

re s are sa e

er as
.

H C D T mcxs WIT

AR S

57

h p i i i b i g g d t k T ese rel m n ar es

en

arr a n

e te l } N e w on e to ,

ae

tw ty v c d p ck i k any

en - se en ar s out of a

a

a n d to th n
,

of any

th l th i t th h p one of

em .

D ea

em n o

re e

ea

s ,

and

a sk h im

which h p it wh t u b f w uld in

ea

is and ,

a n m e r rom the t og he o

F ig .

lik it c ft thi d d l pp ch e

to ome a er the

r

ea .

Su

ose he

oo se s it

tw ty xth c t k up y u p g to be the

en

- Si

a rd ,

yo u

ae

l k u b hi will l t but and oo

fo r the n m e r 2 6 .

T s you

g d i g th t i f ch arran e h t i t s - 2 6 2 13 T he me an n is

or
ﬁnd
a

O era-
as
the

la ss
one
,
ose n

,

3 2!

58

G C W T HE MA I IAN’S O

N BO O K .

c d tw ty ixth h p which it ar is to be the

e n s -

the e a in
,

was

f u d u t ﬁ t ti pl c d c d c d o n m s be for the rs

me

ae

se on the se on ,

ti ﬁ t l t ti thi d pick c d me rs and the as ,

me

r .

SO you

up the

ar s
,

t ki g c k p th t h p u b g i a n

a re to e e

a

ea n m er two

You a a n

.

d l th th h p thi ti pl c h p ea

e m in

ree e a s a n d ,

s

me you

a e t he e a

which ch c d b i g u b in

is the

o se n

ar

a t the to p , e n

m n

er one.

l th thi d ti g th i g up h p pl c D ea

em a

r

me and on a er n

,

the e a s,

ae

b tt it a t the o om

.
h c u ti g f ch c d il T en, on o n d tw ty ixth foun to be the

n
en

rom the t op , the
s -

osen ar w l be

.

F G 5 .

THE

OUR KIN S .

k f u ki g p ck c d l Ta e the o r n s out of a a

O f ar s, and a so two

th c u t c d which h w p d o er o r

ar s ,

a re n ot to be s o n S re a out .

ki g b f p ct t but c c l the

ns

e ore the

se

a o rs ,

on e a the t w o

c u t c d tw thi d f u th ki g o r

ar s be e e n the

r and o r

ns .

Lay the

c d f c d w d t bl k b tt ar s a e

o wn a r s on the

a

e.

Ta e off the o om

c d which c u ki g h w it if by ar

is O f o rse one of the n s s o

as

,

,

ccid t pl c it k xt c d a

en

and

,

ae

o n the t op. Ta e the n e

ar ,

which c u t c d pl c th t (

is one O f the o r

) a r s a n d .

ae

a in the

iddl p ck k thi d c d i c d m

e of the a . Ta e the

r

( a r ,

h t e .

.,

e se on

c u t c d pl c th t l iddl p ck ) o r

ar , and

ae

a a so n e a r the m

e O f the a .

h will th ki g th T ere

e n be o n e

n a t the top an d

re e a t the bot

cu t c d x i th tom. Ask any one to

wh will f u ki g t g th iddl en he

ﬁnd all o r

the a r s a nd to e a m n e , n s o e e r in the m

em ,
e of

p ck the a .

,

b tt c u t c d pl c b tw thi d It is e er to use o r ar s to a e e een the

r

f u th ki g b c u if c d h uld lip id and th y w uld dily di ti gui h d c e

or o

n s e a se ,
n ot be so re a

the ar s s o

sn

se

s

as e,

as ommon

c d ar s.

P CC P C 6 THE OUR A OM LI E

.

.

p d w f u c d f p ck t ll Let a erson ra

o r ar s ro m the a

and e him

thi k th h tu f u to

n of one of

m e

.

W en he re

,
rn s you t he o r

c d d xt u ly pl c th u d p ck ar s e ero s ,

a e two O f

em

n er the a

and
,

d th b tt pl c f u tw o on the top. U n er

ose a t the o o m you

ae o r

t th t ki g ight f ca rds of any sor , and

en ,

b tt c d p d th t bl m o o

a r s, you s re a

an e
e m on the

or ten ro m the
a e an d a sk the ,

p if c d ﬁx d g th erson the ar he

e o n be amon

m e

.

If he

s ay

no ,

u it c d th you are s re

is o n e O f the t wo a r s on t he top . You e n

p c d b tt d wi g w t ass tw o ar s to the o om and ra

n

ﬂ‘
o

t

he

lo

es

of

,

th if th t c d g i em ,

yo u

a sk

a be n ot his

ar .

If he a a n say n o,

t k th t bid d w c d f you a e

a c a rd u p , a n d

him ra his ar rom the

C K H C D T R I S WIT

AR S

.

59

b t p ck p c d g o to m of the a .

th ﬁ t d w f b tt u t d xt u ly ose you rs

re

t k f u c d th t put u d th pl ci g a e up the o r ar

th th b tt c d ose on the top, let

p ck which d w b f d c ib d the a

ra

,

If the e rson say his ar is a mon

ro m the o om, you m s

e ero s

s

a you

n er

em and ,

an

the o e r t w o he the o om ar s of

in t he m a n ner e ore e s r e .

C D G C C 7. TO TELL THE AR THOU HT OF IN A IR LE OE TEN .

Pl c ﬁ t c d u it ci cul f a e the rs te n ar s of a ny s

in a r

m ar or , as

x d ﬁgu b i g c u t d in the a nne e

re

the a ce

en

o ne

a s one

_,

.

qu t p th i k R e es a erson to

n of a

u b c d t uch l n m er or ar , and to o

a so

th u b c d i any o er n m e r or ar

de s re

u b him to a dd to the n m e r of the

c d t uch b ar he o

ed the n um er of

c l id th t the ards a

out ,

a is, te n ;

th bid c u t th t ck en

him o n

a sum ba

w b g i g c d ard ,

t uch d ck i g th t c d o

e

u b th ught at the

e in n n
, a n d re n m er

wh will thu it en he

at the

on n

he

o

s end

a r he

a

ar

of ; a t the

d u b ﬁ t th ugh t th by bl ca r or n m er he rs

o

of a nd ,

e re

e n a e you

c t i wh t th t x pl up to as er a n

a

a

w as .

For e a m e , s

pose he

th ught u b th t uch d ixth c d o

of the n m e r

re e a nd o ,

e t he s

ar if ,

dd d it will c u k ixt ten be a

e

t o six ,

o f o rse ma e s e e n a nd if

c u t th t u b f ixth c d t uch d he o n

a n m er rom the s

ar , the o n e o

e,

t g d d ck i g th ixth f u in a re ro

ra

e

or

er re ,

on n

re e o n the s

, o r on

ﬁfth f u th thi d c d the

ﬁ ve on the
,

or

s ix on the
,

r

ar s a nd so

,

it will f u d t i t thi d c d whic on

be o n t o e rm n a e on the

r

ar

,

h

wilhl th fp h w c u ti g u b u b p h tuhldught W ere ore s o

you the n m e r the

e rso n

en the

e rson is o n n

the n

m

e rs he s ,

o

o

of

.

not of ,

c u c ll th l ud o rse, a

em out a o .

G C D G 8 TO UESS THE AR THOU HT OF

.

.

p f thi t ick u b c d u t divi i To er orm

sr

the n m er of ar s m s be
,

by it c v i t th t u b h ld ble

3 and

is more on en en

a the n m e r s

,

i p thi k c d pl c c d be odd D es re a erson to .

n of a ar

a e the

s ou ar s

t bl with d w w d t ki g th on the a e

the ir ’ fa ce s

up d g th th h p with th i f c in or er, arran e

e m in

o n ar

and a n

,

,

em

re e

e a s,

e r a es

pw d uch th t ﬁ t c d U

ar a nd in s

,

a manner

a the rs

a r o f the

p ck h ll ﬁ t ﬁ t h p c d ﬁ t a

s a be rs in the

c d h p i d ﬁ t thi d the se on

e a , a nd the

u th c d ﬁ h h fo r the se on of the

rs

e a the se on the

,

t h r the rs of t he

r

rst a n d so on

W en the

.

.

rs in ; the
eap s

60

G C W T HE MA I IAN’S O N BO O K.

c pl t d p which h p c d are

om

ee

a sk the
,

erson in

e a the ar he

th ught wh t ll pl c th t h p o iddl th tu i g up p ck t f th h p m

of is, and

e

en

rn n

b f g i i qui which h p c d th ught e ore, and a a n n

en he e the
re in

s you,

ae

a e a in the

a

e , orm

re e

e a s, a s

e a the a r

o

f th h p f h pl c h p c t i of is

orm the ree e a

c d th ught g i c t which ing the ar

o

Of a

th c t i c d h thi k w pl c it of

e m on a n s the ar

s a re s ,
W a n in the en
.

a e the e a

on a n

en

er ,

an d a sk

s is

n o n,

ae

b f b tw th g i f th as

e ore ,

e

ee n the o er tw o, an d a a n orm

re e

p ki g qu ti h t k h p hea s, as n the same

es on .

T en a e U p t he

ea s

l t ti put th t c t i i g c d th ught for the as iddl pl c p ck t t bl with in the m

me ,
e and ,

a

on a n n

the ar

a e the a e on the a

o e

Of the

c d w w d tu c d till c u t h lf fa es o n u b th c t i d p ck t tw lv x n m er of

ar ,

rn up the ar s

ose on a n e in the a

if th tw ty f u which c tw lfth c d ple,

e re be

en

i - o r

n

,

you o n

a

e

e

a se the

e ,

for

e

e

the
am
ar

ill p th ght u b w be the one the erson

ou

Of .

If the n m er of

c d ti divi ibl by th the ar s be a t the same me odd an d ,

se

re e ,

uch ﬁft tw ty tw ty v t ick will s

as

ee n,

en

- on e ,

en

& h - se e n ,

c te r .,

uch i c d th ught will lw y th t be m

e a s e r, for t he a r

o

of

a a s be

a

iddl h p which it f u d thi d ti in the m

e of the e a in

is o n the

r

me,

th t it ily i ti gui h d with ut c u ti g so

a

may be e as

ds n

se

o

o n n the

c d ity thi g c y b ut b ar s ; in re al

no
,

n

is ne e ssar

to rem e m er,

hil gi g h p thi d ti W c d w ich iddl ch upp x pl ar th t iddl c d ﬁ t h p p d a

e yo u a re a rra n n

the e a

fo r the

r

me the ,

h is the m

e one O f e a

S

.

ose for e am e

,

,

the m

e ar of the rs e a be the a c e of s a e s

th t c d ki g h t th t thi d a the se on be the

n of ear s and

a the

r

k v h t if t ld th t h p be the n a e of e ar s

you are o

a the e a con

t i i g qui d c d thi d th t c d u t a n n the re

re

ar is the

r

a

,

ar m s be

k v h t th f h v c d the

na e of

ear s .

You m ay

ere ore a e the ar s

hu ﬂ d with ut ubli g th th l k s f e ,

o

t ro

n

em a ny more

th v f k k v h t ing

em o

e r for

o rm’s s a

e ,

may

n ame

the

and

en oo ,

na e of ear s

h it ccu w en

o

rs

.

C D G W 9 .

TO

TELL THE NUMBER

OF

AR

S BY THE

EI HT .

k p ck c d f ty p iv t ly i t Ta e a a

of

ar

s ,

say

or

and
,

r ae

n se r

g th c d th l g th th amon

em two

ar s ra er ar er

a n the o ers ;

ﬁ t ﬁft th th tw ty ixth let the rs be the

een

and the o er the

,

en

s -

,

f h u ﬂ c d cut th rom the top . Se e m to s f e t he ar s, and

em at

ﬁ t l g c d hp i utht ﬁft h v c t dk h yth hthe rs on

ar

an d ,

and

s ay,

“T

th c l g c d h b ut ut em at the se

l v p i i g i d xcl i e e en he re

and

o se
ere m
on d on
osn

s

ose
be
ar
the

you a e a e n

een ar s

, a n d s ay, “T

m r e

an

e

r
,

e

off in o ur

ere

e r.

e re a re

a

m ,

“ An d

h f t c d c u ti g th p ct t ere are o u r een ar s.”

On o n n

e m t he s e a o r s ,

ill y u c lcul ti c ct w ﬁ nd o r a

a on s orr e

62

G C T HE MA I IAN’S O WN s o o x

.

p ck cu c d p d p l a

.

Se

re a

ar , say

the

a ce

of s

a

es
,

in

the

am

y u h d h p ck t bl f c d w of o r

an .

T ro w the

a

on t he

ae
,

ae

on

d p d c d giv p ct t y u war s s rea ,

out the

ar s,

e o ne of t he s e a ors o r

c j u i g w d t wh d on r n

an , and

el l him ,

e n you n ame a ca r to

t uch which will t k up o

one

,

yo u

a

F i t p d t uch c d which rs n ame the a ce of s a

t k up with ut wi g f c it hi c d you a e

o sho n

e
e s.
t he

.
He o
a e of

es a
T
.

ar
,
s ar

may

ight di d it i t y u l ft h d he, say the e

of amon s Put .

no o r e

an ,

pl c it up p d which l dy th and a e

on t he a ce o f s a e s ,

is a re a

ere ,

th t l k li h c ll igh so

a the tw o oo

ke on e c a rd .

T en a

fo r the e

t

di d th c d t uch d qu of

a mon s .

Ano er ar

is

o

e , say the

een of

club hi put with th ft p t di g s. T s you

the o

d e rs, a n

a
,

er

re en

n

c lcul t c ll qu club to a

ae a ,

for the

een of

s .

P c d thi u til c d h v b d w ro ee in

s manner n

six a r s a e e e n ra n .

h ub titut l t c d d w w ich c u T en s s

e the a s ar

( ra n

h

is of o rs e a.

w g p d c c l i t p l ) ron on e for the ace of s a es, and on e a

in the a m

y u h d h t w th t bl of

o r an

T e n s re the o e rs o n the a e a n d

.

,

whil y p ct t ﬁx d up th e the e es of the s e a ors are

e

on

em ,

get

c d y u l ft h d rid of the ar in o r e

an .

g d pl w it d w It is a oo

m a n to a sk some on e t o r e o n the n a e s

c d th y c ll d th h v li of the ar s as

d e

a re

a

e

an
,

en to

c ll d v d th t v y th t th a e o er, in or er

a e er on e may se e

b i t k m een n o

s a e.

a e the st

a

ere has

D 13 .

HEA S AND TAILS .

hil hu i g c d c t iv g W e you are s fﬂ n the

a r s, on r e t o a rran e

qui tly th i h d y p ibl e

all

m e r e a s o n e w ay, o r a s

an a s oss

e re ,

di d xc pt ki g qu k v je et-ing all the

a mon s e e

the

n
,

d e e n ,

na

e
,

an

v p i g th b tt Put up se en and a ss n ,

e m to the o o m .

the p ack

on

t bl t k u b u pp c d the a e, a e off a n m e r of the

th ch c d f hil em for some one to

oose a ar

W e r a r s, an d offe r

m ro .

e he is

l ki g it tu u d th oo n at ,

rn the c ards ro

n

a n d offe r
,

d t t pl c it hu c d or er ha he may re a e

S fﬂ e the
.

e m t o h im in ,

ar s and ,

on

l ki g th v ch will t di g wi h oo n

em o er the ,

osen c ard

be s a n n

t

h d whil th v d its ea one way,

e the o ers a re re e rse .

U P 14 THE S R R ISE

.

.

h h v di c v d c d f ll wi g pl W en you a e

s o ere

a

ar the o o n ,

an

w ill k t i ti t ick c d ma e a striking erm n a on to the r

Get the a r
.

b tt p ck t ll p ct t to the o

h ld c d by c tightly Giv o

the

o m of the a

and e

,

ar s

one orner as

one of the s e a ors to

h a s

e ‘ c an

e

.

h h p with y u ﬁ g with y u h d t em a s ar

ra p

ill t ck h ld f ll and all the cards w

or

n e r, n o t

o r an ,

be s ru

o ut of his

o

a nd
,

a

C m TR I KS wr

c xa ns .

63

ﬂ xc pt b tt c d which w ill on the oor e e ,

the

o om

ar
,

re m a in

b w ﬁ g thu b th d h et een his n er and

m

It ha s a ra e r m or e as

.

ct if ch c d t ik ing effe th upw d wh wh l p ck will ﬂy b u em

,

yo u p ut t he

ar s ,

e n the

ose n

ar

oe a

a t the t op , a n d s r e
a o t the room,

lik ﬂ ck butt ﬂi ly l vi g c d e a o

of

er es on ,

e a n the top ar in t he

p g p erson’s

ras .

V 15 THE R E OLUTION

.

.

th t ﬁ i hi g t i ck f ll w Ano er nea w ay of n s n a r

is a s o o

s .

Get

c d t ki g c th t the ar to the t0 p of the p ack and a n

are

a all

c d v d p p ck ﬂ t ki g c the ar s are e en, ro the

a

on the

oor a ,

n

are

u t lip c d l ittl t j s as you let go, to s

the t op a r a

e off the re s of

p ck f lli g i t c w ill tu the a . In a n , the res s an e of the air

rn the

c d v it will t with f c u w d ar o er and ,

re s

it s a e p ar s on the top

p ck of the a

.

PP D C D 16 .

THE SLI

E

AR .

c t i b tt p ck h ld c d As er a n the

y u l ft h d with th i f c d w d Pl c y u in o r e

an

o om c ard of the a
e r a e s o wn

;o
ar s

the ar s
ae or

right

h and

upon

th, em

and with

y u ight f ﬁ g lid o r r

.
ore n e r s e

th l wly v ch th ki g p em s o

,
o er ea

ch by putti g ﬁ up it h card he

oose s ,

d p p ck th t c d b ut whil p i g has one so o en the

o er as , n his

a

at a

W n

som e on e to s to a ny

nge r

on

.

en he

ar

e o en n

,

,

it k p b i g b tt c d u d ma e the ,

a ss and ,

rn

the

o om ar

n er t he one

t uch d ld up ch u o

H e .

o

the c ards a n d a sk the ,

o o ser to be s re

c d h d c d hu ﬂ of his ar

an

all the

ar

s to

him ,

and

let

him

s

fe

uch ch ft w d di c v c d as m

as he

oose s

A er ar s

.

s o e r t he ar in

th t p f f ll wi g g d pl any manner

a you re e r . The o o

n is a oo

an .

D C D 17 .

THE NAILE

AR .

k h d d il it d w u til p i t Ta e a ﬂat- ea e n a

and ﬁle

,

on n

its o n is

h p dl h d qu it il as s ar a s a n ee e an d the

ea

,

e ﬂ at The n a .

h uld b ut h lf i ch l g v h t if s o

be a o

a an n

on

or e en s or e r

,

y a n .

thi P il th ugh c t c d g n .

a ss the n a

ro

t he

e n er of any

y a r

sa

°

,

p d c c l i t y u l ft h d the a ce of s a es and on ea

in o r e

an

,

.

k th p ck c d p d Ta e ano tt p f p c di g t ick h c d bo om and
,

er a

of

er orm the

W a r

s ,

g et

the a ce of s

a

e s t o the

re e n

r

en the ar s

.

tu d hu ﬂ th b ut xch g pi c are re rne s ,

fe

em a o

and e

,

an e the er e d

c d th Put pi c d c d b tt ar for the o er .

the

er e

ar a t the o om of

p ck th w c d vi l tly g i t d the

a

a nd

,

wh il will d iv by p u h en the na

ro t he a r s be r e n in

‘

o en

a a ns a

oor
,

the re ss re o f the ot e r

c d g i t h d ch c d ill ar s a a ns its ea and the

o sen

ar w

be seen

il d d il h uld put th ugh f c ,

na e to the oor The n a s o

be

ro

the a e

64

G C K W THE MA I IA N'S O N BO O

.

c d th t wh th f ll ﬂ of the ar so a ,
i f ci g p ct t ma ns a n the s e

en the o
a ors .

ers a

on the

oor, it re«

C C D 18 .

TO AS ER TAIN THE NUMBER or POINTS ON THR EE UNSEEN

AR

S .

thi u t c u t l v c u t c d In ch th cc di g u b th i ten ea

s a m se men the a c e o n s e e e n the o r ,

ar s

and the o
,

ers a

or n

t o the n m e r of

er

p t s o s .

ch t c d th Ask a ny one to

oose any

t bl with th i f c d w w d ch th the a e,

e r a es o

hre e ar
n ar s.

s ,

and

l ay

O n ea

em on

of

ese

u t pl c y with u b c d will he m s

a e as man as

the n m e r of the ar

k ﬁft giv i i g wh ma e

een .

He

es you the rema n n

cards and ,

en

h v th y u h d c u t th v you a e

em in o r an , you o n

em o er on the

p t c hu i g th by d ducti g u w ll re en e of s fﬂ n

em, and

e

n

fo

r
,

you

i

h v p i t th c d a e the number of o n s on the

ree a r s.

h

x pl p ct t ch f u ight For e am e the s e a or

ooses a o r an e

and a

,
ki f u pl c l v c d ight v g n . O n the o

ki g h will th tw ty c d and on the

n

r he
ﬁ vé .

a es e e en
T ere

,

ar s on the e ,

e n be

en

,
se en ,
i s - x ar s

l ft duct f thi tw ty f u ult will e

.

tw ty which u b p i th c d en ki g c u ti g dd d ight f u the

De

- tw o ,

n

on

ro m

s

en

is the n m

n ten, a

e

i s - x o r a n d the re s

be

,

er of o nts on the

ree ar s,

to the e

a nd the o r.

C D W 19 TO TELL THE NUMBER S ON T O UNSEEN AR S

.

.

p c di g t ick c u t l v As in the re e n

u t ch p ch co r c ards ten e a

.

c d th t bl with th i f c d w w d ar s lay em on the

pl c ch y will k th i u b tw t a e on ea

as man

r

the a c e o n s e e e n a n d the

,

,

Let the e rson w ho

o ose s the t w o

ae as

ma

er e

a es o n ar
e r n m er

and
,
en y

ﬁ ve .

k i i g c d c u t th wh th y will Ta e the rema n n

ar s and o n

em ,

en

e

f u d j t y p i t c d be o n to be us a s man a s the o n s in the t w o

ar s .

x pl t k qu l v Fo r e am e , a e an a ce and a

een i e e e en and ten

,

.

.

,

th t bl u t put f u and lay

em on the a

e .

O n the a ce yo u m s

or

t c d qu ﬁft h will th een ar s and on the ,
ﬁft c d h p ixt th th een ar s in one e a

dd d t g th k thi ty c d a e

o e er ma e

een

een

T

.

and s
,

e en in

r - one

ar s :

ere

be

en

the o er :

e se

the se su btra c te d .

u b c d p ck l v from the n m er of tw ty j i t u b qu en - one the o n
,

ar s in the

a

i

,

.

e .

ﬁ

fty-

two ,

n m er of the a ce and

een .

ea e

V C 20 .

THE KNA ES AND THE

ONSTABLE .

l ct f u k v f p ck c d Se e

t he o r n a e s ro m a

ki g p f ﬁc c t bl c tly pl c the n s to er orm the of e of

k v b tt p ck one of t he n a e s a t the o om

th th with c t bl d w up t bl o er

ree
,

the o n s a

c d ith t ct th t th k v c oe w

a a l e to the effe

e , a

a

of ar s and one of

,

ons a e .

Se re

ae

of the

a

and
,

lay

t he

on

on t he a e

Pro

.

re e

na es on e wer

H C D TR IC KS W IT

AR S

65

.

h p l w i d w p u tti g to rob a ouse on e g ot in at the

k v b tt t ki g c lift na e at the

o

om

of

the

p

a

c

k ,

p ck high th t l d b tt a

so

a the on e a re a

ar or

( n o

na

an

a re n o t t o

the

y a t the o om c a n be

f ct d t c ﬁ t ﬂ wi w ) seen

o n e e fe e his e n r an e a t t he

rs

oor

ndo

putti g th k v idd p ck (

n a n o e r n a e in t he m

) l e

o f t he

a

and

th by g tti g p p t f ighb i g the o er,

en

on the

ara e

ro m a n e

or n

h u c t iv d c bl g t wi d w pl c o se on r ,

thi d k v ck c t bl ing the

r

e t o s ra m e in a t t he a rre
) n a e a t the t op o f the pa

( n o

a

t he on s a e

v w d w uld c ptu th cl ly f ll w d l t o e he o

a

re

em and ,

ose

o o e the a s

k v putti g ki g lik wi up p ck ( na e

n the n

e se

) on the t op of the a

.

h qu t y c p y cut c d T en re es as m an of the om an t o

the ar s a s

pl t ll th th t h v d ubt c t bl ease

and e

em

a you a

ucc d d bj t which will quit vid t has s

e e e in his o e c ,

wh p d p ck y u h d ki g en you s re a out the a

in

th k v will if t ick tly p f d and f u d t g th v y littl p c ic ly qui d o n

re e n a e s ,

oe

e r.

A er

the r
e ra

e no o

the on s a e

or

be
an s

ee
a s the

en ,
n

is n ea
t e on

e r orme be ,

is re

re t o

b l c v y k v th c d c tly en a e you to on e a na e or any o er ar se re

to

b tt p ck the o om of the a .

P P D 21.

THE

AIRS Eli-

AIR E .

ll tw ty c d p i p pl k Te out

en

ar s in a rs a n d a sk t e n e o e t o t a e ,

p i ch b th k p i a a r e a

and remem er

,

m e

.

Ta e up t he

a rs i n

h i d th t bl d cc di g t

e r or

er ,

and

l ay

e m on the a e in o r e r a o r n t o ,

cc p yi g t bl which f i ch ic the a om an n

ae

c t u d M tu g v ci and may be

“,
ons r e ,

u

s

orms a memor a t e

na
,

a e a n ame t o t he Co

”
,

p pl h v di c v d ( a eo e who a e yet to be

) s o ere .

U

S*

2

4

I

T

7

3

E

N

6

8

I

S

7

4

gi g th w d y u i d t bl Arran n

e se or s in o r m n on the

ﬁ t c d ﬁ t p i it Mutu the rs

ar of the rs

a

r ,

l ay

on M in

c d xt p i g ti ly se on on the M in No men

The n e

.

a r oes

a e t a ke ,

s a n d the ,

en re

in

Mutu b i g ﬁ t c d c d p i s e n ,

two

s U

.

Th e

rs

ar of the se on

ar

O The ﬁ g ure s re'ﬂ re se nt t he p a irs, 4 a , the 1 under M signiﬁ e s th a t M belo ngs to th e [Irat p ' u r

66

T HE MA G i c rAN’s o w n no o x

.

g Mutu c d dit oes on r in c d l id th i pl c on urtil all the

s, and the se on on

a r s a re a

ln

er

ch p ucc i which w c d Ask ea

erson in s

ess on in

r in D e
a es . ro s

; and so
his a r s

i di t ly p i t th x pl are ,

and

you

can

m me

if y c d thi d p i t he sa s the se on

c d f u t c d th w b c u th y b th se on a nd o r h ar

p t l t th y ﬁ t l t re resen the e ter E .

ae

on

em out .

and

r

row ,

you

s in

ose ro

s
,

ea

If a n o e r s a s the

For e am e ,
o n out t he

se

e

o

rs a n d a s

p i t t c d ch b c u c d rews ,

yo u

o n out the l a s

a r s in e a ,

p t Mutu will th t re resen s in

s a n d s in Co c is. It

e a se the a r s

be se e n

a

wh l t bl c i t l tt ch p t d the

oe a e

on s s s of ten e ers, e a

re e a e ,

which will lw y p i t p iti p i if a a s o n out the os on s of the a rs

th y put pl c th l tt u b e are

in the

a es of

ose e e rs .

Any n

by t d ch p i k t ick of

s an ers may

oose a rs an d to ma e the r ,

y t i u p i pl c d t bl b ck m s er o s the ,

a rs m ay be

a e on the a e

m er more
a

upw dar s

.

Q D GG G D D 23 .

THE

UEENS

I

IN

FOR

IAMON S .

ct f p ck c ki g qu k v Sele g th with f u c c d ch uit to e er f u qu f u qu the o r i g dig di d g o n to

rom a

a

the a es

,

ns ,

ee ns, and

n a es,

or
e en s in

o mmon a r s of e a

s

H a

ro w ,

and

say,

“

.
ere a re

Lay down

or

e e ns

fo r

amon s .

( L a y a common dia mond over each

h y ch t k p d wit th ) queen .

T e ea

oo a s a e

( h em p la ce a common

du g u til th y w ly ti d ) spade on each diamond and

n

e

ere near

re .

h i f u ki g thi ki g th t th y ight tt ck d by T e r o r

n s,

nn

a

em

be a a e

bb t f u l i k p gu d ro

ers, sen

o r so d ers to

ee

ar .

( L a y a n a ce on

v i g c qu tu d ) each

Sp

a de .

ki g f i g th t th y ight h v c h so the

n

E en n
s ear n ,

a me a nd t he ,

a

em

eens had n ot re
a e o me to

rne
,
arm ,

b c u y th l v e a me ne as and set off

( emse e s .

P la ce a king on

h y w ly j u t ti th y c ) each ace .

Te

ere on

s in me for a s

e

a me

,

l g th y th i qu b i g c i d by f u vil a on ,

e met

er

eens e n

ﬂ a rr e

’
o

or

l i lth ugh ly d ( ) a ns

lay a

kna ve on ea ch king

w ho

,

,

a

o

on

arme

with cl v ( ) ubs

p la ce a

common clu b on

ea ch

kna ve ,

had

o

er

p w d gu d d iv th f u ki g o ere the

a‘r s an d r e n

em

o

ff .

But the o r

n o's ,

b i p d b ld h t g e n

osse sse of o

( e ar s la y a common hea r t over ea ch

v qui h d vill i b u d th ) ting , soon

an

s

G th up c d pl c h p up ch th a er

the

ar s ,

di ct cut th v th cut re

so me o n e to

e a

the e the
em .

a ns,
ea s
Ha e

and

on

on e a

o

em

fe w

em ” .
er and o r ﬁ ve

ti c ti u u til c h t p mes and on ,
b tt h c ti u t l p ty at the o om .

n
T

e to do so n en on n e the

a a

ommon e ar a

e ,

and

s ay,

“The

pe a rs
ar

th tu d h f ll wi g d F i t qu en re rne

ome i n t he o o

n

or

er .

rs t he

een ,

with di d whi ch f u d ( ) la y down the top card

the a mon s

she ha d o n

h d ( lay down

the second

ca r d ,

which will

be a

dia mond )

in o n e

an .

p d th ( ) and her s a e the third ca rd w ill be a sp a de i n t he o

er 85 0 ,

C K C D T R I S w rrn AR S

67

.

c ti u d li g c d th t You on n e

it will f u d th t th y will p ci ly and

be o n

d h th y w t k up or er as w en

e

ea a ere

n o ut the ar

e

be in

a en

s in a
re se

ma nner ,
the same

.

D 2 4 .

THE TR IPLE

EAL .

k tw ty c d p Ta e any

en - one

ar s ,

and

a sk so me

h f th th th h p c oose one rom

em .

Lay

e m out in

re e

p t k c d i whi ch h p i t ask the erson w ho oo the ar . n

ea

tu y u b ck whil ch G th th may

rn o r a

e he se a r e s .

a er

put th t h p b tw th thi twic a

ea

e e e n t he o e r t w o D o .

s

ch c d will lw y l v th f and the

ose n ar

a a s be the e e en

erson to
e a s, a n d is You
.
em up and e more
,
rom the

t op

Q D P D 25 .

THE

UA RU LE

EAL .

h i v i ti p c di g k tw ty f u T s is a ar a on of the

T re e n .

ae

en - o r

c d th f u h p ar s, and lay

em in

ti g h p which ch c d c d n the ea in

o r ea
is the

s .

Act as

in

No .

24 ,

put

ose n ar se on .

The

t th c d will th ught en

ar

be the one o

of

.

C D D V D UC 26. THE AR

ISCO ERE BY THE TO H OR SHELL .

l g c d th th t th ughly O

ﬂ'
er

the

on

ar , or any o er

a you

o ro

w ll k w p d w h ld it e

no

;

an d a s the ,

e rson w ho ha s

ra

n it

o

s

in

withh y dup f t ﬁd g f l plilpit ﬁguth g cui ud ly id his

an

re e n

,

o r ore

cl wh t c d it are

a

ar

t o e e the

m n

e

r
,

or

s

e

is .

s or
and
,

re s on t he
en sa a

n er s e
o s de

it l g c d giv p ck If be the on

ar , you may

e the a

t o the p er

d w it ll ith pl c it son w ho re

a n d a o w him e
,

er to re a e

or not .

h t k p c f l wh th it th T en a e the

a

k ,

and

ee

e er

be

ere or n ot

u c d c l with ut l i g sh fﬂe the

ar s in a

m are e ss

a

n

n

e

r
,

and

.

o

ook n

it d cid cc di gly at

e

,

e a or n

.

G U 27 .

THE IN ENIO S CONEED ER ACY .

ixt t bl f u divi i f u Lay s

een c ards on the

a

e in ,

or

s ons ,

or

c d ch with th i f c upw d th t t ar s in ea th t will l v y u tu will a you

,
ea

e r a es

Y a r s. '

ou

e

the

ro o m ,

and ,

on

o r re

rn ,

en s a e
n ame

c d hich h v b t uch d y u b c any one ar w

m ay a e een o

e in o r a se n e ,

c p y y u c f d t p i ti g ( ) on one of the om an

o r on e era e

o n n out a

g f u h d y u tu m passa e ro

any a t or to be re a to you, on

o r re rn ,

by p p t p f thi t ick c d any erson

re se n .

To

er orm

sr

, the

ar s

h uld pl c d d which th y pp s o

be

a e in the or er in

e a e ar in the

cut i t d xt p g p vi u ly ki g y u nser e on the ne

c f d t cqu i t d with y u d p c di g on e era e a

hich thu c d upp d divid d i t w

is

s

an e
The ar

a e , you

re o s

ma n

o r mo e of

ro e e

s are s

ose to be

e

or
n
,
no

u cl lik wi g cl y fo r

asses a s A B C D

,

,

,

,

yo u

e se a re e t o ass e ve r

68

G C K W T HE MA I IAN’S O N BO O .

c d h vtfthukibtbiwdgiiicvtvqighiudigt ddutbcwxtlbhipplcitdlclhddlkpbdcltiqyupcuchudlddctlhtcuwpvpptildgfldfpidtquuvvuuipbthplgltdutbl itupcpplbudldt ar No .
M h vi g b p t d y u c f d t l ct oore a f giv f ll wi g li d rom he

n in the or

n er the o r den omi

n a ons of

e ,

ar

e,

e e a e,

and m n e1 al

a ss A s a n s for

e s,

B for

a ru e s C for ,

e ea

es and ,

D fo r m n e ra s Ea .

ass m s n ow be

s

e in the sa me m an n e r in a ss

A No 1 is the

,

.

e 2 the ,

ar

3 the
so

e e a e a n d 4 the m n e ra

,
the o er

a sse s .

W en

e,
and
per

orm n the r

m , o r o n e er a e

s

a e are to se e

an a ro r a e ass

5

16

D

g a e .

For e am e w e ,

s

ose the

4 to a e een o

e

an d

,

a a o me of

n

e e n re se n e t o o r on e e ra e t o se e

e s t he o o n

n e s to be re a

,

Breathe s there the sla ve so lowly,
C ondemn ed to cha in s u nholy,
W ﬁ ho , could he burst his bonds at rst,
W i t l ould p ne beneath hem s ow ly ? ” &c .

ﬁ t w d which cl d b v The rs

or

c an be

a sse

as a

o

e

is

sla t e ,

you

thu c t i th t c d t uch d cl may

s be er a n

a the ar

o

e is in

A a ss

, a.

v b i g bip d xt w d ﬁx up sla e e n a

e

The n e

.

or you c an

on is

which b i g c ly d t l k chains ,

en

ommon

m a e of some me a , you ran

i l cl k w th t c d in the m nera

a ss and n o

a

a r No 4 w a s the o n e

,

.

t uch d it b i g i l bip d cl o

e

,

e n t he m n e ra of the

e

ass

.

upp i g t ick p t d v y lik ly S

os n the r

to be re e a e

a s is e r

,

e

and

,

h t v l y g iv y u c f d t t a a o ume of B ron is

en to

or

on e

era e who ,

l ct p g c ci g se e s the a ssa e ommen n

l Know ye the

an

d ,

w here

the

cyp re ss and myrtle

i Are e mblems of deeds that are done in the r clime 'l

& c.

k w cyp b i g ﬁ w d th t you

no ,

re ss ”

en

the rst

or

a can be

cl d c d t ch d t cl v g t bl asse the ar ,

o u e mus be in

( ) a ss C

e ea e ,

xt w d y tl b i g l v g t bl c d and the ne

or

m r e ” e n a so a e e a e t he ar

,

t uch d u t h v b which v g t bl o

e ms

ae

e e n No 1 1

.

,

is the e e a e of

v g t bl cl M y pp p i t p g the e e a e

a ss .

an a

ro r a e

a ssa e s m ay be

ily l ct d y u c f d t h uld l ct l e as

se e e

an d

,

or

on e era e s o

se e

a o ng

p g d it giv g t c p h lp assa e to be rea a s ,
i l d t c p y h uld th y i gi m s ea the res of the

es
om an

re a e r s o
; for s o

e, and
e

e s to
ma ne

th t c d di c v d by u b li d a the ar is

s o ere

the n m er of

n es re a

and
,

th y t uch c d g i l t th e

o

the same ar a a n, he c an se e c

g d i i g th d ly y li th sa

e ,

es r n

m e

to re a on

as man

ano er p as

nes as

ey

choose.

70

n T HE MA C IC IA N’ S ow

BO O K.

c lli g it l v p th t c d th lli a n tw lv th bid t k xt pp t c d e e

e e en , a nd u on

a

ar , an o er, c a

en

him a e o ff the n e u ermo s ar

ng it
sup

p it i d w th p t ose

to

be

n

ne ,

let

him

l ay it

o n on ano

er ar of the

t bl c lli g it i it th c lli g it a

e ,

a

n

n

ne ,

up

on

le t him l ay a n o er, a n

ten,

up l tt th c lli g it l v up th on t he a er ano er, a n

e e en and ,

on

at

th c lli g it tw lv th xt upp ano er a n ,

ee

e n let him g o to the ne

er

t c d p c d h p b f mos

a r , a nd so ro e e t o l ay out in

ea

s
,

as

e ore,

u til g th ugh with wh l p ck n

he has on e

ro

t he

oe a .

th c d l t th t if th If ere be any ar s at the as ,

a is ,

ere be n ot

gh k up l t t d c d u b tw lv enou

to ma e

t he a s n o e

a r , the n m e r

e e,

giv th th t ll bid him

e

e m to yo u

d e n in o r ,

er to

e

all the n um

p t c t i d b tt c d h p ber of s o s on a n e in a ll the o om ar s of the e a s,

thu f u b h p ubt ct f u ultiply do

s

rom the n m e r of e a s s

ra

o r, m

i d by thi t p duct the re ma n er i i g c d which g but if th ber of rema n n

r ee n, and, t o the

ro

a dd the num
,

ar s ,

he ave you ;

ere

w but f h p th th i i g c d l will ere

our e a s,

en

ose re m a n n

ar s a one

h w u b p t f u b tt c d S o the n m er of s o s on the o r o om ar s You .

d c d l id k w u b nee

no t see the a r s a

o ut n o r n o the n m er of ,

c d ch h p it b i g k w u b ar s in ea

ea ,

e n su lﬁ c ie n t t o n o the n m er

h p u b i i g c d if th of e a s, and the n m er of rem a n n

ar s ,

e re be

th f p f thi f t w ll any, and

e re o re you m ay

er orm

s ea as

e

t d i g th if w p t s an n in ano m er roo , as

yo u

e re re sen .

C 31 THE TRI K OE THIR TY- ONE

.

.

t ick ft i t duc d by pu p A r

o en n ro

e

sp o rting

men ” fo r ,

the

r o se

d c ivi g ki g y by it c ll d thi ty of e e n and ma n mone

It is a e
.

r

c uti pl y wit I one.”

a

on all not to

a o r be t

h a man w ho in

it t p b bly if d p p troduces i g it ﬁ t will ft g t i t t d t n on

for, mo s
a t rs , he

ro a

,

he oe s n o t ro ose be t

a e r he

e s you

n eres e and ,

t d t ch c t it th t p re en l y it wit p h p will b t if p a

to ea
h him

yo u a ll the se re s o f

so
,

and er a s he

let you

a you c an
e a him

h uld pl y but if will u ly b t you s o pl y d with ﬁ t ch ui you. It is

a in fun
ae

the

yo u

be t ,

he

rs S ix of e a

— s re

ea

s t the a ces

thl i d w thbj t th ﬁ ﬁ — in one ro w the deuces in an o ,

the

a rs, nes a n d siz es a ll

e

r ,

t he

threes in

ano

er

a

in ro s .

The o e c

en
now

will tu d w c d lt t ly d v be to

rn

on

a r s a e rn a e , a n d e n e a or t o

k thi ty p i t by tu i it ma e

r - one

on s

so

p ibl with ut v u i g it tu oss e ,

o

o err nn n

d w c d p t which k thi ty o n a ar , the s o s of

rn ng, o r a s n e a r to

as

; a n d the m an w ho

rn s

m a e him

r - one or so ,

it th t th c t tu d w with ut v near

a the o e r a nno

rn o n one

o

o er

u i g it wi hi t ick v y d c ivi g th r nn n

,

ns.

ick qui uch p ctic w ll u t d tr

s a re , a n d re

Tsr
re s m

is er

ee

ra

e to be

n as all o er ,

e

d n ers o o .

C H D W TR I KS

IT CAR S

71

.

p it h v k w tt h g t i p The ersons usm g

I ae

c it th t gl d ﬁ t an e to

, and say

M a

r.

i t duc it th t it f v it u t to n ro

e

; and

a

no n to a ac

re a m

Fox o f En ,

an , w a s the

w a s a a or e a m semen

ort
rs
of

chi f p i t thi c l b t d t ick C u t his The .

e o n of

s e e ra e

r

is to o n so

with f ll wi g u b viz as to end

x pl will upp it y u p ivil g c c e am

e we ,

c u t w uld c c with y u dv y o n w uld which w uld k it w uld th y o p licy k th tt wh t o

: you
add 6 ,
to a dd

the o o n

s

ose

n m ers , or r

3 10 1 7 or 24 For

.,

,

,

.

e e to omme n e the

o

ommen e

3 a nd o r a e rs ar

o

9,
ma e

o

e n be o ur

1 ,

and

ma

e 10

en no ma er ,

a num

dd c t p v t c u ti g which ber he a u b giv c d t ick will n m er

s he ,

anno

re e n you

es you the omman of the

o n n 17

r

.

W, e

sup

p k th k ose

he

a dd

6 ,

an d

ma

e 16

en ,

you

a dd

1 ,

and ma

e

17 ,

th k k en

he t o a dd” 6 a n d ,

ma

e

23 ,

you

a dd 1 an d ma ,

e

24 ,

th c t p ibly u b c u t en he anno

oss

a dd any n m e r to o n 3 1 ; a s

high t u b which w uld ly c u t the

es n m e r he c an a dd is 6 ,

o

on

on

th t ily i i g 30 so ,
k h h w v y v i ti ma e t ick r

a
31 .

you can e as T ere a re,

a dd the re m a n n 1 o r a ce a n d

,

,

o e er, m an

a r a on s t o the

.

C D G W 32 .

TO TELL THE NAME OF THE

AR

BY THE

EI HT.

d i p cut p ck c d ft You es re any erson to

aa

pl u d t k by w ighi g ch c d he

e ases

,

t y u ﬁ g ly t ll c l but momen on

it u b p t if c u t c d wh th it su and n

and
or
m er

n er a e ,

n er, n ot on

of s o s and

,

,

e
to
a

ki g qu k v be n

een or na e

of ar s as o

n ea

ar

e the o o r ,

o r - ar ,

e

en as
fo r a the
er

,
u t h v p ck c d x ctly lik You m s

,
a e two

.
a s of ar s e a

a

e : one

p ck c t tly du i g v i g a

t o be on s an

in u se

r n the e e n n in

f i g y u th t ick c d p p d p ck orm n

o r o er r

s

the se on or ,

re are

a

y u p ck t which t k pp tu ity xch gi g o r

o

e,

a e an o or n

of e

an n

th t b li v d th t p ck c d which a it may be e e e

a the a

of ar s of

t ll th t v b u i g wi th e the n ames is the same as

a you h a e e en s n

per in
,
, so
yo u

y u th t ick which th y u t k w h v b o r o er r

s, an d

e ms

no

a e een

w l le shuﬂl ed

.
p p i g y u p ck which t d The manner of

p vi u ly by f ll wi g li which c it ) re o s

is

y w d it lic f i g memor , the or

re ar n
the o o s in a

or a

n

ne,

s orm n

(

mu s be

you omm

the key

on e
to

iE ght
ﬁg ht

i t K ngs threa- e ne d to save
King three ten two seven

nine
n ine

i i fa r L ad es for one sick

ﬁ Q f ve

ueen our ace size

Kn ave .

will p c iv th t thi ki d tiﬁci l y You f d by ci cu t c i iti l l tt w d orme l c d b i g id tic l 1n the

er e e

a

s is a

n

the r ms a n e s of the n

of ar

a memor

,

a e e r o f the or s

i n e a nd the n ames of the a r s e n

en

a , as

«7 2

G C T HE MA I IA N’S o w n BO O K

.

l b l c w d we l a s the n e a r resem an e of some of the

or s. The

w d th t d divid d i t d th t or ‘‘ rea ene

is

w th h uld tt it m ay ans er for the

e

n o tw o w e 1 ds in or ,

er

a

re e a n d ten you s o

p ay a en

i thi will v y lik l f g t t on to

s
,

or

you

be e r

e y to or

lt g t which w uld ti ly w g h uld a o e her ,

o

se t you en re

ron

l ik i c it y d which uit e w se omm to memor the or er in

v i z c o me

— — n — h . :

ea r ts

sp a des

dia mo ds

chi 6s .

e the t en
you s o
the s s

h uld p t di t uit You s o

n ow s e a ra e t he

ffere n s

s ,

and

lay

th t di td bl xft c pw d pl ci gvih g dt ﬁ t pb gd i m em on the a e ,

n ex ,

a on s n e

a eu

ar s

an

,

a n d c l ubs l a st Ha

,

.

ear

rs , s a e s

n

one so e n

,

y u t k ( ) to so r t to yo u1 self , a c c o1 ding to o r key : a e up the

igh h t pl ci g it l ft h d ith b ck e

t of ear s

an

,

in t he e

an w

its a

to

p l th ki g p d which v it the a m ;

e n the

n of S a e s ,

you l ay o er ,

xt th di d xt club th ne

t he

re e of

amon s ne

,

the t en of

s

en the

,

h t u til ﬁ i h y u li which two of

d e a r s a n ,

so on,

n

you n s

o r ne ,

will t i t with k v h t th t k up erm na e

the na e of e ar s You .

en a e

ight p d till the e c k v p d wh b gi g i with ome to

of s

a

es ,

a nd

go

on

in

the

sa me

w ay

the n a e of s a es,

en you e n a a n

you

ight di d til c the e

of

amon

s ,

and go

on

un

k v di d b gi i g g i wit ight na e of

a mon s, a n d e nn n

a an

club u til c k v club which s ,

yo u

go

on

n

you ome to the na

ﬁ i h p ck which dy wh n s es the a

and

,

is now re a

h v d u xch g b ught f w d y u you a e ma e yo r e

an e, and

ro

you ome to
h the e

e of

s

,

for u se

or ar

t he of
en or

p p d p ck h d it u d cut re are

a

an

,

w t k w t c d clu t You n o w an to

ro n t o be .
n o the ﬁrs ar , a s a

e to the re s

th f t k c d h l i g it up b tw and

e re o re a e off the t op

ar an d o d n ,

light wh t c d yi g you and the

, yo u se e

a the a r is, sa n

ti th t p i g t ick by same

me ,

a t he ol d w ay of e rfor m n the r

e een
a t the
w as

d i g but th t thi v y ily d t ct d o n so , i g thu bt i d k wl dg ﬁ t c d Hav n
which will upp di d th we

a so s

s w as er eas

ee e .

a ne

a

no e

e of the rs

o s e t o be the te n o f

a mon

s ,

you

ar
,
en

t k xt c y u ﬁ g whil p t di g a e the ne

ard on

or

n er and ,

e

re e n n to

w igh it h v ti c ll ct wh t xt e

, you

ae

me t o re o e

a is t he n e

w d y which — c qu tly or

in

our

ke y,

to

ten’d ,

is to you on se

en

k w th t thi c d u t th c ll ct wh t no

a

s a r 1s a two , you m s

en re o e

a

uit c ft di d which th f s

omes a er

amon s

,

is clu bs ; you ,

e re ore ,

d cl w i ghi g y u ﬁ g e are the c aI d you are now

e

n

on

o r n er to

xt w ill c u v f be the two o clubs ; the ne

of o rse be the se en of

h t xt th t i p d ear s the ne ,

to

g p l lon a s you

e a se

a the n n e of s a e s, an d so on a s

C K H C D TR I S WIT

AR S.

73

K Q PP E W TR IC S ITH CAR D S THAT R E U IR A AR ATU S ,

h ll ly giv th t ick b c u I s a

‘
on

e one or tw o of

ese r

s ea ,

g l pp tu qui d c d xc di gly enera the a ,

ara s re

re for ar s is e e e n

p iv h th t h ll giv qui but littl pp ens e

T ose

.

a Is a

e re

re

ea

with h d k it tus, and any boy

the u se of his an s c an ma e

se in , ex a ra
.

C D V 33.

THE

AR

S IN THE

ASE .

k v with divi i which h ld Ma e a ase

ﬁ ve

s

ons
,

tw o

of

o

an

i p ck c d i i g th ly l g en t re a

of ar s and the rema n n ,

ree are on

ar e

ug ju t d it c d ch ﬁgu eno h

s to a m

one

ar

ea

a s in the
,

re A .

t g ilk th d f t d p v th s ron s

re a

is as ene

a t A a sse s o e r the ,

ree

littl c p t t th ugh b tt v e om ar men s ,

ro

the

o

om of the

a se a n d run ,

i g v pull y t i t w ight n n o er tw o

e s erm n a e s in the e ,

at B.

k th c d p d Ta e

ree

ar

s ,

say

the

ace of s

a

d ki g h t p ck c d mon s and the ,

n

of

e ar s out of a ,

put i t ch littl divi i p i g th one n o ea

of the

e

s ons

es ,

the

te n

of

dia

a

of ar s, and

re ss n the

re ad

d w i t b t ch divi i c d o n n o the ot om of e a

s on .

If the

ar s are

ft w ight will d c d t i g b i g tight d le the e ,
will p h c d upw d ki d t igg h lf us the

ar s

es en

and the s r n
,

en

ar s .

So a

n of r

ene ,
e r s e is

d which w ight t i d ma e, on

the e

res s .

The re m a n er of the

p ckh put ih twdivi ti ick t k th p ck c d W a

you

no

e n you s o

s on 2 .

the r

, you

a

e ano

er

a

of ar s

x ctly lik th which l dy v h di g e a

e

at

is a re a

in the

a se a n d ,

an n

it th p ucc iv ly c p l th ch to

re e e rso n s s

m e ss e , o

e

em to

oose the

p d d i d ki g h t a ce of s a es, the ten of

a m on

s ,

and

the

n of ear s * .

c d wh thi d p u t Let some one shuﬂﬂe the

ar s and ,

en

s is on e ,

p ck i t ivi i ll p ct t th t wh the a

n o d s on 1

Te the s e a ors

a

en you

iTh s may be done by making the pas s.

74

G C T HE MA I IAN S O WN BO O K

.

h v t uck ti t bl c d w ll a e s r

t nre e me s on the

v thi d t k l c tch whi ch of the ase At the .

ight t d by t i g th t c u the we

s an s ,

r s ro
me ans

a e, the ar

e ,

oo se n the

o f the s r n

si
a
a

co me out
on
omm ni

with y u t bl th c d will i l wly catcs

o r a e a n d the ‘ re e ,

ar s

r se s o

up d h w th t c d h v lly In or er to S o .

a the

ar s

a e rea

v a n~

i h d f p ck t k p ck divi i e e

ro m t he a , a e the a

out of

s on 2 and let

x i i t a ny one e a m n e

.

p f d w th d y u lf by h vi g If you

re

er ,

you

can

ki d p d l u d y u t bl hich th a

n of a

ea

n er

t i g tt ch d i t d b i g f t d of the s r n is a a e

ra the
or a , ns ea

re a

o

e to w ,
of e n

rse ,
the o
as ene

an
er end to the

w ight p f w ight u t h v ll e

B .

If you re e r the

e

, yo u m s

a e a sma

h lf w igh t up wh it d c d d s e for the e

t to res

on ,

en

has es en e suf

c d will f c d ti ly by ﬁ ciently

l ow ,

or

the

ar s

be or e en re o u t

t he

th d p t ti d ivi i h w re a . 0 is a re resen a on of one of the

s ons, s o

i ci cul cut th t d th ing the sem - r

ar

a is m a e in em for the con

t k i g c d vinience of a n out the ar s

.

3 4 THE llIETAMOR PHOSIS

.

.

thi t xc ll t t ick ch f p ck In

s mos e e en r

you

o ose rom the a

the

d i d p ut f u four ‘ eights an d the t w o of

a mon s ; you

t he o r

ight y u l ft h d t bl t k e

s in o r e

a n a nd the t w o on the a e you a e

pl ci g ight t bl th y in the two ,

an

an e

on the a e a nd ,

e are all

tw xch g ight th y os .

You e

an e the t w o for the e

and
,

e all

b c bl ck c d g i xch g ight e ome

a

ar s ; you a a n e

an e the e

for

th y tu ft g i xch gi g the two and ,

e all

rn red ; a n d a er a a n e

an n
,

h v b f f u ight you

a e as ,

d mon s .

e ore the ,

or e

s an d the tw o of dia

th d cc pli hi g thi t ick f ll w The me o of a om s n

sr

is a s o o s

th pl i whit c d x ctly lik pl yi g c d Get p i t th g vi g Mix th with and

re e an

an

e ar s e a

,

em a s in the e n ra

n .

e

an

em

ar s, an or

p ck wh chi g u igh t dinary a , and

en you are se ar

with which g i g p f t ick t k you say you are o n to

h f p ck with h di y ight t em rom the a , and

t em

lub di d c

s and a tw o of

m a on s.

n for the fo r e

er orm a r

,

an or nar e

s,
ae
of

C K H T R I S WIT CA a ns

75

.

h w c d ﬁg ki g p ct t S o v th t th f u ight Put ser e

t he
a

a r s a s in ere a re t he

2 ma n

.

,

o re

s .

t he s e a ors ob t he t w o of dia‘

d b hi d ight club ight mon s bl u t i t d b f ight ta e.

e n the e

m The two

s

of

s ,

an d

l ay the e

be n se r e

e ore the e

o n t he is re

v d y t y ki g will pp t m m h t '

o e , or

e

s er

of the m a r n

be a are n

l c d tu th v p d th wh C ose the ar s

rn

,

h y will pp Fig k ight t e

a e a r a s in

em o er, an d S re a

3

.

.

Ta e in the e

em out

en

,

an d l ay the

t bl cl c d whil hu i g th two on the a e ;

ose the

ar s and ,

e s fﬂ n

u c d th u w d c d wi l t rn

ar

No 2 the o .

er w ay

p

ar s.

The

ar s

e

m ,

l

h pp bl ck Fig k t en all a

ear

a

a s in
,

4

.

.

Ta e in the t w o a n d re

v ight tu th v p d th wh mo e the e

,

rn

em o

er ,

and

s

re a

em out

en

,

h y will pp Fig Fi lly t k t e

a

ear all

re d ,

as

in

5

.

.

na

, a e the

ight pl ci g t bl v e

N re
,

an

the tw o on the a

e re e rse
,

o .

2 ,

and

you

wil h v f u ight di d j u t l a e the o r e

s a nd the t w o of

m a on s,

s as

th y w ﬁ t u t i v t pl ty t lk du i g e

ere a t

rs .

You m s

n en

en

of a

rn

y u ch g p ct t th t c d o r

an

es .

If t he s e a ors

d ubl p d th h ld th up light o

e s re a

,

em out, and o

light c t p t t th ugh pl c wh the

anno

ene ra e

ro

say
em
the

a the to t he
a es

ar s are
(, for
e re t he

c d pl c d v ch th if th y till k p ar s are

a e o er ea

) o er a nd ,

th di d l k tical ' hand

em the tw o of

amon s to

,

t h d th ight club ki g th momen or tw o an

e m the e

of

e are s

se

oo a t a nd in a ,

s as n

em

,

76

G C T HE MA I IAN’S o wn BO O K

.

h h th y w uld lik x i bl ck c d l w e t er

e

o

hi will ctu lly di T s

e ffe

a

e to e am ne a

a

s arm sup icio n .

ar

a so .

D F U G F V D 35 TO HOL .

O R KIN S OR OUR KNA ES IN YOUR HAN AND TO ,

C G UDD C D F HAN E THEM S ENLY INTO BLANK AR S AND THEN TO OUR

,

CA ES

.

c y h v c d d p u p thi It is ne e ssar to a e ar s ma e on

r o se for

s

ick h lf c d th y p p ly t d th t tr h lf ki g k v th h lf c h one c v th c u thi g but you ki g k v tu i g ki g the

a

a

ar s a s ,

e m ay be ro e r

e rme ,

n s or n a e s, a n d the o e r a

a es .

Wa is, en

l ay the a e s o n e o e r the o

er of ,

o rse no

n

n s o r n a e s c a n be se e n a n d o n

rn n the

ns

k v d w w d f u c will k th i pp or na es o n ar the o r a es ,

ma e

e r a ear

c u t h v p f ct c d ki g an e .

You m s

a e tw o er e

ar s on e a ,

n or

k v v c l it will na

e ,

to

put

o

e r o n e of the a

es e se ,

th v ki g k v h the o

er

an a ce to ,

l ay o

er the

n s or

be se e n a n d

W n a e s .

en

wi h k th pp bl k c d lit you

s to ma e

em all a ear

a n , l ay the a r s a

l w by hidi g c th y will pp whit tle o er and ,

n the a e s

e

,

a ear

e on

b th id th which th y wi h h o

S es ; you may

en a sk

e

s to ave and

,

h ki g c k v th y c ll d may S ow

n

sa ,

es, or

na es, a s

e a re a e for .

C G C D P D 3 6. TO HAN E A AR

IN A ERSON’S HAN .

v y tly p t f th p d Cut er nea

the S o s ro m a

re e of s a e s.

Lay

pi c d c d di d p tu the er e

ar o n an ace of

amon s a nd rub oma m ,

di d th ugh pl c which p d on the ace of amon s ro

the a e s

the s a e s

cc pi d v pi c d c d p i kl o u e

R emo e the

.

er e

ar

and s r n

,

e the a ce

with p wd which dh i g p of diamdnds

jet o

er ,

a er n to the oma

ill t f c d i t th p d tum W ,

ran s orm the a r n o a

ree of s a e s .

Pl c t f d c d b tt p ck a e the ran s orme

a r at the o om of the a

and

,

h w p wh t c d it M k d cl it th t S o a erson

a

ar

is

a e him e a re

.

a

v y h th pl c it t bl f c d w e er

one may

e

a

r ,

en

ae

o n the

w pu h it v cl t p ct t which ards a nd

s

,

o e r t he

o h to the

cti will p wd ll pl c a

on

j ru b off al l the e t o

er .

Te

a e ae ,
S e a or , him to a

on
e his

h d c d th p d an

o n t he

ar

Let a

.

re e of s a e s be a t the t o p of

p ck d d c d f the a

a n d an a c e of ia mon s the se on

,

rom the bo t~

h th p d i d to m S ow ano er .

erson the a ce of

a mon s, a n d a sk

t ll c d p ly p ck him to e

t he n a me o f the

ar

o en .

Put the a

d w f c d w d d i g k p o n a e ,

o w n ar s a nd in so ,

on

ma e the

ass and ,

b i g th d b tt r n the

re e of S p a e s t o the

o om .

h d p gu di g c Tap the a n of the e rson w ho is

ar n

the a rd a n d ,

t ll t k c d h w it the n e him to a e up the ar a nd S o

to the Sp e ct ao

t h it will di d ors w en ,
t k up p ck h w th u ltan eously, yo u

be se e n t o be th e a c e of

a mon s Sim .

ae

t he a

a nd s o t he

,

re e of

p d b t S a e s a t the o tom

.

78

G C K W T HE MA I IAN’S O N BO O .

th p p dy d i th t wh wil o er a er rea

a nd e s re him to try a

en he

l

t lik ly xcu d will p f lighti g it mos

e

be g t o be. e

se and ,

re er

n

with h c dcl d c u d th t wi h W the

an

e .

e n the ar

is

on s me , say

a you do n ot

s to

ﬁx p p ti cul p c p y ch u on any ar

l t it ight u p ct d c f d t th f es

m

be s s

qu l di c p ch ch re

est any tw o a

a r e rson in om an to

oose an e gg,

e e he w a s a on e era e

e re ore ,

e s in om any t o

oose e a

an egg,

h vi g d t d cid b tw th lv whic and a n

one

so ,

.

o

e

e e een

e mse es

h

h ll c t i c d wh thi d c d s a

on a n the a r ;

en

s is

one ,

t ake a

c it c iv j ct d b k it wit sau er and in ,

re e e the re e e

eg g , re a

y u h w u d c p y o r w an d, an d S o the e g g ro n to the om an

se on
h at the

ti d wi g th i tt ti f ct th same me ra n

e r a en on t o the a

of

ose t w o

gg h vi g b ch f g u b th e

sa n

een

i g p ibl h v t ld which and of its not b e n

t w uld ch hem o

be the

osen rom am on a n m er of o

oss

e fo r you t o a e o

osen one .

ers,
of

c iv ch uc c t i i g You n ow re e e the

osen eg g in the sa er on a n n

h h vi g ll d it b ut til h v bl ck d the as es and a n ro e ,

ao

un

you a e

ae

it littl bl w h f u d it i t g t a

e

o t he a s e s ro m a ro n

,

n o t he ra e ;

th b k with w d wh you

en re a the e g g

the s a me

an ,

en on ,

t uchi g p i g c d will f d o

n the s r n the ar ,

be oun in t he eg g .

th d p p i g p p ti d The me o of re ar n the a er men on e in the

b v f t f ll w k pi c l tt p p a o e ea is as o o

b ut i ch l gth th qu t i ch a o

S ix n es in en

s : Ta e a and ree

e e o f e e r a e r,

ar ers of an n

in

b dth f ld it l gitudi lly with k if cut it rea

o
,

c b ut i ch d w th t k id rease a o

on
ﬁ ve n

na es o

an d
,

n

en

a ne

in the

a e one of the S e s

which ti l c ct d b tt with b ck are s l

onn e e at the o om a nd ,

k if u d it thu b ight h d v of the

ne

n er

and the
,

m o f the r

the a
an o er

it cu l it utw d w uld t l kit r

o

,

ar s a s a boy

o

t he a sse s o f his

e

p t p c with th id th re ea the sa me ro ess

by h b ut u i g th but till th for use

W en a o

.

t he o e r s

sn

( e m ,

e, and lay

em

not

en as ,

p p will l th i if t tch d d w th the a ers

soon o se

e r c uIl

s re

e

ra

em

up k th th i l gth t so as to ma e

em

e r ( n ig in a l e n

a n d urn t he
,

d v littl d th t t y i wh en s o er a

e in o r e r ,

a he m ay re m a n s o ;

en

th y will bu i ut set on ﬁre

e

,

rn for a m n e o r t w o u Ii til the ,

tu v bu t wh light d d will tu v i rn- o er s

rn ou t ,

en the

e en s

rn o er

quickly bu i g ﬁ g h ld thi p t ,

rn n the n e rs of the o er

s a r of the

t ick v f il xcit g t t i t r

ne er a s to e

e the

m re a e s m e rr

en .

F F U D V 38 THE .

I TEEN THO SAN

LI RES .

thi t ick p p c d lik cc p y g For g vi g h v c i d en ra d w di d p p d c d Hold

sr

re a re t w o a r s
,

e the a om an in

n

an d a e a o mmon a ce and ﬁ ve of d amon s

.

o n th e ﬁ ve of a m o n s a n d the tw o re a re

ar s,

C D W T R l CKS

IT H

AR

S .

h w xt g v g a s s o n in the ne

c t i F ch l ft ﬁft say, “A e r a n

re n

en ra in
man e

; and
een

th u d liv which p t d o san by th th c d th ese y u g t g d l v th i the tw o

re s,

a re re re se n e

re e ar s t o his ,

ree son s

o n es a re e to e a e

er

th u d ch th h d ﬁ ve o san ea

of

,

ld th t ight i p v it of the e er

a he m

hil t lli g thi t y W

,
e you are e n

t bl p u t ﬁ ve on the a e an d

em in the an s ,

m ro e

”

.

s s o r l ay the

the a ce in it s

pl c ti tfully ch g a e

,
a t the sa me me ar

an e

p iti th c d the th t th c d pp thi a

os on of the o er tw o ar s so ,

t he

re e a r s a e ar a s in

s

g vi g h u i g t l en ra

n .

T en re s m n ,

the a e ,

l t th t ld t b th i t d re a e

a

The e e s

ro er ns e a ,

i p vi g y l t it b y of m ro n the mone

os

all

,

g i g xc pt th th u d liv am n

ee

,

ree

o san

re s,

h l i g t bl t ki g ( a s you ere see

a y n the a ce on the a e an d a n ,

y h v i g l t y w t ) up the ﬁ ve . Sorr for a n

o s the mon e he ,

en to

t di wit th th th u d b ught the Eas In es

h

e se

re e

o san

and ro

,

b ck ﬁft th u d h h w c d a

een

o s a n ” T e n s o the ar s in the s a me

.

p iti ﬁ t d thi d c pti g bl it os

on as at

rs .

To re n e r

s ee

on a re e a e ,

u t p f d wi h d xt ity h uld m s be er orme

t

e er

a nd s o

,

n ot be re

but c d i di t ly put p ck t peated,

the ar s mme a e

in the a e ; an d

h uld h v c c d dy h w if you s o

a e ﬁ ve om mon ar s re a

to s o ,

any

d i th one es re t o see

em .

M HINTS TO A ATEU R S .

f ll wi g hi t c id bl i p t c THE o o n

n s a re of on s era e m or an e to the

t u xhibit ama e r e v cqu i t c p y b f h d with 1 Ne er a
.
f t b ut p f it wi ll giv ticulars of the th ti di c v y u d p ti em me to

or . an

the

om an

e a you are a o
s o er o r mo e

e ore an
to er orm as ,
of o era on .

the p ar
e

d v uch p ibl cqui v i u 2 .
th d p f i g f t d th t if me h uld lik ly f il h v b li s o th t y u p ti p ct d p p a ith th w

En e a o s of
be
o ro

or a s m ,

as

oss e to a

,

re ar o s

e r o rm n the s a me e a in o r e r

a

,

you

e

to a

in one or ,

a e re a son t o

e e ve

e ra on s a re s us e e , yo u m ay be

re a re d

ano e r

.

v yi ld qu t p t 3 Ne er .

e

to the re

e s of any one to re e a the

f t th by h z d d t cti y u d same e a , as you

ere

a ar t he e e on of o r m o e

p ti but b lut ly fu th t w ul of o era on ; pp u g ci u P i p f it d a ear n ra

do n ot a so

e

re se a s

a

,

od

o s.

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80

G C W T HE MA I IA N’S O N BO O K.

th xhibit th which wh t bl way, and

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P C CURE FOR TR OUBLESOME S E TATORS .

will ti h pp ly t g It

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V U E NT R ILO Q

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81

tiﬁ d pplyi g uth bl wi g h d mor

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V Q M THE SECR ET O F ENTR ILO U IS .

i c t thi u p i i g i ply c i t THE ma n se re of

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6

82

G C W T HE MA I IAN’ S O

N

BO

O

K .

p l t uch th t by i i g d p i the a a e in s

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m m a o n s - a re
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rom

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[83]

84

G C T HE MA I IAN’S O WN BO O K

.

H K th c y SYMPAT ETIC IN S.

c p d c which b y d di c v y orres on c t ith cl th i k w iti g the se re b c vi ibl ly wh i t d with p ticul e omes

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p v t d t yi g p p u c ipt will as to re en its

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86

G C K W T HE M A I IAN’S O N BO O .

thi cid lu p ug pl c hip some of

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XP C U E ERIMENTS ON OMB STION .

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a s t o be a re

se

a

,

pro

t h t th t pi c pl ti u wi ducing so i n ense a

ea

aa

e e of

a nm

re

i t t y b c whit wh h ld ﬂ ns an l

e o me s

e hot

en e

in t he a me If .

h ld gl tu bl i v t d v ﬂ it b c you o c d wit i ut d p w t ult u i overe

a

a ss

m er n e r e o er t he a me

,

e omes

h m n e ro s of

a er the re s ,

of the n on

hyd g with xyg thi c of the

ro e n

the o

en of the air a n d in ,

s a se

w t ly p du ct a er is the on

ro

.

pi c ch c l which pu c b ly If a e e of

ar oa ,

ig it d i t duc d i t c t i i g xyg be

ne

and n ro

,

e

n

c t ph ic p d uct will c b i c cid ommon a mos er air, the

ly t c bu tibl b di c t i b th c b gas on .

As m o s

om

s

is

re a r on or n e ar

so

,

j o a a r on a n n o ,

en or

ro

be a r on

a

e o es on a n o

ar on

hyd g ult th i c bi ti c b ic and

ro

cid w t hi c wi h u d ill a

and

i ti d p v t w t p duc d m na on

en the re s

of

,

a er T s is the .

a n d in or e r to

er a se re en

om n a on is

t t he g a s se

the

a er so

ar on
for u

ro

e

f p ili g g d h p v i u pl h v b rom S o n

oo s in s o s

ar o s

ans

ae

een

,

.

d vi d c yi g w t wh t t e se for arr n off the

a er

en in the s a e of

t hi g lly cc pli h d by u p di g v s eam

T s is e n e ra

a om s e

s s en n o er

G C C H T HE MA I O F

EMIST R Y.

87

bu gl b ll c u ic ti g with tub p i the

rne rs

a ss e s omm n a n ,

es O en ng

i t chi y p i g ut id h u n o the

mne , o r a ss n

o

s e t he o se .

h w th t xyg quiv l t c y To s o

ao

en or some e ,

a en , is n e e ssar

upp t c bu ti ﬁx th pi c for the s

or of om

s on ,

two or

re e

e es of

t p c k th ﬂ ti g w ax a e r on ﬂ at ' pie ces of

or

and
,

set

em o a n on

w t up pl t light th i v t v th a er in a so

-

ae
,

em, and n er o e r

em a

gl th y bu h t p duc d p h p j ass ar ; as

e

rn the e a

ro

,

e

may

er a s

ﬁ t xp d f c l l qu tity at rs e an the a ir so as to or e a sma

an

out of

but w t will i c ti u j the

ar ,

the a er

j soon r se in the

ar
,

and

on

ne

u til t p xpi wh will th t to do so n

t he a e rs e

re ,

en you

ﬁ nd

aa

c id bl p t di p p d wh t ons era e or ion of the air has

sa

e are

and
,

a

i will l g upp t ﬂ th t xyg rema ns

no on er s

or

ame

a

is ,

t he

o

en

b c v t d p tly i t w t p tly i t has een on er e

ar

no

a er and ar ,

n o car

cid by u iti g with c b hyd g bonic a

g a s,

nn

the ar on a n d

ro en

which t p c i t i i g p i of

the a er

it g with c b ic cid p c cipally n

ro

en ,

on s s s an d the re ma n n ,

a ir is r n

some ar on

a

the re sen e of

l tt p v d by d c ti g i the a er may be ro e

e a n n s o m e of t he re m a n

i t b ttl th h ki g li w t with ing air n o a

o

e and ,

m m e n s a n s o e

e- a er

it which will b b c b ic cid f ch lk a sor the ar on a

a n d o rm

a

,

t gl thi d full w t b ut In o an l a e-

ass tw o ,

d p p i c ph ph u b ut iz p ro one or tw o

e es of

th y will i u lt d h t k bl dd and e

rema n na

.

rs

of a e r a t a o

1 400 ,

os

or s a o

the s e of e a s,

e re .

T en a e a

a er con

t i i g xyg which tt ch d t p c ck a n n o l g tub p tub b tt on ﬁne

en g a s, to

is a a

e

a ss the e n d o f the

e aso - o

and a

e to the o om of

w t tu t p c ck p bl dd g tly the a er,

rn t he s o - o

an d ress the
,

a er en

ch ph ph u it will t k b u as the g as re a es the

os or s

a e ﬁ re an d

rn

,

u d w t wit b illi t ﬂ ﬁlli g gl with n er the a er

ha r

an

a me

,

n the

ass

b illi t ﬂ h d hi g th ugh w t r

an

=s e s of l g ht a s n

ro

t he

a er .

th put c ld w t i t duc c In to an o er gl a w

so me o

a er

n ro

e are

f lly lt c ll d chl t u

some of the sa

ae

ora e

p t up th t d p pi c of o assa

on

a

ro a

e e of

ph ph u th t g os ulphu ic cid vit i l t ic l s l wly d w id gl s o i t d c it by d ppi g n ro

,
or s

r

a

on

ue

en l et some s ron

( o il of

) r o

r ke

the s e of the
me an s of a

ass or ,

ro

n

b ttl it t uch lt o e

As soon a s

o

e s t he sa

.

it d c p i t lib t e om oses

and
,

era es a g as

uch pwphich igc it phl tph xpu i p dtuc ing m

the s ame a

n es the

os or s ro

~

,

e ara n e a s in the a s e

er men .

t h lf b k phi l put chl t In o the a of a ro en

a

so me

ora e of p o ~

t p u vi t i l phi l will assa, and o r in some O il of

r o . The

a

soon

ﬁll d with h vy d p y ll c l be

e

a ea

g as of a ee

e o w o or Tie a .

ll t t tub ight gl tick l sma

es

e at r

a n e s t o the e n d o f a s

n ot e ss